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The invention of evening : = perception and time in Romantic poetry /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The invention of evening :/ Christopher R. Miller.
其他題名:
perception and time in Romantic poetry /
作者:
Miller, Christopher R.,
面頁冊數:
1 online resource (ix, 262 pages) :digital, PDF file(s). :
附註:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:
English poetry - History and criticism. - 19th century -
電子資源:
https://doi.org/10.1017/CBO9780511720031
ISBN:
9780511720031 (ebook)
The invention of evening : = perception and time in Romantic poetry /
Miller, Christopher R.,1968-
The invention of evening :
perception and time in Romantic poetry /Christopher R. Miller. - 1 online resource (ix, 262 pages) :digital, PDF file(s). - Cambridge studies in Romanticism ;66. - Cambridge studies in Romanticism ;104..
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
The pre-history of romantic time --1.
Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this development. The tradition of evening poetry runs from the idyllic settings of Virgil to the urban twilights of T. S. Eliot, and flourished in the works of Coleridge, Wordsworth, Shelley and Keats. In fresh readings of familiar Romantic poems, Miller shows how evening settings enabled poets to represent the passage of time and to associate it with subtle movements of thought and perception. This leads to new ways of reading canonical works, and of thinking about the kinds of themes the lyric can express.
ISBN: 9780511720031 (ebook)Subjects--Personal Names:
801356
Coleridge, Samuel Taylor,
1772-1834--Criticism and interpretation.Subjects--Topical Terms:
647956
English poetry
--History and criticism.--19th century
LC Class. No.: PR508.T56 / M55 2006
Dewey Class. No.: 821/.040933
The invention of evening : = perception and time in Romantic poetry /
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Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this development. The tradition of evening poetry runs from the idyllic settings of Virgil to the urban twilights of T. S. Eliot, and flourished in the works of Coleridge, Wordsworth, Shelley and Keats. In fresh readings of familiar Romantic poems, Miller shows how evening settings enabled poets to represent the passage of time and to associate it with subtle movements of thought and perception. This leads to new ways of reading canonical works, and of thinking about the kinds of themes the lyric can express.
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https://doi.org/10.1017/CBO9780511720031
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