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Writing against revolution : = literary conservatism in Britain, 1790-1832 /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Writing against revolution :/ Kevin Gilmartin.
Reminder of title:
literary conservatism in Britain, 1790-1832 /
Author:
Gilmartin, Kevin,
Description:
1 online resource (xii, 316 pages) :digital, PDF file(s). :
Notes:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Subject:
Conservatism and literature - History - 19th century. - Great Britain -
Subject:
Great Britain - Politics and government - 1997- -
Online resource:
https://doi.org/10.1017/CBO9780511484223
ISBN:
9780511484223 (ebook)
Writing against revolution : = literary conservatism in Britain, 1790-1832 /
Gilmartin, Kevin,1963-
Writing against revolution :
literary conservatism in Britain, 1790-1832 /Kevin Gilmartin. - 1 online resource (xii, 316 pages) :digital, PDF file(s). - Cambridge studies in Romanticism ;69. - Cambridge studies in Romanticism ;104..
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Introduction: reconsidering counterrevolutionary expression -- In the theater of counterrevolution: loyalist association and vernacular address -- "Study to be quiet": Hannah More and counterrevolutionary moral reform -- Reviewing subversion: the function of criticism at the present crisis -- Subverting fictions: the counterrevolutionary form of the novel -- Southey, Coleridge, and the end of anti-Jacobinism in Britain.
Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society to achieve a stable future in contrast to the destructive upheavals taking place in France. Kevin Gilmartin explores the literary forms of counterrevolutionary expression in Britain, showing that while conservative movements were often inclined to treat print culture as a dangerously unstable and even subversive field, a whole range of print forms - ballads, tales, dialogues, novels, critical reviews - became central tools in the counterrevolutionary campaign. Beginning with the pamphlet campaigns of the loyalist Association movement and the Cheap Repository in the 1790s, Gilmartin analyses the role of periodical reviews and anti-Jacobin fiction in the campaign against revolution, and closes with a fresh account of the conservative careers of Robert Southey and Samuel Taylor Coleridge.
ISBN: 9780511484223 (ebook)Subjects--Topical Terms:
1438407
Conservatism and literature
--History--Great Britain--19th century.Subjects--Geographical Terms:
556459
Great Britain
--Politics and government--1997-
LC Class. No.: DA530 / .G55 2007
Dewey Class. No.: 820.9/358
Writing against revolution : = literary conservatism in Britain, 1790-1832 /
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Introduction: reconsidering counterrevolutionary expression -- In the theater of counterrevolution: loyalist association and vernacular address -- "Study to be quiet": Hannah More and counterrevolutionary moral reform -- Reviewing subversion: the function of criticism at the present crisis -- Subverting fictions: the counterrevolutionary form of the novel -- Southey, Coleridge, and the end of anti-Jacobinism in Britain.
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Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society to achieve a stable future in contrast to the destructive upheavals taking place in France. Kevin Gilmartin explores the literary forms of counterrevolutionary expression in Britain, showing that while conservative movements were often inclined to treat print culture as a dangerously unstable and even subversive field, a whole range of print forms - ballads, tales, dialogues, novels, critical reviews - became central tools in the counterrevolutionary campaign. Beginning with the pamphlet campaigns of the loyalist Association movement and the Cheap Repository in the 1790s, Gilmartin analyses the role of periodical reviews and anti-Jacobin fiction in the campaign against revolution, and closes with a fresh account of the conservative careers of Robert Southey and Samuel Taylor Coleridge.
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https://doi.org/10.1017/CBO9780511484223
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