國立虎尾科技大學 |

Chromatic transformations in nineteenth-century music /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Chromatic transformations in nineteenth-century music // David Kopp.
Author:	Kopp, David,
Description:	1 online resource (xiii, 275 pages) :digital, PDF file(s). :
Notes:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Subject:	Harmony. -
Online resource:	https://doi.org/10.1017/CBO9780511481932
ISBN:	9780511481932 (ebook)

Chromatic transformations in nineteenth-century music /
Kopp, David,

Chromatic transformations in nineteenth-century music /David Kopp. - 1 online resource (xiii, 275 pages) :digital, PDF file(s). - Cambridge studies in music theory and analysis ;17. - Cambridge studies in music theory and analysis ;17..

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Common-tone tonality -- Three examples of functional chromatic mediant relations in Schubert -- Key harmonic systems and notions of third relations form Rameau -- Hugo Riemann -- Twentieth-century theory and chromatic third relations -- Riemann's legacy and transformation theories -- A chromatic transformation system -- Chromatic mediant relations in musical contexts -- Five analyses.

David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully fledged entities into a chromatically based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples.

ISBN: 9780511481932 (ebook)Subjects--Topical Terms:

800421
Harmony.

LC Class. No.: MT50 / .K84 2002

Dewey Class. No.: 781.2/52

Chromatic transformations in nineteenth-century music /
LDR:02453nam a2200313 i 4500 001 1123001
003 UkCbUP
005 20151005020622.0
006 m|||||o||d||||||||
007 cr||||||||||||
008 240926s2002||||enk o ||1 0|eng|d
020 $a 9780511481932 (ebook)
020 $z 9780521804639 (hardback)
020 $z 9780521028493 (paperback)
035 $a CR9780511481932
040 $a UkCbUP $b eng $e rda $c UkCbUP
050 0 0 $a MT50 $b .K84 2002
082 0 0 $a 781.2/52 $2 21
100 1 $a Kopp, David, $e author. $3 1439589
245 1 0 $a Chromatic transformations in nineteenth-century music / $c David Kopp.
264 1 $a Cambridge : $b Cambridge University Press, $c 2002.
300 $a 1 online resource (xiii, 275 pages) : $b digital, PDF file(s).
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
490 1 $a Cambridge studies in music theory and analysis ; $v 17
500 $a Title from publisher's bibliographic system (viewed on 05 Oct 2015).
505 0 $a Common-tone tonality -- Three examples of functional chromatic mediant relations in Schubert -- Key harmonic systems and notions of third relations form Rameau -- Hugo Riemann -- Twentieth-century theory and chromatic third relations -- Riemann's legacy and transformation theories -- A chromatic transformation system -- Chromatic mediant relations in musical contexts -- Five analyses.
520 $a David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully fledged entities into a chromatically based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples.
650 0 $a Harmony. $3 800421
650 0 $a Chromaticism (Music) $3 800420
650 0 $a Music $y 19th century $x History and criticism. $3 799106
776 0 8 $i Print version: $z 9780521804639
830 0 $a Cambridge studies in music theory and analysis ; $v 17. $3 1439590
856 4 0 $u https://doi.org/10.1017/CBO9780511481932