國立虎尾科技大學 |

Stefan Wolpe and the avant-garde diaspora /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Stefan Wolpe and the avant-garde diaspora // Brigid Cohen.
其他題名:	Stefan Wolpe & the Avant-Garde Diaspora
作者:	Cohen, Brigid Maureen,
面頁冊數:	1 online resource (xii, 328 pages) :digital, PDF file(s). :
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	Avant-garde (Music) - History - 20th century. -
電子資源:	https://doi.org/10.1017/CBO9780511758508
ISBN:	9780511758508 (ebook)

Stefan Wolpe and the avant-garde diaspora /
Cohen, Brigid Maureen,

Stefan Wolpe and the avant-garde diaspora /Stefan Wolpe & the Avant-Garde DiasporaBrigid Cohen. - 1 online resource (xii, 328 pages) :digital, PDF file(s). - New perspectives in music history and criticism ;23. - New perspectives in music history and criticism ;23..

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Wolpe's self-revelatory poetics and critical reflections, circa 1951 -- Weimar-era montage and avant-garde community -- "Amalgamated" musics and national visions in 1930s Palestine -- The mid-century poetics and politics of experimental community.

The German-Jewish émigré composer Stefan Wolpe was a vital figure in the history of modernism, with affiliations ranging from the Bauhaus, Berlin agitprop and the kibbutz movement to bebop, Abstract Expressionism and Black Mountain College. This is the first full-length study of this often overlooked composer, launched from the standpoint of the mass migrations that have defined recent times. Drawing on over 2000 pages of unpublished documents, Cohen explores how avant-garde communities across three continents adapted to situations of extreme cultural and physical dislocation. A conjurer of unexpected cultural connections, Wolpe serves as an entry-point to the utopian art worlds of Weimar-era Germany, pacifist movements in 1930s Palestine and vibrant art and music scenes in early Cold War America. The book takes advantage of Wolpe's role as a mediator, bringing together perspectives from music scholarship, art history, comparative literature, postcolonial studies and recent theories of cosmopolitanism and diaspora.

ISBN: 9780511758508 (ebook)Subjects--Personal Names:

1133997
Wolpe, Stefan.
Subjects--Topical Terms:

1133999
Avant-garde (Music)
--History--20th century.

LC Class. No.: ML410.W8355 / C64 2012

Dewey Class. No.: 780.92

Stefan Wolpe and the avant-garde diaspora /
LDR:02374nam a2200313 i 4500 001 1123222
003 UkCbUP
005 20151005020624.0
006 m|||||o||d||||||||
007 cr||||||||||||
008 240926s2012||||enk o ||1 0|eng|d
020 $a 9780511758508 (ebook)
020 $z 9781107003002 (hardback)
035 $a CR9780511758508
040 $a UkCbUP $b eng $e rda $c UkCbUP
050 0 0 $a ML410.W8355 $b C64 2012
082 0 0 $a 780.92 $a B $2 23
100 1 $a Cohen, Brigid Maureen, $e author. $3 1439950
245 1 0 $a Stefan Wolpe and the avant-garde diaspora / $c Brigid Cohen.
246 3 $a Stefan Wolpe & the Avant-Garde Diaspora
264 1 $a Cambridge : $b Cambridge University Press, $c 2012.
300 $a 1 online resource (xii, 328 pages) : $b digital, PDF file(s).
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
490 1 $a New perspectives in music history and criticism ; $v 23
500 $a Title from publisher's bibliographic system (viewed on 05 Oct 2015).
505 0 $a Wolpe's self-revelatory poetics and critical reflections, circa 1951 -- Weimar-era montage and avant-garde community -- "Amalgamated" musics and national visions in 1930s Palestine -- The mid-century poetics and politics of experimental community.
520 $a The German-Jewish émigré composer Stefan Wolpe was a vital figure in the history of modernism, with affiliations ranging from the Bauhaus, Berlin agitprop and the kibbutz movement to bebop, Abstract Expressionism and Black Mountain College. This is the first full-length study of this often overlooked composer, launched from the standpoint of the mass migrations that have defined recent times. Drawing on over 2000 pages of unpublished documents, Cohen explores how avant-garde communities across three continents adapted to situations of extreme cultural and physical dislocation. A conjurer of unexpected cultural connections, Wolpe serves as an entry-point to the utopian art worlds of Weimar-era Germany, pacifist movements in 1930s Palestine and vibrant art and music scenes in early Cold War America. The book takes advantage of Wolpe's role as a mediator, bringing together perspectives from music scholarship, art history, comparative literature, postcolonial studies and recent theories of cosmopolitanism and diaspora.
600 1 0 $a Wolpe, Stefan. $3 1133997
650 0 $a Avant-garde (Music) $x History $y 20th century. $3 1133999
650 0 $a Musicians $v Fiction. $3 879281
776 0 8 $i Print version: $z 9781107003002
830 0 $a New perspectives in music history and criticism ; $v 23. $3 1133998
856 4 0 $u https://doi.org/10.1017/CBO9780511758508