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The limits of eroticism in post-Petrarchan narrative : = conditional pleasure from Spenser to Marvell /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The limits of eroticism in post-Petrarchan narrative :/ Dorothy Stephens.
其他題名:
conditional pleasure from Spenser to Marvell /
作者:
Stephens, Dorothy,
面頁冊數:
1 online resource (xii, 248 pages) :digital, PDF file(s). :
附註:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:
English poetry - History and criticism. - Early modern, 1500-1700 -
電子資源:
https://doi.org/10.1017/CBO9780511484025
ISBN:
9780511484025 (ebook)
The limits of eroticism in post-Petrarchan narrative : = conditional pleasure from Spenser to Marvell /
Stephens, Dorothy,
The limits of eroticism in post-Petrarchan narrative :
conditional pleasure from Spenser to Marvell /Dorothy Stephens. - 1 online resource (xii, 248 pages) :digital, PDF file(s). - Cambridge studies in Renaissance literature and culture ;29. - Cambridge studies in Renaissance literature and culture ;35..
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Spenser. Into other arms: Amoret's evasion ; "Newes of devils": feminine sprights in masculine minds ; Monstrous intimacy and arrested developments ; Narrative flirtations -- Seventeenth-century refigurations. "Who can those vast imaginations feed?": The concealed fancies and the price of hunger ; Caught in the act at Nun Appleton.
Although theories of exploitation and subversion have radically changed our understanding of gender in Renaissance literature, to favour only those theories is to risk ignoring productive exchanges between 'masculine' and 'feminine' in Renaissance culture. 'Appropriation' is too simple a term to describe these exchanges - as when Petrarchan lovers flirt dangerously with potentially destructive femininity. Spenser revises this Petrarchan phenomenon, constructing flirtations whose participants are figures of speech, readers or narrative voices. His plots allow such exchanges to occur only through conditional speech, but this very conditionality powerfully shapes his work. Seventeenth-century works - including a comedy by Jane Cavendish and Elizabeth Brackley, and Upon Appleton House by Andrew Marvell - suggest that the civil war and the upsurge of female writers necessitated a reformulation of conditional erotics.
ISBN: 9780511484025 (ebook)Subjects--Personal Names:
800925
Petrarca, Francesco,
1304-1374--Criticism and interpretation.Subjects--Topical Terms:
579445
English poetry
--History and criticism.--Early modern, 1500-1700
LC Class. No.: PR539.N3 / S74 1998
Dewey Class. No.: 821/.03093538
The limits of eroticism in post-Petrarchan narrative : = conditional pleasure from Spenser to Marvell /
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Spenser. Into other arms: Amoret's evasion ; "Newes of devils": feminine sprights in masculine minds ; Monstrous intimacy and arrested developments ; Narrative flirtations -- Seventeenth-century refigurations. "Who can those vast imaginations feed?": The concealed fancies and the price of hunger ; Caught in the act at Nun Appleton.
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Although theories of exploitation and subversion have radically changed our understanding of gender in Renaissance literature, to favour only those theories is to risk ignoring productive exchanges between 'masculine' and 'feminine' in Renaissance culture. 'Appropriation' is too simple a term to describe these exchanges - as when Petrarchan lovers flirt dangerously with potentially destructive femininity. Spenser revises this Petrarchan phenomenon, constructing flirtations whose participants are figures of speech, readers or narrative voices. His plots allow such exchanges to occur only through conditional speech, but this very conditionality powerfully shapes his work. Seventeenth-century works - including a comedy by Jane Cavendish and Elizabeth Brackley, and Upon Appleton House by Andrew Marvell - suggest that the civil war and the upsurge of female writers necessitated a reformulation of conditional erotics.
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https://doi.org/10.1017/CBO9780511484025
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