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Playing with history : = the historical approach to musical performance /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Playing with history :/ John Butt.
其他題名:
the historical approach to musical performance /
作者:
Butt, John,
面頁冊數:
1 online resource (xvi, 265 pages) :digital, PDF file(s). :
附註:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:
Music - History and criticism. -
電子資源:
https://doi.org/10.1017/CBO9780511613555
ISBN:
9780511613555 (ebook)
Playing with history : = the historical approach to musical performance /
Butt, John,
Playing with history :
the historical approach to musical performance /John Butt. - 1 online resource (xvi, 265 pages) :digital, PDF file(s). - Musical performance and reception. - Musical performance and reception..
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Why do we feel the need to perform music in a historically informed style? Is this need related to wider cultural concerns? In this 2002 study, John Butt sums up debates on the nature of the early music movement and historically informed performance, calling upon a seemingly inexhaustible fund of ideas gleaned from historical musicology, analytic philosophy, literary theory, historiography and theories of modernism and postmodernism. He develops the critical views of both supporters and detractors of the movement, while claiming ultimately that it has more intellectual and artistic potential than its detractors may have assumed. He also asks whether the phenomenon of historically informed performance reflects changes in the culture of western music and how it, in turn, may have influenced that culture, particularly in regard to such issues as the status of the composer, the work, intentionality and notation.
ISBN: 9780511613555 (ebook)Subjects--Topical Terms:
560900
Music
--History and criticism.
LC Class. No.: ML457 / .B92 2002
Dewey Class. No.: 781.4/311
Playing with history : = the historical approach to musical performance /
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Why do we feel the need to perform music in a historically informed style? Is this need related to wider cultural concerns? In this 2002 study, John Butt sums up debates on the nature of the early music movement and historically informed performance, calling upon a seemingly inexhaustible fund of ideas gleaned from historical musicology, analytic philosophy, literary theory, historiography and theories of modernism and postmodernism. He develops the critical views of both supporters and detractors of the movement, while claiming ultimately that it has more intellectual and artistic potential than its detractors may have assumed. He also asks whether the phenomenon of historically informed performance reflects changes in the culture of western music and how it, in turn, may have influenced that culture, particularly in regard to such issues as the status of the composer, the work, intentionality and notation.
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https://doi.org/10.1017/CBO9780511613555
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