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Shakespeare : = from stage to screen /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Shakespeare :/ Sarah Hatchuel.
其他題名:	from stage to screen /
作者:	Hatchuel, Sarah,
面頁冊數:	1 online resource (ix, 190 pages) :digital, PDF file(s). :
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	Film adaptations - History and criticism. -
電子資源:	https://doi.org/10.1017/CBO9780511483615
ISBN:	9780511483615 (ebook)

Shakespeare : = from stage to screen /
Hatchuel, Sarah,

Shakespeare :from stage to screen /Sarah Hatchuel. - 1 online resource (ix, 190 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Shakespeare, from stage to screen: a historical and aesthetic approach --

How is a Shakespearean play transformed when it is directed for the screen? In this 2004 book, Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyse how the plays are fundamentally altered in their screen versions. She identifies distinct strategies chosen by film directors to appropriate the plays. Instead of providing just play-by-play or film-by-film analyses, the book addresses the main issues of theatre/film aesthetics, making such theories and concepts accessible before applying them to practical cases. Her book also offers guidelines for the study of sequences in Shakespearean adaptations and includes examples from all the major films from the 1899 King John, through the adaptations by Olivier, Welles and Branagh, to Taymor's 2000 Titus and beyond. This book is aimed at scholars, teachers and students of Shakespeare and film studies, providing a clear and logical apparatus with which to examine Shakespearean screen adaptations.

ISBN: 9780511483615 (ebook)Subjects--Personal Names:

801322
Shakespeare, William,
1564-1616--Literary style.Subjects--Topical Terms:

556887
Film adaptations
--History and criticism.

LC Class. No.: PR3093 / .H37 2004

Dewey Class. No.: 822.3/3

Shakespeare : = from stage to screen /
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520 $a How is a Shakespearean play transformed when it is directed for the screen? In this 2004 book, Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyse how the plays are fundamentally altered in their screen versions. She identifies distinct strategies chosen by film directors to appropriate the plays. Instead of providing just play-by-play or film-by-film analyses, the book addresses the main issues of theatre/film aesthetics, making such theories and concepts accessible before applying them to practical cases. Her book also offers guidelines for the study of sequences in Shakespearean adaptations and includes examples from all the major films from the 1899 King John, through the adaptations by Olivier, Welles and Branagh, to Taymor's 2000 Titus and beyond. This book is aimed at scholars, teachers and students of Shakespeare and film studies, providing a clear and logical apparatus with which to examine Shakespearean screen adaptations.
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