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Harmony in Mendelssohn and Schumann /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Harmony in Mendelssohn and Schumann // David Damschroder.
作者:
Damschroder, David,
面頁冊數:
1 online resource (xii, 280 pages) :digital, PDF file(s). :
附註:
Title from publisher's bibliographic system (viewed on 17 Nov 2017).
標題:
Music - Analysis, appreciation. - 19th centuty -
電子資源:
https://doi.org/10.1017/9781108284110
ISBN:
9781108284110 (ebook)
Harmony in Mendelssohn and Schumann /
Damschroder, David,
Harmony in Mendelssohn and Schumann /
David Damschroder. - 1 online resource (xii, 280 pages) :digital, PDF file(s).
Title from publisher's bibliographic system (viewed on 17 Nov 2017).
This innovative book continues David Damschroder's radical reformulation of harmonic theory, presenting a dynamic exploration of harmony in the compositions of Mendelssohn and Schumann, two key figures of nineteenth-century classical music. This volume's introductory chapters creatively introduce the basic tenets of the system, with reference to sound files rather than notated music examples permitting a more direct interaction between reader and music. In the Masterworks section that follows, Damschroder presents detailed analyses of movements from piano, vocal, and chamber music, and compares his outcomes with those of other analysts, including Benedict Taylor, L. Poundie Burstein, and Peter H. Smith. Expanding upon analytical practices from the eighteenth and nineteenth centuries, and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words.
ISBN: 9781108284110 (ebook)Subjects--Personal Names:
1340076
Mendelssohn-Bartholdy, Felix,
1809-1847--Harmony.Subjects--Topical Terms:
1340077
Music
--Analysis, appreciation.--19th centuty
LC Class. No.: MT90 / .D35 2018
Dewey Class. No.: 781.2/5
Harmony in Mendelssohn and Schumann /
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This innovative book continues David Damschroder's radical reformulation of harmonic theory, presenting a dynamic exploration of harmony in the compositions of Mendelssohn and Schumann, two key figures of nineteenth-century classical music. This volume's introductory chapters creatively introduce the basic tenets of the system, with reference to sound files rather than notated music examples permitting a more direct interaction between reader and music. In the Masterworks section that follows, Damschroder presents detailed analyses of movements from piano, vocal, and chamber music, and compares his outcomes with those of other analysts, including Benedict Taylor, L. Poundie Burstein, and Peter H. Smith. Expanding upon analytical practices from the eighteenth and nineteenth centuries, and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words.
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https://doi.org/10.1017/9781108284110
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