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Markers of allusion in archaic Greek poetry /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Markers of allusion in archaic Greek poetry // Thomas J. Nelson, University of Oxford.
作者:
Nelson, Thomas J.,
面頁冊數:
1 online resource (xvi, 441 pages) :digital, PDF file(s). :
附註:
Title from publisher's bibliographic system (viewed on 11 May 2023).
標題:
Intertextuality. -
電子資源:
https://doi.org/10.1017/9781009086882
ISBN:
9781009086882 (ebook)
Markers of allusion in archaic Greek poetry /
Nelson, Thomas J.,1991-
Markers of allusion in archaic Greek poetry /
Thomas J. Nelson, University of Oxford. - 1 online resource (xvi, 441 pages) :digital, PDF file(s). - Cambridge classical studies. - Cambridge classical studies..
Title from publisher's bibliographic system (viewed on 11 May 2023).
Open Access.
Challenging many established narratives of literary history, this book investigates how the earliest known Greek poets (seventh to fifth centuries BCE) signposted their debts to their predecessors and prior traditions - placing markers in their works for audiences to recognise (much like the 'Easter eggs' of modern cinema). Within antiquity, such signposting has often been considered the preserve of later literary cultures, closely linked with the development of libraries, literacy and writing. In this wide-ranging new study, Thomas Nelson shows that these devices were already deeply ingrained in oral archaic Greek poetry, deconstructing the artificial boundary between a supposedly 'primal' archaic literature and a supposedly 'sophisticated' book culture of Hellenistic Alexandria and Rome. In three interlocking case studies, he highlights how poets from Homer to Pindar employed the language of hearsay, memory and time to index their allusive relationships, as they variously embraced, reworked and challenged their inherited tradition.
ISBN: 9781009086882 (ebook)Subjects--Topical Terms:
558982
Intertextuality.
LC Class. No.: PA3095 / .N45 2023
Dewey Class. No.: 881/.0109
Markers of allusion in archaic Greek poetry /
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Challenging many established narratives of literary history, this book investigates how the earliest known Greek poets (seventh to fifth centuries BCE) signposted their debts to their predecessors and prior traditions - placing markers in their works for audiences to recognise (much like the 'Easter eggs' of modern cinema). Within antiquity, such signposting has often been considered the preserve of later literary cultures, closely linked with the development of libraries, literacy and writing. In this wide-ranging new study, Thomas Nelson shows that these devices were already deeply ingrained in oral archaic Greek poetry, deconstructing the artificial boundary between a supposedly 'primal' archaic literature and a supposedly 'sophisticated' book culture of Hellenistic Alexandria and Rome. In three interlocking case studies, he highlights how poets from Homer to Pindar employed the language of hearsay, memory and time to index their allusive relationships, as they variously embraced, reworked and challenged their inherited tradition.
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https://doi.org/10.1017/9781009086882
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