Language:
English
繁體中文
Help
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Music and the queer body in English literature at the fin de siècle /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Music and the queer body in English literature at the fin de siècle // Fraser Riddell.
Author:
Riddell, Fraser,
Description:
1 online resource (ix, 277 pages) :digital, PDF file(s). :
Notes:
Title from publisher's bibliographic system (viewed on 07 Apr 2022).
Subject:
English literature - History and criticism. - 19th century -
Online resource:
https://doi.org/10.1017/9781108989541
ISBN:
9781108989541 (ebook)
Music and the queer body in English literature at the fin de siècle /
Riddell, Fraser,1987-
Music and the queer body in English literature at the fin de siècle /
Fraser Riddell. - 1 online resource (ix, 277 pages) :digital, PDF file(s). - Cambridge studies in nineteenth-century literature and culture ;137. - Cambridge studies in nineteenth-century literature and culture ;80..
Title from publisher's bibliographic system (viewed on 07 Apr 2022).
Music, emotion and the homosexual subject -- Flesh : music, masochism, queerness -- Voice : disembodiment and desire -- Touch : transmission, contact, connection -- Time : backwards listening.
Open Access.
Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core.
ISBN: 9781108989541 (ebook)Subjects--Topical Terms:
560374
English literature
--History and criticism.--19th century
LC Class. No.: PR468.M857 / R53 2022
Dewey Class. No.: 820.9/357808664
Music and the queer body in English literature at the fin de siècle /
LDR
:02493nam a2200325 i 4500
001
1124653
003
UkCbUP
005
20220420185947.0
006
m|||||o||d||||||||
007
cr||||||||||||
008
240926s2022||||enk o ||1 0|eng|d
020
$a
9781108989541 (ebook)
020
$z
9781108839204 (hardback)
020
$z
9781108984584 (paperback)
035
$a
CR9781108989541
040
$a
UkCbUP
$b
eng
$e
rda
$c
UkCbUP
050
0 0
$a
PR468.M857
$b
R53 2022
082
0 0
$a
820.9/357808664
$2
23/eng/20220207
100
1
$a
Riddell, Fraser,
$d
1987-
$e
author.
$3
1442331
245
1 0
$a
Music and the queer body in English literature at the fin de siècle /
$c
Fraser Riddell.
264
1
$a
Cambridge :
$b
Cambridge University Press,
$c
2022.
300
$a
1 online resource (ix, 277 pages) :
$b
digital, PDF file(s).
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
490
1
$a
Cambridge studies in nineteenth-century literature and culture ;
$v
137
500
$a
Title from publisher's bibliographic system (viewed on 07 Apr 2022).
505
0
$a
Music, emotion and the homosexual subject -- Flesh : music, masochism, queerness -- Voice : disembodiment and desire -- Touch : transmission, contact, connection -- Time : backwards listening.
506
0
$a
Open Access.
$f
Unrestricted online access
$2
star
520
$a
Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core.
650
0
$a
English literature
$y
19th century
$x
History and criticism.
$3
560374
650
0
$a
English literature
$y
20th century
$x
History and criticism.
$3
556920
650
0
$a
Music in literature.
$3
962328
650
0
$a
Homosexuality in literature.
$3
648589
650
0
$a
Human body in literature.
$3
665625
650
0
$a
Music and literature.
$3
570792
650
0
$a
Homosexuality and literature.
$3
648385
650
0
$a
Homosexuality and music.
$3
570795
650
0
$a
Music
$x
Physiological effect.
$3
871088
650
0
$a
Queer theory.
$3
649994
776
0 8
$i
Print version:
$z
9781108839204
830
0
$a
Cambridge studies in nineteenth-century literature and culture ;
$v
80.
$3
1133954
856
4 0
$u
https://doi.org/10.1017/9781108989541
based on 0 review(s)
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login