國立虎尾科技大學 |

Home on the stage : = domestic spaces in modern drama /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Home on the stage :/ Nicholas Grene.
其他題名:	domestic spaces in modern drama /
作者:	Grene, Nicholas,
面頁冊數:	1 online resource (x, 242 pages) :digital, PDF file(s). :
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	Families in literature. -
電子資源:	https://doi.org/10.1017/CBO9781139939607
ISBN:	9781139939607 (ebook)

Home on the stage : = domestic spaces in modern drama /
Grene, Nicholas,

Home on the stage :domestic spaces in modern drama /Nicholas Grene. - 1 online resource (x, 242 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in America; 5. A Streetcar Named Desire: see-through representation; 6. Endgame: in the refuge; 7. The Homecoming: men's room; 8. Arcadia: seeing double; 9. Topdog/Underdog: welcome to the family; Conclusion: home base.

As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama.

ISBN: 9781139939607 (ebook)Subjects--Topical Terms:

869894
Families in literature.

LC Class. No.: PN1954 / .G74 2014

Dewey Class. No.: 809/.829355

Home on the stage : = domestic spaces in modern drama /
LDR:02424nam a2200301 i 4500 001 1124753
003 UkCbUP
005 20160309145150.0
006 m|||||o||d||||||||
007 cr||||||||||||
008 240926s2014||||enk o ||1 0|eng|d
020 $a 9781139939607 (ebook)
020 $z 9781107078093 (hardback)
020 $z 9781107434998 (paperback)
035 $a CR9781139939607
040 $a UkCbUP $b eng $e rda $c UkCbUP
050 0 0 $a PN1954 $b .G74 2014
082 0 0 $a 809/.829355 $2 23
100 1 $a Grene, Nicholas, $e author. $3 1442501
245 1 0 $a Home on the stage : $b domestic spaces in modern drama / $c Nicholas Grene.
264 1 $a Cambridge : $b Cambridge University Press, $c 2014.
300 $a 1 online resource (x, 242 pages) : $b digital, PDF file(s).
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Title from publisher's bibliographic system (viewed on 05 Oct 2015).
505 8 $a Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in America; 5. A Streetcar Named Desire: see-through representation; 6. Endgame: in the refuge; 7. The Homecoming: men's room; 8. Arcadia: seeing double; 9. Topdog/Underdog: welcome to the family; Conclusion: home base.
520 $a As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama.
650 0 $a Families in literature. $3 869894
650 0 $a Home in literature. $3 567437
650 0 $a Drama $y 21st century $x History and criticism. $3 942145
650 0 $a Drama $y 20th century $x History and criticism. $3 860234
650 0 $a Domestic drama $x History and criticism. $3 1156638
776 0 8 $i Print version: $z 9781107078093
856 4 0 $u https://doi.org/10.1017/CBO9781139939607