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Shakespeare, music and performance /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Shakespeare, music and performance // edited by Bill Barclay, David Lindley.
其他作者:
Barclay, Bill,
面頁冊數:
1 online resource (xv, 286 pages) :digital, PDF file(s). :
附註:
"The origins of this book lie in a conference organised by the editors at Shakespeare's Globe in 2013"--Acknowledgements.
標題:
English drama - Congresses. - History and criticism -
電子資源:
https://doi.org/10.1017/9781316488768
ISBN:
9781316488768 (ebook)
Shakespeare, music and performance /
Shakespeare, music and performance /
edited by Bill Barclay, David Lindley. - 1 online resource (xv, 286 pages) :digital, PDF file(s).
"The origins of this book lie in a conference organised by the editors at Shakespeare's Globe in 2013"--Acknowledgements.
Music has been an essential constituent of Shakespeare's plays from the sixteenth century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives.
ISBN: 9781316488768 (ebook)Subjects--Personal Names:
801322
Shakespeare, William,
1564-1616--Literary style.Subjects--Topical Terms:
1443466
English drama
--History and criticism--Congresses.
LC Class. No.: ML80.S5 / S43 2017
Dewey Class. No.: 782.1
Shakespeare, music and performance /
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Music has been an essential constituent of Shakespeare's plays from the sixteenth century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives.
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https://doi.org/10.1017/9781316488768
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