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The improvisation of musical dialogue : = a phenomenology of music /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The improvisation of musical dialogue :/ Bruce Ellis Benson.
Reminder of title:	a phenomenology of music /
Author:	Benson, Bruce Ellis,
Description:	1 online resource (xiv, 200 pages) :digital, PDF file(s). :
Notes:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Subject:	Improvisation (Music) -
Online resource:	https://doi.org/10.1017/CBO9780511615924
ISBN:	9780511615924 (ebook)

The improvisation of musical dialogue : = a phenomenology of music /
Benson, Bruce Ellis,1960-

The improvisation of musical dialogue :a phenomenology of music /Bruce Ellis Benson. - 1 online resource (xiv, 200 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Between composition and performance -- Composing : from Ursprung to Fassung letzter Hand -- Performing : the improvisation of preservation -- The Ergon with Energeia -- Being musical with the other.

This book is an important contribution to the philosophy of music. Whereas most books in this field focus on the creation and reproduction of music, Bruce Benson's concern is the phenomenology of music making as an activity. He offers the radical thesis that it is improvisation that is primary in the moment of music making. Succinct and lucid, the book brings together a wide range of musical examples from classical music, jazz, early music and other genres. It offers a rich tapestry incorporating both analytic and continental philosophy, musicology and performance-practice issues. It will be a provocative read for philosophers of art and musicologists and, because it eschews technicality, should appeal to general readers, especially those who perform.

ISBN: 9780511615924 (ebook)Subjects--Topical Terms:

799587
Improvisation (Music)

LC Class. No.: ML3845 / .B358 2003

Dewey Class. No.: 781.4/3117

The improvisation of musical dialogue : = a phenomenology of music /
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520 $a This book is an important contribution to the philosophy of music. Whereas most books in this field focus on the creation and reproduction of music, Bruce Benson's concern is the phenomenology of music making as an activity. He offers the radical thesis that it is improvisation that is primary in the moment of music making. Succinct and lucid, the book brings together a wide range of musical examples from classical music, jazz, early music and other genres. It offers a rich tapestry incorporating both analytic and continental philosophy, musicology and performance-practice issues. It will be a provocative read for philosophers of art and musicologists and, because it eschews technicality, should appeal to general readers, especially those who perform.
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