國立虎尾科技大學 |

Shakespeare films in the making : = vision, production and reception /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Shakespeare films in the making :/ Russell Jackson.
其他題名:	vision, production and reception /
作者:	Jackson, Russell,
面頁冊數:	1 online resource (xii, 280 pages) :digital, PDF file(s). :
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	Film adaptations - History and criticism. -
電子資源:	https://doi.org/10.1017/CBO9780511751783
ISBN:	9780511751783 (ebook)

Shakespeare films in the making : = vision, production and reception /
Jackson, Russell,1949-

Shakespeare films in the making :vision, production and reception /Russell Jackson. - 1 online resource (xii, 280 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Introduction: 'Such stuff as dreams are made on' -- Max Reinhardt's recurring dream: Hollywood, 1935 -- Pastoral-historical: Laurence Olivier's Henry V, 1944 -- Visions of Renaissance Italy: 'More stars than there are in heaven': MGM's Romeo and Juliet, 1936; Realism and romance: Renato Castellani's Giulietta e Romeo, 1954; Shakespeare's 'dream of Italy' and the generation gap: Franco Zeffirelli's Romeo and Juliet, 1968.

Shakespeare Films in the Making examines the production and reception of five feature-length Shakespeare films from the twentieth century, focusing on the ways in which they articulate visions of their Shakespearean originals, of the fictional worlds in which the films are set, and of the movie-makers' own society. Warner Brothers' 1935 A Midsummer Night's Dream and MGM's 1936 Romeo and Juliet were products of the Hollywood system and reflect the studios' desire to enhance their status with 'prestige pictures'. Olivier's 1944 Henry V was part of Britain's cultural war effort and embodies visions of the medieval past and ideal leadership. The Romeo and Juliet films of Renato Castellani (1954) and Franco Zeffirelli (1968) embodied visions of Renaissance Italy that contrast - in differing ways - with MGM's film. This book offers readings of these significant and influential films, supported by extensive archival research, including studio documents, script revisions, publicity materials and reviews.

ISBN: 9780511751783 (ebook)Subjects--Personal Names:

801322
Shakespeare, William,
1564-1616--Literary style.Subjects--Topical Terms:

556887
Film adaptations
--History and criticism.

LC Class. No.: PR3093 / .J33 2007

Dewey Class. No.: 791.43/6

Shakespeare films in the making : = vision, production and reception /
LDR:02468nam a22003018i 4500 001 1126239
003 UkCbUP
005 20151005020621.0
006 m|||||o||d||||||||
007 cr||||||||||||
008 240926s2007||||enk o ||1 0|eng|d
020 $a 9780511751783 (ebook)
020 $z 9780521815475 (hardback)
020 $z 9780521894562 (paperback)
035 $a CR9780511751783
040 $a UkCbUP $b eng $e rda $c UkCbUP
050 0 0 $a PR3093 $b .J33 2007
082 0 0 $a 791.43/6 $2 22
100 1 $a Jackson, Russell, $d 1949- $3 667891
245 1 0 $a Shakespeare films in the making : $b vision, production and reception / $c Russell Jackson.
264 1 $a Cambridge : $b Cambridge University Press, $c 2007.
300 $a 1 online resource (xii, 280 pages) : $b digital, PDF file(s).
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Title from publisher's bibliographic system (viewed on 05 Oct 2015).
505 0 $a Introduction: 'Such stuff as dreams are made on' -- Max Reinhardt's recurring dream: Hollywood, 1935 -- Pastoral-historical: Laurence Olivier's Henry V, 1944 -- Visions of Renaissance Italy: 'More stars than there are in heaven': MGM's Romeo and Juliet, 1936; Realism and romance: Renato Castellani's Giulietta e Romeo, 1954; Shakespeare's 'dream of Italy' and the generation gap: Franco Zeffirelli's Romeo and Juliet, 1968.
520 $a Shakespeare Films in the Making examines the production and reception of five feature-length Shakespeare films from the twentieth century, focusing on the ways in which they articulate visions of their Shakespearean originals, of the fictional worlds in which the films are set, and of the movie-makers' own society. Warner Brothers' 1935 A Midsummer Night's Dream and MGM's 1936 Romeo and Juliet were products of the Hollywood system and reflect the studios' desire to enhance their status with 'prestige pictures'. Olivier's 1944 Henry V was part of Britain's cultural war effort and embodies visions of the medieval past and ideal leadership. The Romeo and Juliet films of Renato Castellani (1954) and Franco Zeffirelli (1968) embodied visions of Renaissance Italy that contrast - in differing ways - with MGM's film. This book offers readings of these significant and influential films, supported by extensive archival research, including studio documents, script revisions, publicity materials and reviews.
600 1 0 $a Shakespeare, William, $d 1564-1616 $x Literary style. $3 801322
650 0 $a Film adaptations $x History and criticism. $3 556887
650 0 $a English drama $v Film adaptations. $3 802778
776 0 8 $i Print version: $z 9780521815475
856 4 0 $u https://doi.org/10.1017/CBO9780511751783