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The invention of Beethoven and Rossini : = historiography, analysis, criticism /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The invention of Beethoven and Rossini :/ edited by Nicholas Mathew and Benjamin Walton.
其他題名:
historiography, analysis, criticism /
其他題名:
The Invention of Beethoven & Rossini
其他作者:
Mathew, Nicholas,
面頁冊數:
1 online resource (xiii, 384 pages) :digital, PDF file(s). :
附註:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:
Music - History and criticism. - 19th century -
電子資源:
https://doi.org/10.1017/CBO9781139024068
ISBN:
9781139024068 (ebook)
The invention of Beethoven and Rossini : = historiography, analysis, criticism /
The invention of Beethoven and Rossini :
historiography, analysis, criticism /The Invention of Beethoven & Rossiniedited by Nicholas Mathew and Benjamin Walton. - 1 online resource (xiii, 384 pages) :digital, PDF file(s).
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Dahlhaus's Beethoven-Rossini Stildualismus : lingering legacies of the text-event dichotomy /James Hepokoski --
Beethoven and Rossini have always been more than a pair of famous composers. Even during their lifetimes, they were well on the way to becoming 'Beethoven and Rossini' - a symbolic duo, who represented a contrast fundamental to Western music. This contrast was to shape the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. The Invention of Beethoven and Rossini puts leading scholars of opera and instrumental music into dialogue with each other, with the aim of unpicking the origins, consequences and fallacies of the opposition between the two composers and what they came to represent. In fifteen chapters, contributors explore topics ranging from the concert lives of early nineteenth-century capitals to the mythmaking of early cinema, and from the close analysis of individual works by Beethoven and Rossini to the cultural politics of nineteenth-century music histories.
ISBN: 9781139024068 (ebook)Subjects--Personal Names:
870100
Beethoven, Ludwig van,
1770-1827--Criticism and interpretation.Subjects--Topical Terms:
799106
Music
--History and criticism.--19th century
LC Class. No.: ML196 / .I58 2013
Dewey Class. No.: 780.92/2
The invention of Beethoven and Rossini : = historiography, analysis, criticism /
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Beethoven, Rossini : and others /
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James Webster --
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Heilige Trias, Stildualismus, Beethoven : on the limits of nineteenth-century Germanic music historiography /
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Gundula Kreuzer --
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Rossini and Beethoven in the reception of Schubert /
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Suzannah Clark --
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Two styles in 1830s London : "the form and order of a perspicuous unity" /
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Roger Parker --
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Looking north : Carlo Soliva and the two styles south of the Alps /
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Martin Deasy --
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"More German than Beethoven" : Rossini's Zelmira and Italian style /
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Benjamin Walton --
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On being there in 1824 /
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Nicholas Mathew --
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Making overtures /
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Scott Burnham --
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Beethoven dances : Prometheus and his creatures in Vienna and Milan /
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Mary Ann Smart --
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Rossinian repetitions /
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Emanuele Senici --
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Very much of this world : Beethoven, Rossini, and the historiography of modernity /
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Julian Johnson --
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Schopenhauer and Rossinian universality : on the Italianate in Schopenhauer's metaphysics of music /
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Yael Braunschweig --
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Elements of disorder : appealing Beethoven vs. Rossini /
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John Deathridge --
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Role reversal : Rossini and Beethoven in early biopics /
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Richard Will.
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Beethoven and Rossini have always been more than a pair of famous composers. Even during their lifetimes, they were well on the way to becoming 'Beethoven and Rossini' - a symbolic duo, who represented a contrast fundamental to Western music. This contrast was to shape the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. The Invention of Beethoven and Rossini puts leading scholars of opera and instrumental music into dialogue with each other, with the aim of unpicking the origins, consequences and fallacies of the opposition between the two composers and what they came to represent. In fifteen chapters, contributors explore topics ranging from the concert lives of early nineteenth-century capitals to the mythmaking of early cinema, and from the close analysis of individual works by Beethoven and Rossini to the cultural politics of nineteenth-century music histories.
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https://doi.org/10.1017/CBO9781139024068
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