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Dostoevsky and English modernism, 1900-1930 /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Dostoevsky and English modernism, 1900-1930 // Peter Kaye.
其他題名:
Dostoevsky & English Modernism 1900–1930
作者:
Kaye, Peter,
面頁冊數:
1 online resource (viii, 248 pages) :digital, PDF file(s). :
附註:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:
English literature - Russian influences. -
電子資源:
https://doi.org/10.1017/CBO9780511485121
ISBN:
9780511485121 (ebook)
Dostoevsky and English modernism, 1900-1930 /
Kaye, Peter,1952-
Dostoevsky and English modernism, 1900-1930 /
Dostoevsky & English Modernism 1900–1930Peter Kaye. - 1 online resource (viii, 248 pages) :digital, PDF file(s).
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Introduction --1.
When Constance Garnett's translations (1910–1920) made Dostoevsky's novels accessible in England for the first time they introduced a disruptive and liberating literary force, and English novelists had to confront a new model and rival. The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy and James - either admired or feared Dostoevsky as a monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a prophet and, in the cases of Lawrence and Conrad, a hated rival who compelled creative response. This study constructs a map of English modernist novelists' misreadings of Dostoevsky, and in so doing it illuminates their aesthetic and cultural values and the nature of the modern English novel.
ISBN: 9780511485121 (ebook)Subjects--Personal Names:
879064
Dostoyevsky, Fyodor,
1821-1881--Criticism and interpretation.Subjects--Topical Terms:
568648
English literature
--Russian influences.
LC Class. No.: PR478.M6 / K39 1999
Dewey Class. No.: 823/.91209
Dostoevsky and English modernism, 1900-1930 /
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When Constance Garnett's translations (1910–1920) made Dostoevsky's novels accessible in England for the first time they introduced a disruptive and liberating literary force, and English novelists had to confront a new model and rival. The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy and James - either admired or feared Dostoevsky as a monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a prophet and, in the cases of Lawrence and Conrad, a hated rival who compelled creative response. This study constructs a map of English modernist novelists' misreadings of Dostoevsky, and in so doing it illuminates their aesthetic and cultural values and the nature of the modern English novel.
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https://doi.org/10.1017/CBO9780511485121
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