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Gender, race, and the writing of empire : = public discourse and the Boer War /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Gender, race, and the writing of empire :/ Paula M. Krebs.
Reminder of title:	public discourse and the Boer War /
remainder title:	Gender, Race, & the Writing of Empire
Author:	Krebs, Paula M.,
Description:	1 online resource (xii, 205 pages) :digital, PDF file(s). :
Notes:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Subject:	Race in literature. -
Subject:	Great Britain - Politics and government - 1997- -
Online resource:	https://doi.org/10.1017/CBO9780511484858
ISBN:	9780511484858 (ebook)

Gender, race, and the writing of empire : = public discourse and the Boer War /
Krebs, Paula M.,

Gender, race, and the writing of empire :public discourse and the Boer War /Gender, Race, & the Writing of EmpirePaula M. Krebs. - 1 online resource (xii, 205 pages) :digital, PDF file(s). - Cambridge studies in nineteenth-century literature and culture ;23. - Cambridge studies in nineteenth-century literature and culture ;80..

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

1. The war at home -- 2. The concentration camps controversy and the press -- 3. Gender ideology as military policy -- the camps, continued.

All of London exploded on the night of May 18, 1900, in the biggest West End party ever seen. The mix of media manipulation, patriotism, and class, race, and gender politics that produced the 'spontaneous' festivities of Mafeking Night begins this analysis of the cultural politics of late-Victorian imperialism. Paula M. Krebs examines 'the last of the gentlemen's wars' - the Boer War of 1899-1902 - and the struggles to maintain an imperialist hegemony in a twentieth-century world, through the war writings of Arthur Conan Doyle, Olive Schreiner, H. Rider Haggard, and Rudyard Kipling, as well as contemporary journalism, propaganda, and other forms of public discourse. Her feminist analysis of such matters as the sexual honor of the British soldier at war, the deaths of thousands of women and children in 'concentration camps', and new concepts of race in South Africa marks this book as a significant contribution to British imperial studies.

ISBN: 9780511484858 (ebook)Subjects--Topical Terms:

563909
Race in literature.
Subjects--Geographical Terms:

556459
Great Britain
--Politics and government--1997-

LC Class. No.: PR129.S6 / K74 1999

Dewey Class. No.: 820.9/358

Gender, race, and the writing of empire : = public discourse and the Boer War /
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505 0 $a 1. The war at home -- 2. The concentration camps controversy and the press -- 3. Gender ideology as military policy -- the camps, continued.
505 0 $a 4. Cannibals or knights -- sexual honor in the propaganda of Arthur Conan Doyle and W.T. Stead -- 5. Interpreting South Africa to Britain -- Olive Schreiner, Boers, and Africans.
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520 $a All of London exploded on the night of May 18, 1900, in the biggest West End party ever seen. The mix of media manipulation, patriotism, and class, race, and gender politics that produced the 'spontaneous' festivities of Mafeking Night begins this analysis of the cultural politics of late-Victorian imperialism. Paula M. Krebs examines 'the last of the gentlemen's wars' - the Boer War of 1899-1902 - and the struggles to maintain an imperialist hegemony in a twentieth-century world, through the war writings of Arthur Conan Doyle, Olive Schreiner, H. Rider Haggard, and Rudyard Kipling, as well as contemporary journalism, propaganda, and other forms of public discourse. Her feminist analysis of such matters as the sexual honor of the British soldier at war, the deaths of thousands of women and children in 'concentration camps', and new concepts of race in South Africa marks this book as a significant contribution to British imperial studies.
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