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Dickens on screen /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Dickens on screen // edited by John Glavin.
其他作者:
Glavin, John,
面頁冊數:
1 online resource (xii, 225 pages) :digital, PDF file(s). :
附註:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:
Film adaptations - History and criticism. -
電子資源:
https://doi.org/10.1017/CBO9780511484827
ISBN:
9780511484827 (ebook)
Dickens on screen /
Dickens on screen /
edited by John Glavin. - 1 online resource (xii, 225 pages) :digital, PDF file(s).
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Dickens, psychoanalysis and film: a roundtable /Gerhard Joseph --
Television and film, not libraries or scholarship, have made Charles Dickens the most important unread novelist in English. It is not merely that millions of people feel comfortable deploying the word 'Dickensian' to describe their own and others' lives, but that many more people who have never read Dickens know what Dickensian means. They know about Dickens because they have access to over a century of adaptations for the big and small screen. Because Dickens has proven to be the most easily adapted of major novelists, he has become, somewhat ironically, one of the foremost novelists in the English canon. This is ironic because it was just this capacity to entertain that once confined him to the margins of the 'great tradition' in fiction. Dickens on Screen is an invaluable resource for students and scholars alike. It provides an exhaustive filmography and is well illustrated.
ISBN: 9780511484827 (ebook)Subjects--Personal Names:
861010
Dickens, Charles,
1812-1870--Criticism and interpretation.Subjects--Topical Terms:
556887
Film adaptations
--History and criticism.
LC Class. No.: PR4575 / .D53 2003
Dewey Class. No.: 791.43/6
Dickens on screen /
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David Copperfield's home movies /
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David Lean's Great Expectations /
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Regina Barreca --
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Great Expectations on Australian television /
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John O. Jordan --
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Dickens 'The Signalman' and Rubini's La Stazione /
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Bill Murray's Christmas Carols /
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Murray Baumgarten --
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Screen memories in Dickens and Woody Allen /
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Robert M. Polhemus --
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Writing after Dickens: the television writer's art /
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John Romano --
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Directing Dickens: Alfonso Cuaron's 1998 /
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Pam Katz --
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Playing Dickens: an interview with Miriam Margolyes --
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Cinematic Dickens and uncinematic words /
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Kamilla Elliott --
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Dickens, Eisenstein, film /
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Garrett Stewart --
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Orson Welles and Charles Dickens 1938-1941 /
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Marguerite Rippy --
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David Copperfield (1935) and the US curriculum /
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Steve J. Wurzler --
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Dickens, Selznick, and Southpark /
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Jeffrey Sconce --
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Tiny Tim on screen: a disabilities perspective /
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Martin F. Norden --
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Dickens composed: film and television adaptation 1897-2001 /
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Kate Charnell Watt and Kate Lonsdale.
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Television and film, not libraries or scholarship, have made Charles Dickens the most important unread novelist in English. It is not merely that millions of people feel comfortable deploying the word 'Dickensian' to describe their own and others' lives, but that many more people who have never read Dickens know what Dickensian means. They know about Dickens because they have access to over a century of adaptations for the big and small screen. Because Dickens has proven to be the most easily adapted of major novelists, he has become, somewhat ironically, one of the foremost novelists in the English canon. This is ironic because it was just this capacity to entertain that once confined him to the margins of the 'great tradition' in fiction. Dickens on Screen is an invaluable resource for students and scholars alike. It provides an exhaustive filmography and is well illustrated.
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https://doi.org/10.1017/CBO9780511484827
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