國立虎尾科技大學 |

On the artistic representation of industrial disputes in the shadow of repression in European art = from 1870 to 1914 and beyond /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	On the artistic representation of industrial disputes in the shadow of repression in European art/ edited by Filip Dorssemont.
其他題名:	from 1870 to 1914 and beyond /
其他作者:	Dorssemont, F.
出版者:	Cham :Springer International Publishing : : 2024.,
面頁冊數:	ix, 210 p. :ill. (chiefly col.), digital ; : 24 cm.;
Contained By:	Springer Nature eBook
標題:	Labor disputes. -
電子資源:	https://doi.org/10.1007/978-3-031-63634-9
ISBN:	9783031636349

On the artistic representation of industrial disputes in the shadow of repression in European art = from 1870 to 1914 and beyond /
On the artistic representation of industrial disputes in the shadow of repression in European artfrom 1870 to 1914 and beyond /[electronic resource] :edited by Filip Dorssemont. - Cham :Springer International Publishing :2024. - ix, 210 p. :ill. (chiefly col.), digital ;24 cm. - Law and visual jurisprudence,v. 152662-4540 ;. - Law and visual jurisprudence ;v. 7..

Introduction -- Some perspectives on the representation of industrial disputes under the shadow of repression in European Art (1870-1914) -- Early Stages of Collective Action and their Visual Representations: an Emotions Driven Approach to the Struggle for Better Working Conditions -- The Midinette guiding the People. An iconographic break of the Assiette au Beurre -- Labour and Art: The dualism of backwardness and timeliness in Hungary and in its Eastern neighbourhood -- From 1844 to 1944 - Workers and revolutions in Poland -- Conclusions.

This book is the first volume on the artistic representation of industrial disputes in European art (from 1870 to 1914) since the catalogue of the landmark exhibition Streik, Realität und Mythos, organized by the Deutsches Historisches Museum (1992) It has been written by a group of scholars who share a keen interest in social history and the history of art, as well as in-depth knowledge of industrial relations and collective labour law. Seeking to transcend a purely western European perspective, the book offers unprecedented insights into artistic production in Poland and Hungary from the 19th century to the communist era. It even goes beyond the European continent, examining the United States and Mexico. The media explored include painting, sculpture, the graphic arts and photography. Further, the book deals with artists great (Carlo Carrà, Walter Crane, James Ensor, Juan Gris, Käthe Kollwitz, Constantin Meunier,Mihály Munkácsy, Théophile-Alexandre Steinlen and Jan Toorop) and small, sometimes even anonymous. The artistic styles range from (social) realism, naturalism and neo-impressionism to futurism and socialist realism. All stages of industrial disputes (from the causes of strikes to their violent suppression) are subjected to iconographical and iconological analysis, combined with perspectives from visual studies, critical art and gender studies. Agricultural workers, miners, construction workers and textile workers fill the scenes. Most of them are subordinate workers; others are (bogus) independent workers and migrant workers. Given its scope, the book will be of interest to (art) historians, labour law scholars, and specialists in industrial relations.

ISBN: 9783031636349

Standard No.: 10.1007/978-3-031-63634-9doiSubjects--Topical Terms:

940179
Labor disputes.

LC Class. No.: N8219.L2

Dewey Class. No.: 704.9493317

On the artistic representation of industrial disputes in the shadow of repression in European art = from 1870 to 1914 and beyond /
LDR:03382nam a2200337 a 4500 001 1134194
003 DE-He213
005 20240730130246.0
006 m d
007 cr nn 008maaau
008 241213s2024 sz s 0 eng d
020 $a 9783031636349 $q (electronic bk.)
020 $a 9783031636332 $q (paper)
024 7 $a 10.1007/978-3-031-63634-9 $2 doi
035 $a 978-3-031-63634-9
040 $a GP $c GP
041 0 $a eng
050 4 $a N8219.L2
072 7 $a LAB $2 bicssc
072 7 $a LAW000000 $2 bisacsh
072 7 $a LAB $2 thema
082 0 4 $a 704.9493317 $2 23
090 $a N8219.L2 $b O58 2024
245 0 0 $a On the artistic representation of industrial disputes in the shadow of repression in European art $h [electronic resource] : $b from 1870 to 1914 and beyond / $c edited by Filip Dorssemont.
260 $a Cham : $c 2024. $b Springer International Publishing : $b Imprint: Springer,
300 $a ix, 210 p. : $b ill. (chiefly col.), digital ; $c 24 cm.
490 1 $a Law and visual jurisprudence, $x 2662-4540 ; $v v. 15
505 0 $a Introduction -- Some perspectives on the representation of industrial disputes under the shadow of repression in European Art (1870-1914) -- Early Stages of Collective Action and their Visual Representations: an Emotions Driven Approach to the Struggle for Better Working Conditions -- The Midinette guiding the People. An iconographic break of the Assiette au Beurre -- Labour and Art: The dualism of backwardness and timeliness in Hungary and in its Eastern neighbourhood -- From 1844 to 1944 - Workers and revolutions in Poland -- Conclusions.
520 $a This book is the first volume on the artistic representation of industrial disputes in European art (from 1870 to 1914) since the catalogue of the landmark exhibition Streik, Realität und Mythos, organized by the Deutsches Historisches Museum (1992) It has been written by a group of scholars who share a keen interest in social history and the history of art, as well as in-depth knowledge of industrial relations and collective labour law. Seeking to transcend a purely western European perspective, the book offers unprecedented insights into artistic production in Poland and Hungary from the 19th century to the communist era. It even goes beyond the European continent, examining the United States and Mexico. The media explored include painting, sculpture, the graphic arts and photography. Further, the book deals with artists great (Carlo Carrà, Walter Crane, James Ensor, Juan Gris, Käthe Kollwitz, Constantin Meunier,Mihály Munkácsy, Théophile-Alexandre Steinlen and Jan Toorop) and small, sometimes even anonymous. The artistic styles range from (social) realism, naturalism and neo-impressionism to futurism and socialist realism. All stages of industrial disputes (from the causes of strikes to their violent suppression) are subjected to iconographical and iconological analysis, combined with perspectives from visual studies, critical art and gender studies. Agricultural workers, miners, construction workers and textile workers fill the scenes. Most of them are subordinate workers; others are (bogus) independent workers and migrant workers. Given its scope, the book will be of interest to (art) historians, labour law scholars, and specialists in industrial relations.
650 0 $a Labor disputes. $3 940179
650 0 $a Labor in art. $3 1455522
650 0 $a Art, European $y 19th century. $3 963996
650 0 $a Art, European $y 20th century. $3 1455523
650 1 4 $a Theories of Law, Philosophy of Law, Legal History. $3 883676
650 2 4 $a Semiotics. $3 559892
650 2 4 $a Labour Law/Social Law. $3 671779
650 2 4 $a History of Germany and Central Europe. $3 1109196
650 2 4 $a Labor History. $3 1109184
700 1 $a Dorssemont, F. $3 1455521
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
830 0 $a Law and visual jurisprudence ; $v v. 7. $3 1408133
856 4 0 $u https://doi.org/10.1007/978-3-031-63634-9
950 $a Law and Criminology (SpringerNature-41177)