國立虎尾科技大學 |

Art of memories = curating at the hermitage /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Art of memories/ Vincent Antonin Lépinay.
其他題名:	curating at the hermitage /
作者:	Lépinay, Vincent Antonin.
出版者:	New York, NY :Columbia University Press, : c2019.,
面頁冊數:	1 online resource.
標題:	Art museums - Social aspects - Russia (Federation) -
電子資源:	https://www.degruyter.com/isbn/9780231549561
ISBN:	9780231549561

Art of memories = curating at the hermitage /
Lépinay, Vincent Antonin.

Art of memoriescurating at the hermitage /[electronic resource] :Vincent Antonin Lépinay. - 1st ed. - New York, NY :Columbia University Press,c2019. - 1 online resource.

Includes bibliographical references and index.

Frontmatter --

Once the home of Catherine the Great's private art collection, Russia's State Hermitage Museum became the largest museum in the Soviet Union and, since the collapse of the USSR, one of the most active museums in the world. The Hermitage is a global model for the collection and preservation of fine art, deeply shaped by its need to protect itself and its holdings from the world beyond its gates. In Art of Memories, Vincent Antonin Lépinay documents the Hermitage's curatorial practices in an innovative consideration of the museum as a cultural laboratory.Lépinay analyzes the tensions between the museum as a space of exploration of the collections and as a culture heavily invested in self-protection from the outside world. During a time when traveling abroad was rare, a generation of art historians produced a culture of confined scholarship premised on their proximity to the holdings of a museum enclave. As the Hermitage has become increasingly present on the world museum scene, its culture of secrecy and orality has endured. Lépinay analyzes the ethos of Hermitage curators and scholars over the transition from Soviet to post-Soviet museum cultures, considering the mobility of art, documentation of the collection, and the transformation of expertise. Based on Lépinay's extraordinary access to the Hermitage and the scholars who work there, Art of Memories opens the door of one of the world's great museums to reveal how art history is made. It is an essential study for readers interested in the role that outside forces play in culture, organizations, and the production of knowledge.

Mode of access: Internet via World Wide Web.

In English.

ISBN: 9780231549561

Standard No.: 10.7312/lepi19188doi

LCCN: 2018042870Subjects--Topical Terms:

1457970
Art museums
--Social aspects--Russia (Federation)

LC Class. No.: N3350 / .L47 2019

Dewey Class. No.: 708.947086

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505 0 0 $t Frontmatter -- $t CONTENTS -- $t PREFACE. Experimenting with the Hermitage -- $t INTRODUCTION. The Hermitage, a Cultural Laboratory -- $t 1. MOVING OBJECTS -- $t 2. DOCUMENTING THE MUSEUM -- $t 3. ART HISTORY FROM THE COLLECTIONS UP -- $t 4. THE NOSTALGIC MODESTY OF HERMITAGE RESTORERS -- $t 5. GUIDES: Taking Science Down the Galleries -- $t 6. SPACES AND SURPRISES: Technologies of Vision for a Long Winter -- $t CONCLUSION: Secreting Memories -- $t ACKNOWLEDGMENTS -- $t NOTES -- $t REFERENCES -- $t INDEX.
520 $a Once the home of Catherine the Great's private art collection, Russia's State Hermitage Museum became the largest museum in the Soviet Union and, since the collapse of the USSR, one of the most active museums in the world. The Hermitage is a global model for the collection and preservation of fine art, deeply shaped by its need to protect itself and its holdings from the world beyond its gates. In Art of Memories, Vincent Antonin Lépinay documents the Hermitage's curatorial practices in an innovative consideration of the museum as a cultural laboratory.Lépinay analyzes the tensions between the museum as a space of exploration of the collections and as a culture heavily invested in self-protection from the outside world. During a time when traveling abroad was rare, a generation of art historians produced a culture of confined scholarship premised on their proximity to the holdings of a museum enclave. As the Hermitage has become increasingly present on the world museum scene, its culture of secrecy and orality has endured. Lépinay analyzes the ethos of Hermitage curators and scholars over the transition from Soviet to post-Soviet museum cultures, considering the mobility of art, documentation of the collection, and the transformation of expertise. Based on Lépinay's extraordinary access to the Hermitage and the scholars who work there, Art of Memories opens the door of one of the world's great museums to reveal how art history is made. It is an essential study for readers interested in the role that outside forces play in culture, organizations, and the production of knowledge.
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