國立虎尾科技大學 |

Independent Chinese documentary cinema = perspectives on time and ecological phenomenology /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Independent Chinese documentary cinema/ by Muyun Liu.
Reminder of title:	perspectives on time and ecological phenomenology /
Author:	Liu, Muyun.
Published:	Cham :Springer Nature Switzerland : : 2024.,
Description:	xii, 208 p. :ill., digital ; : 24 cm.;
Contained By:	Springer Nature eBook
Subject:	Documentary films - History and criticism. - China -
Online resource:	https://doi.org/10.1007/978-3-031-57908-0
ISBN:	9783031579080

Independent Chinese documentary cinema = perspectives on time and ecological phenomenology /
Liu, Muyun.

Independent Chinese documentary cinemaperspectives on time and ecological phenomenology /[electronic resource] :by Muyun Liu. - Cham :Springer Nature Switzerland :2024. - xii, 208 p. :ill., digital ;24 cm. - East Asian popular culture,2634-5943. - East Asian popular culture..

Chapter 1: Introduction,- Chapter 2: The linear temporality of socialist realist film The Great Land Reform -- Chapter 3: The xianchang aesthetics and entropic rhythms in Doctor Ma's Country Clinic and Lost in Home -- Chapter 4: The cinematic simulacra of a hyperreal capital time in the documentary films China Blue and China's Van Goghs -- Chapter 5: Digital ruin gazing in Wang Jiuliang's Beijing Besieged by Waste and ruinic traces in Zhao Liang's Behemoth -- Chapter 6: Ecological ontology and creative gleaning in Yak Dung, the Aoluguya trilogy, Huamulin Village Oh Little Qiang and The Gleaners and I.

"Muyun Liu's impressive book offers an original and important study of China's Independent Documentary Film Movement spearheaded by a group of experimental, grass-roots filmmakers. It explores how the accessibility of digital video cameras led to a new wave of films by individuals motivated not by pedagogical goals but by their desire to capture images of everyday life that document the working lives of ordinary people. These films focus on diversity of voices, plurality of beliefs, and interconnectedness of people from very different walks of life. They also expose economic, social and cultural injustices as well as pressing environmental issues. This is an important and inspiring book that offers the readers a different view of the forces that make-up modern Chinese society. A must-read for anyone interested in the key role of new wave documentary filmmaking in our understanding of the forces that are shaping contemporary Chinese society." -Professor Jeanette Hoorn, The University of Melbourne, Australia "Liu's book is significant not only for its focus on work little known to English-speaking audiences, or even for its expansion of documentary aesthetics, but for its conceptual depth. From xianchang to moving image as accelerated hyperreal ruin and the tensions of existential freedom and difference, Liu makes a profound contribution to global ecomedia studies." -Professor Seán Cubitt, University of Melbourne, Australia This book explores the history of, and approaches to, documentary production within China from the Land Reform to the present day. It examines the institutionalisation of socialist realism during the PRC's revolutionary era; considers the emergence of the fluid xianchang aesthetics and the creation of contingent subjectivities in relation to physicist Carlo Rovelli's loop quantum gravity theory; explores two factory films through the angle of temporality; argues that time in the post-X era is multi-layered and can be experimented through a cinematic ruin aesthetics; and theorises ecological temporality in relation to Jean-Paul Sartre's ontology on being as freedom and Caroline Godart's analysis of difference. Muyun Liu, PhD, is admitted to the Supreme Court of Victoria, Australia. She is a lawyer based in Melbourne, and received her PhD from the University of Melbourne in 2018.

ISBN: 9783031579080

Standard No.: 10.1007/978-3-031-57908-0doiSubjects--Topical Terms:

566381
Documentary films
--History and criticism.--China

LC Class. No.: PN1995.9.D6

Dewey Class. No.: 791.430951

Independent Chinese documentary cinema = perspectives on time and ecological phenomenology /
LDR:04057nam a2200349 a 4500 001 1138406
003 DE-He213
005 20241011125747.0
006 m d
007 cr nn 008maaau
008 250117s2024 sz s 0 eng d
020 $a 9783031579080 $q (electronic bk.)
020 $a 9783031579073 $q (paper)
024 7 $a 10.1007/978-3-031-57908-0 $2 doi
035 $a 978-3-031-57908-0
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.D6
072 7 $a AP $2 bicssc
072 7 $a 1F $2 bicssc
072 7 $a PER004000 $2 bisacsh
072 7 $a AT $x 1F $2 thema
082 0 4 $a 791.430951 $2 23
090 $a PN1995.9.D6 $b L783 2024
100 1 $a Liu, Muyun. $3 1462095
245 1 0 $a Independent Chinese documentary cinema $h [electronic resource] : $b perspectives on time and ecological phenomenology / $c by Muyun Liu.
260 $a Cham : $c 2024. $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan,
300 $a xii, 208 p. : $b ill., digital ; $c 24 cm.
490 1 $a East Asian popular culture, $x 2634-5943
505 0 $a Chapter 1: Introduction,- Chapter 2: The linear temporality of socialist realist film The Great Land Reform -- Chapter 3: The xianchang aesthetics and entropic rhythms in Doctor Ma's Country Clinic and Lost in Home -- Chapter 4: The cinematic simulacra of a hyperreal capital time in the documentary films China Blue and China's Van Goghs -- Chapter 5: Digital ruin gazing in Wang Jiuliang's Beijing Besieged by Waste and ruinic traces in Zhao Liang's Behemoth -- Chapter 6: Ecological ontology and creative gleaning in Yak Dung, the Aoluguya trilogy, Huamulin Village Oh Little Qiang and The Gleaners and I.
520 $a "Muyun Liu's impressive book offers an original and important study of China's Independent Documentary Film Movement spearheaded by a group of experimental, grass-roots filmmakers. It explores how the accessibility of digital video cameras led to a new wave of films by individuals motivated not by pedagogical goals but by their desire to capture images of everyday life that document the working lives of ordinary people. These films focus on diversity of voices, plurality of beliefs, and interconnectedness of people from very different walks of life. They also expose economic, social and cultural injustices as well as pressing environmental issues. This is an important and inspiring book that offers the readers a different view of the forces that make-up modern Chinese society. A must-read for anyone interested in the key role of new wave documentary filmmaking in our understanding of the forces that are shaping contemporary Chinese society." -Professor Jeanette Hoorn, The University of Melbourne, Australia "Liu's book is significant not only for its focus on work little known to English-speaking audiences, or even for its expansion of documentary aesthetics, but for its conceptual depth. From xianchang to moving image as accelerated hyperreal ruin and the tensions of existential freedom and difference, Liu makes a profound contribution to global ecomedia studies." -Professor Seán Cubitt, University of Melbourne, Australia This book explores the history of, and approaches to, documentary production within China from the Land Reform to the present day. It examines the institutionalisation of socialist realism during the PRC's revolutionary era; considers the emergence of the fluid xianchang aesthetics and the creation of contingent subjectivities in relation to physicist Carlo Rovelli's loop quantum gravity theory; explores two factory films through the angle of temporality; argues that time in the post-X era is multi-layered and can be experimented through a cinematic ruin aesthetics; and theorises ecological temporality in relation to Jean-Paul Sartre's ontology on being as freedom and Caroline Godart's analysis of difference. Muyun Liu, PhD, is admitted to the Supreme Court of Victoria, Australia. She is a lawyer based in Melbourne, and received her PhD from the University of Melbourne in 2018.
650 0 $a Documentary films $z China $x History and criticism. $3 566381
650 1 4 $a Asian Film and TV. $3 1365958
650 2 4 $a Film and Television Studies. $3 1105135
650 2 4 $a Documentary Studies. $3 1390077
650 2 4 $a Asian Culture. $3 1107945
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
830 0 $a East Asian popular culture. $3 1110574
856 4 0 $u https://doi.org/10.1007/978-3-031-57908-0
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)