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Sani' ol-Molk's the thousand and one nights = a study of image content and visual adaptation /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Sani' ol-Molk's the thousand and one nights/ by Elham Etemadi.
其他題名:	a study of image content and visual adaptation /
作者:	Etemadi, Elham.
出版者:	Singapore :Springer Nature Singapore : : 2024.,
面頁冊數:	xxv, 249 p. :ill. (some col.), digital ; : 24 cm.;
Contained By:	Springer Nature eBook
標題:	Illustration of books. -
電子資源:	https://doi.org/10.1007/978-981-97-0733-1
ISBN:	9789819707331

Sani' ol-Molk's the thousand and one nights = a study of image content and visual adaptation /
Etemadi, Elham.

Sani' ol-Molk's the thousand and one nightsa study of image content and visual adaptation /[electronic resource] :by Elham Etemadi. - Singapore :Springer Nature Singapore :2024. - xxv, 249 p. :ill. (some col.), digital ;24 cm.

Chapter 1: Introduction -- Chapter 2: Sani' ol-Molk and The Thousand and One Nights -- Chapter 3: "The Two Young Lovers and a Coiffeuse" -- Chapter 4: Imagining Power: Shahzaman and Shahrbaz -- Chapter 5: Evolving Roles: Shahrzad and Donyazad -- Chapter 6: Conclusion.

This book examines The Thousand and One Nights by Abol-Hassan Khan Sani' ol-Molk Ghaffari (1813/1814-1867), of the content of the illustrations of the main story, the story of Shahrzad and Shahrbaz, as well as a codicological study of the manuscript. It intends to explain how Sani' ol-Molk complicates the visual frame by adaptive strategies that build on the relationship between presented objects inside an illustration and the meanings that could be conventionally attributed to them from outside of the image. Examining the illustrations of the manuscript shows how Sani' ol-Molk's visualization of the main story of The Thousand and One Nights adds to the narrative and adapts it to convey meaning(s) that transcend the story the illustrations refer to. Elham Etemadi completed her Ph.D. in Art History at the University of Leuven, Belgium. She is currently an Associate Professor in the Art Faculty of Arkin University of Creative Arts andDesign (ARUCAD), Cyprus. Her previous affiliations were with the Hunan Normal University in China and Azad University, Science and Research Branch, Iran. Elham's articles have been published in different academic journals in English, Farsi and Chinese. Her research is positioned at the intersections of Iranian Arts and the early-modern and modern eras, iconology, book illustration, image-text relationships, gender representation and its historical transformation and cultural sociology. She has delivered her work and organized panels at various international conferences in North America, Europe, and Asia.

ISBN: 9789819707331

Standard No.: 10.1007/978-981-97-0733-1doiSubjects--Topical Terms:

797865
Illustration of books.

LC Class. No.: NE890

Dewey Class. No.: 741.6

Sani' ol-Molk's the thousand and one nights = a study of image content and visual adaptation /
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520 $a This book examines The Thousand and One Nights by Abol-Hassan Khan Sani' ol-Molk Ghaffari (1813/1814-1867), of the content of the illustrations of the main story, the story of Shahrzad and Shahrbaz, as well as a codicological study of the manuscript. It intends to explain how Sani' ol-Molk complicates the visual frame by adaptive strategies that build on the relationship between presented objects inside an illustration and the meanings that could be conventionally attributed to them from outside of the image. Examining the illustrations of the manuscript shows how Sani' ol-Molk's visualization of the main story of The Thousand and One Nights adds to the narrative and adapts it to convey meaning(s) that transcend the story the illustrations refer to. Elham Etemadi completed her Ph.D. in Art History at the University of Leuven, Belgium. She is currently an Associate Professor in the Art Faculty of Arkin University of Creative Arts andDesign (ARUCAD), Cyprus. Her previous affiliations were with the Hunan Normal University in China and Azad University, Science and Research Branch, Iran. Elham's articles have been published in different academic journals in English, Farsi and Chinese. Her research is positioned at the intersections of Iranian Arts and the early-modern and modern eras, iconology, book illustration, image-text relationships, gender representation and its historical transformation and cultural sociology. She has delivered her work and organized panels at various international conferences in North America, Europe, and Asia.
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