國立虎尾科技大學 |

Writing and producing for children and young audiences = cases from Danish film and television /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Writing and producing for children and young audiences/ by Eva Novrup Redvall.
其他題名:	cases from Danish film and television /
作者:	Redvall, Eva Novrup.
出版者:	Cham :Springer Nature Switzerland : : 2024.,
面頁冊數:	xvi, 256 p. :ill. (some col.), digital ; : 24 cm.;
Contained By:	Springer Nature eBook
標題:	Children's films - Authorship. - Denmark -
電子資源:	https://doi.org/10.1007/978-3-031-67073-2
ISBN:	9783031670732

Writing and producing for children and young audiences = cases from Danish film and television /
Redvall, Eva Novrup.

Writing and producing for children and young audiencescases from Danish film and television /[electronic resource] :by Eva Novrup Redvall. - Cham :Springer Nature Switzerland :2024. - xvi, 256 p. :ill. (some col.), digital ;24 cm. - Palgrave studies in screenwriting,2731-4499. - Palgrave studies in screenwriting..

Part I: Entering the Caste -- Chapter 1: Introduction -- Chapter 2: Representations and Discursive Formations of Caste: A Theoretical Framework -- Chapter 3: Contesting Voices of Gandhi and Ambedkar in Dalit Representations: Mulk Raj Anand's Untouchable and Amitabh's"Harijan Mastar" -- Chapter 4: Discourse of Sympathy, Violence, and Victimhood - I: Rohinton Discourse of Sympathy, Violence, and Victimhood - I: Rohinton -- Chapter 5: Discourse of Sympathy, Violence, and Victimhood - I: Rohinton Roy's The God of Small Things and Laxman Mane's Upara -- Part III: Accentuating Caste Prejudices: Pejorative Discourse -- Chapter 6: Discourse of Difference and Merit: Manu Joseph's Serious Men and Discourse of Difference and Merit: Amitabh's "Janmakhoon!" -- Chapter 7: Re-writing Violence and Victimhood: Aravind Adiga's The White Tiger and Meena Kandasamy's The Gypsy Goddess -- Part IV: Comparing Representational Paradigms Chapter 8: Conclusion.

"Redvall's book is a sophisticated analysis that engagingly explores best practices and strategies for making film and television for children and young audiences. It is a much-needed contribution that is valuable across borders and media, seen in the light of a new audience exploration turn." - Paolo Russo, Senior Lecturer in Film Studies at Oxford Brookes University "This insightful and timely book underscores the importance of researching children's screen production cultures after a period of significant industrial upheaval. Through its detailed analysis of the Danish context, it provides valuable insights into the challenges facing all film and television writers and producers wanting to create engaging, relevant content for the distinctive, and increasingly elusive, child audience." -- Anna Potter, Professor in Digital Media and Cultural Studies at QUT This book offers a comprehensive analysis of the writing and production strategies used in live-action fiction film and television produced for children and young audiences, in a period marked by remarkable change in screen consumption. Building on ideas and research from the fields of screenwriting, production, and media industry studies, the book uses case studies of Danish film and television productions targeting children - from toddlers to teenagers - to explore general challenges for reaching young audiences in the multiplatform mediascape, as well as to identify specific screenwriting practices and production frameworks. The study investigates industry notions of children and adolescents as a particular audience, exploring new methods of grounding productions for them through more inquiry-driven and co-creative writing and production practices, combined with new forms of knowledge-sharing and talent-training initiatives. Eva Novrup Redvall is Associate Professor at the University of Copenhagen, Denmark, where she is Head of the Section for Film Studies and Creative Media Industries. Her research focuses on screenwriting and production, and she has published widely on this since her monograph Writing and Producing Television Drama in Denmark: From The Kingdom to The Killing. This book builds on findings from the research project Reaching Young Audiences, funded by Independent Research Fund Denmark and headed by Redvall from 2019-2024.

ISBN: 9783031670732

Standard No.: 10.1007/978-3-031-67073-2doiSubjects--Topical Terms:

1462115
Children's films
--Authorship.--Denmark

LC Class. No.: PN1995.9.C45

Dewey Class. No.: 791.436523

Writing and producing for children and young audiences = cases from Danish film and television /
LDR:04458nam a2200361 a 4500 001 1138417
003 DE-He213
005 20241018125747.0
006 m d
007 cr nn 008maaau
008 250117s2024 sz s 0 eng d
020 $a 9783031670732 $q (electronic bk.)
020 $a 9783031670725 $q (paper)
024 7 $a 10.1007/978-3-031-67073-2 $2 doi
035 $a 978-3-031-67073-2
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.C45
072 7 $a APFD $2 bicssc
072 7 $a CBVS $2 bicssc
072 7 $a PER004050 $2 bisacsh
072 7 $a ATFD $2 thema
072 7 $a CBVS $2 thema
082 0 4 $a 791.436523 $2 23
090 $a PN1995.9.C45 $b R321 2024
100 1 $a Redvall, Eva Novrup. $e editor. $3 1317084
245 1 0 $a Writing and producing for children and young audiences $h [electronic resource] : $b cases from Danish film and television / $c by Eva Novrup Redvall.
260 $a Cham : $c 2024. $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan,
300 $a xvi, 256 p. : $b ill. (some col.), digital ; $c 24 cm.
490 1 $a Palgrave studies in screenwriting, $x 2731-4499
505 0 $a Part I: Entering the Caste -- Chapter 1: Introduction -- Chapter 2: Representations and Discursive Formations of Caste: A Theoretical Framework -- Chapter 3: Contesting Voices of Gandhi and Ambedkar in Dalit Representations: Mulk Raj Anand's Untouchable and Amitabh's"Harijan Mastar" -- Chapter 4: Discourse of Sympathy, Violence, and Victimhood - I: Rohinton Discourse of Sympathy, Violence, and Victimhood - I: Rohinton -- Chapter 5: Discourse of Sympathy, Violence, and Victimhood - I: Rohinton Roy's The God of Small Things and Laxman Mane's Upara -- Part III: Accentuating Caste Prejudices: Pejorative Discourse -- Chapter 6: Discourse of Difference and Merit: Manu Joseph's Serious Men and Discourse of Difference and Merit: Amitabh's "Janmakhoon!" -- Chapter 7: Re-writing Violence and Victimhood: Aravind Adiga's The White Tiger and Meena Kandasamy's The Gypsy Goddess -- Part IV: Comparing Representational Paradigms Chapter 8: Conclusion.
520 $a "Redvall's book is a sophisticated analysis that engagingly explores best practices and strategies for making film and television for children and young audiences. It is a much-needed contribution that is valuable across borders and media, seen in the light of a new audience exploration turn." - Paolo Russo, Senior Lecturer in Film Studies at Oxford Brookes University "This insightful and timely book underscores the importance of researching children's screen production cultures after a period of significant industrial upheaval. Through its detailed analysis of the Danish context, it provides valuable insights into the challenges facing all film and television writers and producers wanting to create engaging, relevant content for the distinctive, and increasingly elusive, child audience." -- Anna Potter, Professor in Digital Media and Cultural Studies at QUT This book offers a comprehensive analysis of the writing and production strategies used in live-action fiction film and television produced for children and young audiences, in a period marked by remarkable change in screen consumption. Building on ideas and research from the fields of screenwriting, production, and media industry studies, the book uses case studies of Danish film and television productions targeting children - from toddlers to teenagers - to explore general challenges for reaching young audiences in the multiplatform mediascape, as well as to identify specific screenwriting practices and production frameworks. The study investigates industry notions of children and adolescents as a particular audience, exploring new methods of grounding productions for them through more inquiry-driven and co-creative writing and production practices, combined with new forms of knowledge-sharing and talent-training initiatives. Eva Novrup Redvall is Associate Professor at the University of Copenhagen, Denmark, where she is Head of the Section for Film Studies and Creative Media Industries. Her research focuses on screenwriting and production, and she has published widely on this since her monograph Writing and Producing Television Drama in Denmark: From The Kingdom to The Killing. This book builds on findings from the research project Reaching Young Audiences, funded by Independent Research Fund Denmark and headed by Redvall from 2019-2024.
650 0 $a Children's films $z Denmark $x Authorship. $3 1462115
650 0 $a Children's television programs $z Denmark. $3 1462116
650 1 4 $a Screenwriting. $3 1115682
650 2 4 $a European Film and TV. $3 1388294
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in screenwriting. $3 1005697
856 4 0 $u https://doi.org/10.1007/978-3-031-67073-2
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)