國立虎尾科技大學 |

E(n)stranged = rethinking defamiliarization in literature and visual culture /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	E(n)stranged/ edited by Nilgun Bayraktar, Alberto Godioli.
其他題名:	rethinking defamiliarization in literature and visual culture /
其他作者:	Godioli, Alberto.
出版者:	Cham :Springer International Publishing : : 2024.,
面頁冊數:	xv, 300 p. :ill., digital ; : 24 cm.;
Contained By:	Springer Nature eBook
標題:	Art History. -
電子資源:	https://doi.org/10.1007/978-3-031-60859-9
ISBN:	9783031608599

E(n)stranged = rethinking defamiliarization in literature and visual culture /
E(n)strangedrethinking defamiliarization in literature and visual culture /[electronic resource] :edited by Nilgun Bayraktar, Alberto Godioli. - Cham :Springer International Publishing :2024. - xv, 300 p. :ill., digital ;24 cm.

1. Introduction -- 2. Fear of the Strange: On Weird Ontologies and Eerie Agencies -- 3. The Upside Down of an Italian Summer: Human-Nonhuman Enmeshment and Defamiliarization in Michele Mari's Verderame -- 4. Making the Strange Familiar: Getting Intimate with Toxicity -- 5. Weirding Europe: Fiction and Ghostliness as Grammars of Resistance in Kivu Ruhorahoza's Europa, "Based on a True Story" (2019) and Recent Protest Events -- 6. Joking Against Humanity? Dark Humor and (De)familiarization -- 7. Familiarly Strange/Strangely Familiar: Humor and Contemporary Artists from Turkey -- 8. Ostranenie, "The Montage of Attractions" and Early Cinema's "Properly Irreducible Alien Quality" -- 9. Mind the Gap! Towards a Transdisciplinary Theory of Aesthetic Negativity -- 10. Cultural Physics of Defamiliarization, Learning, Consciousness, and Metaphors -- 11. Strangers in Paradise: Migrant Figurations in Media Culture -- 12. "Inside - Out" and "Making Strange" by the Stranger.

Variously translated as "estrangement," "enstrangement" or "defamiliarization," Viktor Shklovsky's concept of ostranenie is more relevant than ever. This collection offers new insights into the theories and practices of ostranenie across various languages and cultures, with a particular focus on the 20th and 21st centuries. Our current era is marked by a dramatic redefinition of the normal and the strange, the familiar and the weird. The rise of far-right populism has increasingly normalized xenophobic and nativist stances previously confined to the fringes of the political spectrum. Additionally, the climate crisis has led to the ongoing renegotiation of the concepts of normalcy and emergency amid widespread efforts to adapt to the "new (ab)normal." Exploring defamiliarization provides a unique perspective to comprehend and question these processes and their profound cultural implications. Focusing on ostranenie also offers valuable insights into how aesthetic forms serve a political function. Defamiliarization can take on various forms, including retro-futuristic dystopias, stylized films, and darkly humorous cartoons and memes. It can be an effective tool for political activation that relies on formal innovation rather than superficial emotional engagement. This collection brings together the work of a group of scholars examining defamiliarization across different media. It explores questions such as: How can we differentiate between various forms of defamiliarization and analyze their effects on the reader/viewer? How is defamiliarization connected to the weird, the eerie, or the uncanny? As a result, the collection offers an updated theoretical framework for understanding the wide range of emergent artistic and literary practices of e(n)strangement in the current era and their significant political affordances. Chapter 6 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com Nilgun Bayraktar is Associate Professor of Film History, Theory, and Criticism in the History of Art and Visual Culture Program and Film Program at the California College of the Arts, USA. Alberto Godioli is Associate Professor in European Culture and Literature at the University of Groningen, the Netherlands, and Programme Director of the Netherlands Research School for Literary Studies.

ISBN: 9783031608599

Standard No.: 10.1007/978-3-031-60859-9doiSubjects--Topical Terms:

1365919
Art History.

LC Class. No.: HM1131

Dewey Class. No.: 302.544

E(n)stranged = rethinking defamiliarization in literature and visual culture /
LDR:04419nam a2200349 a 4500 001 1138421
003 DE-He213
005 20241025125735.0
006 m d
007 cr nn 008maaau
008 250117s2024 sz s 0 eng d
020 $a 9783031608599 $q (electronic bk.)
020 $a 9783031608582 $q (paper)
024 7 $a 10.1007/978-3-031-60859-9 $2 doi
035 $a 978-3-031-60859-9
040 $a GP $c GP
041 0 $a eng
050 4 $a HM1131
072 7 $a JFD $2 bicssc
072 7 $a GTC $2 bicssc
072 7 $a SOC052000 $2 bisacsh
072 7 $a JBCT $2 thema
072 7 $a GTC $2 thema
082 0 4 $a 302.544 $2 23
090 $a HM1131 $b .E59 2024
245 0 0 $a E(n)stranged $h [electronic resource] : $b rethinking defamiliarization in literature and visual culture / $c edited by Nilgun Bayraktar, Alberto Godioli.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2024.
300 $a xv, 300 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction -- 2. Fear of the Strange: On Weird Ontologies and Eerie Agencies -- 3. The Upside Down of an Italian Summer: Human-Nonhuman Enmeshment and Defamiliarization in Michele Mari's Verderame -- 4. Making the Strange Familiar: Getting Intimate with Toxicity -- 5. Weirding Europe: Fiction and Ghostliness as Grammars of Resistance in Kivu Ruhorahoza's Europa, "Based on a True Story" (2019) and Recent Protest Events -- 6. Joking Against Humanity? Dark Humor and (De)familiarization -- 7. Familiarly Strange/Strangely Familiar: Humor and Contemporary Artists from Turkey -- 8. Ostranenie, "The Montage of Attractions" and Early Cinema's "Properly Irreducible Alien Quality" -- 9. Mind the Gap! Towards a Transdisciplinary Theory of Aesthetic Negativity -- 10. Cultural Physics of Defamiliarization, Learning, Consciousness, and Metaphors -- 11. Strangers in Paradise: Migrant Figurations in Media Culture -- 12. "Inside - Out" and "Making Strange" by the Stranger.
520 $a Variously translated as "estrangement," "enstrangement" or "defamiliarization," Viktor Shklovsky's concept of ostranenie is more relevant than ever. This collection offers new insights into the theories and practices of ostranenie across various languages and cultures, with a particular focus on the 20th and 21st centuries. Our current era is marked by a dramatic redefinition of the normal and the strange, the familiar and the weird. The rise of far-right populism has increasingly normalized xenophobic and nativist stances previously confined to the fringes of the political spectrum. Additionally, the climate crisis has led to the ongoing renegotiation of the concepts of normalcy and emergency amid widespread efforts to adapt to the "new (ab)normal." Exploring defamiliarization provides a unique perspective to comprehend and question these processes and their profound cultural implications. Focusing on ostranenie also offers valuable insights into how aesthetic forms serve a political function. Defamiliarization can take on various forms, including retro-futuristic dystopias, stylized films, and darkly humorous cartoons and memes. It can be an effective tool for political activation that relies on formal innovation rather than superficial emotional engagement. This collection brings together the work of a group of scholars examining defamiliarization across different media. It explores questions such as: How can we differentiate between various forms of defamiliarization and analyze their effects on the reader/viewer? How is defamiliarization connected to the weird, the eerie, or the uncanny? As a result, the collection offers an updated theoretical framework for understanding the wide range of emergent artistic and literary practices of e(n)strangement in the current era and their significant political affordances. Chapter 6 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com Nilgun Bayraktar is Associate Professor of Film History, Theory, and Criticism in the History of Art and Visual Culture Program and Film Program at the California College of the Arts, USA. Alberto Godioli is Associate Professor in European Culture and Literature at the University of Groningen, the Netherlands, and Programme Director of the Netherlands Research School for Literary Studies.
650 2 4 $a Art History. $3 1365919
650 2 4 $a Literary Theory. $3 1105042
650 2 4 $a Visual Culture. $3 1365918
650 1 4 $a Media and Communication Theory. $3 1366147
650 0 $a Political alienation in literature. $3 1462126
650 0 $a Political alienation. $3 1462125
650 0 $a Alienation (Social psychology) $3 1011954
700 1 $a Godioli, Alberto. $3 1462124
700 1 $a Bayraktar, Nilgun. $3 1462123
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-60859-9
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)