國立虎尾科技大學 |

Psychodynamics of Orality in Digital Media.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Psychodynamics of Orality in Digital Media./
Author:	Gilman-Hernandez, Byron.
Description:	1 online resource (237 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 84-11, Section: B.
Contained By:	Dissertations Abstracts International84-11B.
Subject:	Information technology. -
Online resource:	click for full text (PQDT)
ISBN:	9798379540456

Psychodynamics of Orality in Digital Media.
Gilman-Hernandez, Byron.

Psychodynamics of Orality in Digital Media. - 1 online resource (237 pages)

Source: Dissertations Abstracts International, Volume: 84-11, Section: B.

Thesis (Ph.D.)--Saint Louis University, 2023.

Includes bibliographical references

Perceptions of digital media frequently imagine that digital formats, as a progression from print and manuscript, are hardier or otherwise more resistant to the ravages of time. This, however, is an illusion that any number of dead links, images, or lost media online can attest to. Sustaining media in digital formats relies not on the inherent hardiness of the technology, but the communal efforts of preservation-much like the process Walter Ong saw in Oral cultures. Taking Ong's theories of psychodynamics, this dissertation observes how the non-trivial labor of preservation shapes the cultural norms and demands in digital media and how these communal practices shape the practitioners in turn.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798379540456Subjects--Topical Terms:

559429
Information technology.
Subjects--Index Terms:

Digital mediaIndex Terms--Genre/Form:

554714
Electronic books.

Psychodynamics of Orality in Digital Media.
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520 $a Perceptions of digital media frequently imagine that digital formats, as a progression from print and manuscript, are hardier or otherwise more resistant to the ravages of time. This, however, is an illusion that any number of dead links, images, or lost media online can attest to. Sustaining media in digital formats relies not on the inherent hardiness of the technology, but the communal efforts of preservation-much like the process Walter Ong saw in Oral cultures. Taking Ong's theories of psychodynamics, this dissertation observes how the non-trivial labor of preservation shapes the cultural norms and demands in digital media and how these communal practices shape the practitioners in turn.
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653 $a Psychodynamics
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