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Centering Race and Class in Contemporary Argentine and Brazilian Cinema : = Documenting Neocolonialism through Film.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Centering Race and Class in Contemporary Argentine and Brazilian Cinema :/
Reminder of title:	Documenting Neocolonialism through Film.
Author:	Arnold, Genevieve R.
Description:	1 online resource (116 pages)
Notes:	Source: Masters Abstracts International, Volume: 84-01.
Contained By:	Masters Abstracts International84-01.
Subject:	Latin American history. -
Online resource:	click for full text (PQDT)
ISBN:	9798802741672

Centering Race and Class in Contemporary Argentine and Brazilian Cinema : = Documenting Neocolonialism through Film.
Arnold, Genevieve R.

Centering Race and Class in Contemporary Argentine and Brazilian Cinema :Documenting Neocolonialism through Film. - 1 online resource (116 pages)

Source: Masters Abstracts International, Volume: 84-01.

Thesis (M.A.)--Vanderbilt University, 2022.

Includes bibliographical references

Argentine and Brazilian contemporary cinema provide thorough documentation of the avenues through which neocolonialism rears its head in modern Latin America. In the following work, four films are given treatment to provide case studies of racism and classism as they present themselves in Argentina and Brazil. The thesis is divided into two parts, both containing a pair of films from either country. Part 1 examines the 2015 work of Brazilian director Anna Muylaert, Que Horas Ela Volta? in chapter 1, and the 2001 film by director Lucrecia Martel, La Cienega in the following chapter. Part 2 reviews the Brazilian film Bacurau in chapter 3, directed by Kleber Mendoca Filho and Juliano Dornelles in 2019, closing with the 2015 film, Relatos Salvajes in chapter 4, by Argentine director Damian Szifron. Films provide a window into the cultural and artistic manifestations of anti-colonial movements. Chapters are paired based on similar stylistic choices on the part of the filmmakers such as lighting, use of sound, and narrative, but also taking complementary themes into account, such as sexism, police violence, slavery, and capitalism.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798802741672Subjects--Topical Terms:

1181262
Latin American history.
Subjects--Index Terms:

Argentine cinemaIndex Terms--Genre/Form:

554714
Electronic books.

Centering Race and Class in Contemporary Argentine and Brazilian Cinema : = Documenting Neocolonialism through Film.
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500 $a Source: Masters Abstracts International, Volume: 84-01.
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502 $a Thesis (M.A.)--Vanderbilt University, 2022.
504 $a Includes bibliographical references
520 $a Argentine and Brazilian contemporary cinema provide thorough documentation of the avenues through which neocolonialism rears its head in modern Latin America. In the following work, four films are given treatment to provide case studies of racism and classism as they present themselves in Argentina and Brazil. The thesis is divided into two parts, both containing a pair of films from either country. Part 1 examines the 2015 work of Brazilian director Anna Muylaert, Que Horas Ela Volta? in chapter 1, and the 2001 film by director Lucrecia Martel, La Cienega in the following chapter. Part 2 reviews the Brazilian film Bacurau in chapter 3, directed by Kleber Mendoca Filho and Juliano Dornelles in 2019, closing with the 2015 film, Relatos Salvajes in chapter 4, by Argentine director Damian Szifron. Films provide a window into the cultural and artistic manifestations of anti-colonial movements. Chapters are paired based on similar stylistic choices on the part of the filmmakers such as lighting, use of sound, and narrative, but also taking complementary themes into account, such as sexism, police violence, slavery, and capitalism.
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538 $a Mode of access: World Wide Web
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650 4 $a Film studies. $3 1179264
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653 $a Brazilian cinema
653 $a Neocolonialism
653 $a Contemporary cinema
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773 0 $t Masters Abstracts International $g 84-01.
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