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Situationships : = Creating Situations and Relationships for and with Material.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Situationships :/
Reminder of title:	Creating Situations and Relationships for and with Material.
Author:	Spencer, Catherine.
Description:	1 online resource (29 pages)
Notes:	Source: Masters Abstracts International, Volume: 83-02.
Contained By:	Masters Abstracts International83-02.
Subject:	Fine arts. -
Online resource:	click for full text (PQDT)
ISBN:	9798516977107

Situationships : = Creating Situations and Relationships for and with Material.
Spencer, Catherine.

Situationships :Creating Situations and Relationships for and with Material. - 1 online resource (29 pages)

Source: Masters Abstracts International, Volume: 83-02.

Thesis (M.F.A.)--Syracuse University, 2021.

Includes bibliographical references

The ability to heal, adapt, and evolve is essential to thriving within new circumstances. These characteristics, which are so easily observed in nature, have been the visual guide to not only the methodology behind my practice but also in how I have learned to make sense of unimaginable emotional pain. By examining each visual and material ingredient that goes into my process, I reveal my imagined world and the systems of power that influence the "situationships" between each object. This paper aims to reflect the essence of my process and art, where chaos is embraced and the precarity of life hangs in the balance.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798516977107Subjects--Topical Terms:

1112523
Fine arts.
Subjects--Index Terms:

Art practiceIndex Terms--Genre/Form:

554714
Electronic books.

Situationships : = Creating Situations and Relationships for and with Material.
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520 $a The ability to heal, adapt, and evolve is essential to thriving within new circumstances. These characteristics, which are so easily observed in nature, have been the visual guide to not only the methodology behind my practice but also in how I have learned to make sense of unimaginable emotional pain. By examining each visual and material ingredient that goes into my process, I reveal my imagined world and the systems of power that influence the "situationships" between each object. This paper aims to reflect the essence of my process and art, where chaos is embraced and the precarity of life hangs in the balance.
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