國立虎尾科技大學 |

Sacred Nature : = Metaphysics of Place in William Blake, Emily Dickinson, and Seamus Heaney.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Sacred Nature :/
其他題名:	Metaphysics of Place in William Blake, Emily Dickinson, and Seamus Heaney.
作者:	McGrew, Graham.
面頁冊數:	1 online resource (112 pages)
附註:	Source: Masters Abstracts International, Volume: 85-07.
Contained By:	Masters Abstracts International85-07.
標題:	British & Irish literature. -
電子資源:	click for full text (PQDT)
ISBN:	9798381433418

Sacred Nature : = Metaphysics of Place in William Blake, Emily Dickinson, and Seamus Heaney.
McGrew, Graham.

Sacred Nature :Metaphysics of Place in William Blake, Emily Dickinson, and Seamus Heaney. - 1 online resource (112 pages)

Source: Masters Abstracts International, Volume: 85-07.

Thesis (A.L.M.)--Harvard University, 2024.

Includes bibliographical references

William Blake, Emily Dickinson and Seamus Heaney are read as practitioners of ecopoetry (in Jonathan Bate's phrase) and ecotheology. Where each poet locates the sacred is plotted against their depictions of the natural world. How do they see nature; how do they see the divine; and do these views intersect? The Introduction considers a broad history of immanence and transcendence as two roads to the divine. Blake's historical contexts, in the pagan tradition of the sacred landscape, and the antinomianism of eighteenth-century Britain, including the Moravian sect, are applied to his prophetic books, chiefly Milton and Jerusalem. Blake's complex and changing view of nature aspires to a reconciliation of the immanent and the transcendent. From Dickinson's milieu, the Puritan origins of New England and the American sublime, she cultivated poems which view snakes, bees and hummingbirds as "Nature's People." This most idiosyncratic of poets brought forth a new aesthetic, the impersonal sublime. Dickinson is also read as an apophatic poet, her lyrics petals around a generative nothing. Heaney digs from the bogland of history ancient queens and sacrifices, wedding them to the poetic tradition of the aisling in his contemporary moment of northern Ireland's Troubles. Heaney further believes in an ontological power of language to create and shape landscape itself. Blake's, Dickinson's and Heaney's visions of nature and the sacred number among the threads we may weave into a new relation to the nonhuman world, here on the brink of the sixth great extinction.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798381433418Subjects--Topical Terms:

1148425
British & Irish literature.
Subjects--Index Terms:

EcocriticismIndex Terms--Genre/Form:

554714
Electronic books.

Sacred Nature : = Metaphysics of Place in William Blake, Emily Dickinson, and Seamus Heaney.
LDR:02925ntm a22003977 4500 001 1144675
005 20240611104335.5
006 m o d
007 cr mn ---uuuuu
008 250605s2024 xx obm 000 0 eng d
020 $a 9798381433418
035 $a (MiAaPQ)AAI30988286
035 $a AAI30988286
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a McGrew, Graham. $3 1469788
245 1 0 $a Sacred Nature : $b Metaphysics of Place in William Blake, Emily Dickinson, and Seamus Heaney.
264 0 $c 2024
300 $a 1 online resource (112 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 85-07.
500 $a Advisor: Brown, Collier;Damrosch, Leo.
502 $a Thesis (A.L.M.)--Harvard University, 2024.
504 $a Includes bibliographical references
520 $a William Blake, Emily Dickinson and Seamus Heaney are read as practitioners of ecopoetry (in Jonathan Bate's phrase) and ecotheology. Where each poet locates the sacred is plotted against their depictions of the natural world. How do they see nature; how do they see the divine; and do these views intersect? The Introduction considers a broad history of immanence and transcendence as two roads to the divine. Blake's historical contexts, in the pagan tradition of the sacred landscape, and the antinomianism of eighteenth-century Britain, including the Moravian sect, are applied to his prophetic books, chiefly Milton and Jerusalem. Blake's complex and changing view of nature aspires to a reconciliation of the immanent and the transcendent. From Dickinson's milieu, the Puritan origins of New England and the American sublime, she cultivated poems which view snakes, bees and hummingbirds as "Nature's People." This most idiosyncratic of poets brought forth a new aesthetic, the impersonal sublime. Dickinson is also read as an apophatic poet, her lyrics petals around a generative nothing. Heaney digs from the bogland of history ancient queens and sacrifices, wedding them to the poetic tradition of the aisling in his contemporary moment of northern Ireland's Troubles. Heaney further believes in an ontological power of language to create and shape landscape itself. Blake's, Dickinson's and Heaney's visions of nature and the sacred number among the threads we may weave into a new relation to the nonhuman world, here on the brink of the sixth great extinction.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2024
538 $a Mode of access: World Wide Web
650 4 $a British & Irish literature. $3 1148425
650 4 $a American literature. $3 685398
650 4 $a English literature. $3 555406
650 4 $a Literature. $3 557269
653 $a Ecocriticism
653 $a Ecotheology
653 $a Apophatic poet
653 $a Jerusalem
653 $a Antinomianism
655 7 $a Electronic books. $2 local $3 554714
690 $a 0401
690 $a 0593
690 $a 0591
710 2 $a Harvard University. $b Extension Studies. $3 1372761
710 2 $a ProQuest Information and Learning Co. $3 1178819
773 0 $t Masters Abstracts International $g 85-07.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30988286 $z click for full text (PQDT)