國立虎尾科技大學 |

"Quanwang" "guangyun"yi zi duo yin xian xiang bi jiao yan jiu = = Comparative Study on Polyphony of One Character in "Quanwang" and "Guangyun".

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	"Quanwang" "guangyun"yi zi duo yin xian xiang bi jiao yan jiu =/
其他題名:	Comparative Study on Polyphony of One Character in "Quanwang" and "Guangyun".
其他題名:	Comparative Study on Polyphony of One Character in "Quanwang" and "Guangyun"
作者:	Lin, Yi-Siang.
面頁冊數:	1 online resource (461 pages)
附註:	Source: Dissertations Abstracts International, Volume: 84-05, Section: A.
Contained By:	Dissertations Abstracts International84-05A.
標題:	Ancient history. -
電子資源:	click for full text (PQDT)
ISBN:	9798352924426

"Quanwang" "guangyun"yi zi duo yin xian xiang bi jiao yan jiu = = Comparative Study on Polyphony of One Character in "Quanwang" and "Guangyun".
Lin, Yi-Siang.

"Quanwang" "guangyun"yi zi duo yin xian xiang bi jiao yan jiu =Comparative Study on Polyphony of One Character in "Quanwang" and "Guangyun".Comparative Study on Polyphony of One Character in "Quanwang" and "Guangyun" - 1 online resource (461 pages)

Source: Dissertations Abstracts International, Volume: 84-05, Section: A.

Thesis (Ph.D.)--National Taiwan Normal University (Taiwan), 2021.

Includes bibliographical references

《切韻》系韻書是反映中古語音系統的重要材料，上承古音下開方言，對漢語音韻學研究的價值持續不墜。其書由最初陸法言所編的一萬一千多字擴展至宋代的《廣韻》，字數已逾兩萬五千之譜，每一代的作品都錄有許多重複出現的字形，按韻書體例的安排，這些相同字形的音讀必然有所區別，屬於廣義的一字多音現象，再搭配韻書本身的又音注，實為研究漢語一字多音現象的絕佳材料。本研究即以唐寫本《王仁昫刊謬補缺切韻》(全王)及大宋重修《廣韻》兩全本作為語料，探討韻書中多音字的內涵及現象。首章談一字多音的定義問題，並進行前人研究回顧與研究方法探討。第二章以韻書編纂者用以標示一字多音的「又音注」為討論重點。首先闡述又音注所具有的特色、功能以及價值。透過前後代版本的比較後可以發現：又音注原先僅為輔助正切標音之用，體例單調而不嚴謹，然而隨著韻書的功能逐漸增強，其本身具有的較高自由度使它開始承擔了許多標音以外的任務，例如發展各種術語，標明出處來源，或詮釋字際關係等，是為語言文字學於唐宋成長發展中別具意義的一項指標。其次，本文對於各類又音注的形式、內涵和流變進行了全面的整理，並指出了又音注「橫向連結」典籍或異體的現象。第三章是將語料進行數位化整理後，以窮盡式歸納法、算數統計法和概率統計法對兩書中所有的多音字進行通盤分析。首先發現，在具有一定規模的樣本數時，多音字在韻書的分布是大致平均的，而影響多音字佔比多寡的因素往往和該劃分音類的總收字數有關，其次才是語音結構的因素(例如入聲)。再者，將《全王》和《廣韻》利用相同的統計手段分析並進行比較後，發現多音字在聲和韻上相配的頻率(次數)與趨向展現出「音近相配」和「比例固定」兩種現象，說明從《全王》到《廣韻》，韻書收字的成長屬於基本結構相同下的「等比放大」，即各音類的發展是大致均衡的，可發現一些小的音類消長，不過整體《切韻》系韻書在語音上的發展仍遵循「保守」路線。而音類相配的趨勢亦顯示多音字以雙聲、疊韻等具有一部分相同音節為最多，不過異音類也有一些接觸較為頻繁的例子，多能和目前諧聲研究所得之結果相呼應。第四章為結論，主要歸結前兩章研究重點，以及對未來韻書及一字多音研究的展望與期待。

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798352924426Subjects--Topical Terms:

1187524
Ancient history.
Subjects--Index Terms:

廣韻Index Terms--Genre/Form:

554714
Electronic books.

"Quanwang" "guangyun"yi zi duo yin xian xiang bi jiao yan jiu = = Comparative Study on Polyphony of One Character in "Quanwang" and "Guangyun".
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504 $a Includes bibliographical references
520 $a 《切韻》系韻書是反映中古語音系統的重要材料，上承古音下開方言，對漢語音韻學研究的價值持續不墜。其書由最初陸法言所編的一萬一千多字擴展至宋代的《廣韻》，字數已逾兩萬五千之譜，每一代的作品都錄有許多重複出現的字形，按韻書體例的安排，這些相同字形的音讀必然有所區別，屬於廣義的一字多音現象，再搭配韻書本身的又音注，實為研究漢語一字多音現象的絕佳材料。本研究即以唐寫本《王仁昫刊謬補缺切韻》(全王)及大宋重修《廣韻》兩全本作為語料，探討韻書中多音字的內涵及現象。首章談一字多音的定義問題，並進行前人研究回顧與研究方法探討。第二章以韻書編纂者用以標示一字多音的「又音注」為討論重點。首先闡述又音注所具有的特色、功能以及價值。透過前後代版本的比較後可以發現：又音注原先僅為輔助正切標音之用，體例單調而不嚴謹，然而隨著韻書的功能逐漸增強，其本身具有的較高自由度使它開始承擔了許多標音以外的任務，例如發展各種術語，標明出處來源，或詮釋字際關係等，是為語言文字學於唐宋成長發展中別具意義的一項指標。其次，本文對於各類又音注的形式、內涵和流變進行了全面的整理，並指出了又音注「橫向連結」典籍或異體的現象。第三章是將語料進行數位化整理後，以窮盡式歸納法、算數統計法和概率統計法對兩書中所有的多音字進行通盤分析。首先發現，在具有一定規模的樣本數時，多音字在韻書的分布是大致平均的，而影響多音字佔比多寡的因素往往和該劃分音類的總收字數有關，其次才是語音結構的因素(例如入聲)。再者，將《全王》和《廣韻》利用相同的統計手段分析並進行比較後，發現多音字在聲和韻上相配的頻率(次數)與趨向展現出「音近相配」和「比例固定」兩種現象，說明從《全王》到《廣韻》，韻書收字的成長屬於基本結構相同下的「等比放大」，即各音類的發展是大致均衡的，可發現一些小的音類消長，不過整體《切韻》系韻書在語音上的發展仍遵循「保守」路線。而音類相配的趨勢亦顯示多音字以雙聲、疊韻等具有一部分相同音節為最多，不過異音類也有一些接觸較為頻繁的例子，多能和目前諧聲研究所得之結果相呼應。第四章為結論，主要歸結前兩章研究重點，以及對未來韻書及一字多音研究的展望與期待。
520 $a The rhyme book of "Qie Yun" is an important material reflecting the phonetic system of the Middle Ages. It inherits ancient sounds from the top and develops dialects from the bottom. His book has expanded from the more than 11,000 characters compiled by Lu Fayan to the "Guang Yun" of the Song Dynasty. The arrangement of these same glyphs must have different pronunciations, which belongs to the polyphonic phenomenon in a broad sense. Combined with the phonetic annotations in the rhyme book itself, it is actually an excellent material for studying the polyphonic phenomenon in Chinese. This study uses the Tang Dynasty manuscript "Wang Renzhang Kanju Qieyun" (Quanwang) and the Song Dynasty rebuilt "Guangyun" two complete editions as corpus to explore the connotation and phenomenon of polyphonic characters in rhyme books. The first chapter discusses the definition of monophonic polyphony, and conducts a review of previous studies and a discussion of research methods. The second chapter focuses on the "youyinzhu" used by the compilers of rhyme books to mark the polyphony of a word. Firstly, it expounds the characteristics, functions and values of Youyinzhu. Through the comparison of the previous and later versions, it can be found that the Youyin notation was originally only used to assist tangent transcription, and the style was monotonous and not rigorous. Many tasks other than phonetic transcription, such as developing various terms, indicating sources of origin, or interpreting inter-word relationships, etc., are an indicator of the special significance for the growth and development of linguistics in the Tang and Song Dynasties. Secondly, this paper makes a comprehensive arrangement of the forms, connotations and changes of various phonetic notations, and points out the phenomenon of "horizontal connection" of classics or variants of Youyin notations. The third chapter is to conduct a comprehensive analysis of all polyphonic characters in the two books by means of exhaustive induction, arithmetic statistics and probability statistics after digitizing the corpus. First of all, it is found that when there are a certain number of samples, the distribution of polyphonic characters in rhyme books is roughly average, and the factors that affect the proportion of polyphonic characters are often related to the total number of words collected in the phonetic category, followed by the phonetic structure factors (such as incoming sound). Furthermore, after analyzing and comparing "Quanwang" and "Guangyun" using the same statistical method, it is found that the frequencies (numbers) and trends of polyphonic characters matching in sound and rhyme show "sound close matching" and "proportionality". These two phenomena indicate that from "Quanwang" to "Guangyun", the growth of rhyme scripts belongs to "equal ratio amplification" under the same basic structure, that is, the development of each sound category is roughly balanced, and some small However, the phonetic development of the rhyme series of "Qie Yun" still follows the "conservative" line. The trend of phonetic matching also shows that polyphonic characters have the most part of the same syllables, such as double tones and double rhymes, but there are also some examples of heterophones that are more frequently contacted, and most of them can echo the results of the current research on harmonic sounds. The fourth chapter is the conclusion, which mainly summarizes the research focus of the previous two chapters, as well as the prospects and expectations for the future research on rhyme scripts and one-character polyphony.
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653 $a 全王
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653 $a Variant pronunciations
653 $a Ancient Chinese phonology
653 $a Qie-yun
653 $a Rhyme scripts
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880 $6 500-03/$1 $a Advisor: 姚榮松.