國立虎尾科技大學 |

Picturing the afterlife : = The Shojuraigoji Six Paths scrolls and salvation in medieval Japan.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Picturing the afterlife :/
其他題名:	The Shojuraigoji Six Paths scrolls and salvation in medieval Japan.
作者:	Chusid, Miriam.
面頁冊數:	1 online resource (272 pages)
附註:	Source: Dissertations Abstracts International, Volume: 78-04, Section: A.
Contained By:	Dissertations Abstracts International78-04A.
標題:	Art history. -
電子資源:	click for full text (PQDT)
ISBN:	9781369218435

Picturing the afterlife : = The Shojuraigoji Six Paths scrolls and salvation in medieval Japan.
Chusid, Miriam.

Picturing the afterlife :The Shojuraigoji Six Paths scrolls and salvation in medieval Japan. - 1 online resource (272 pages)

Source: Dissertations Abstracts International, Volume: 78-04, Section: A.

Thesis (Ph.D.)--Princeton University, 2016.

Includes bibliographical references

The set of Six Paths paintings completed in the mid-thirteenth century and owned by Shojuraigoji temple in Shiga Prefecture represents one of the most ambitious attempts to render the first chapter of The Essentials of Birth in the Pure Land (Ojoyoshu , 985) in pictorial form. The Essentials extols the virtues of the nenbutsu, or recitation of Amida Buddha's name, as a paramount practice for attaining birth in the Pure Land and salvation at the time of death. The first chapter, more specifically, describes the suffering in the six paths of rebirth-hell, hungry ghosts, animals, fighting demons, humans, and celestial beings-to emphasize the urgent need to practice the nenbutsu to avoid an afterlife filled with torture and affliction. Indeed, both mediums present a similar view of the cosmological structure of the Buddhist universe, and the paintings, like the descriptions in the text, depict the various punishments that await a person in each of these realms should he or she commit transgressions or neglect Buddhist practice while alive. In my dissertation, I reexamine and contest the claim that the paintings served as entirely faithful illustrations of The Essentials. In challenging a longstanding methodology in Buddhist art history that gives primacy to scripture and understands images as consequences of its production, I investigate the role of text in the painting process by focusing on those places where the images diverge from the writings they purport to illustrate. Through a close analysis of the Shojuraigoji scrolls, and by drawing on contemporaneous paintings that also depict the six realms, as well as courtiers' diaries, votive inscriptions, Buddhist iconographic compendia, narrative tales, and architectural records of halls designed for funeral services, I argue that these images reflected shifts in belief and practice, and in turn, informed the meaning of the very texts from which they derived their authority. I show how the Shojuraigoji scrolls became the new archetype of hell-related imagery employed in a ritual context for the benefit of the deceased and to ensure liberation for those still living, and how the paintings endured over time as exemplars of Buddhist faith.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9781369218435Subjects--Topical Terms:

1180038
Art history.
Subjects--Index Terms:

Buddhist artIndex Terms--Genre/Form:

554714
Electronic books.

Picturing the afterlife : = The Shojuraigoji Six Paths scrolls and salvation in medieval Japan.
LDR:03646ntm a22004097 4500 001 1145766
005 20240711091208.5
006 m o d
007 cr bn ---uuuuu
008 250605s2016 xx obm 000 0 eng d
020 $a 9781369218435
035 $a (MiAaPQ)AAI10167494
035 $a (MiAaPQ)princeton:11853
035 $a AAI10167494
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Chusid, Miriam. $3 1470980
245 1 0 $a Picturing the afterlife : $b The Shojuraigoji Six Paths scrolls and salvation in medieval Japan.
264 0 $c 2016
300 $a 1 online resource (272 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 78-04, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Watsky, Andrew M.
502 $a Thesis (Ph.D.)--Princeton University, 2016.
504 $a Includes bibliographical references
520 $a The set of Six Paths paintings completed in the mid-thirteenth century and owned by Shojuraigoji temple in Shiga Prefecture represents one of the most ambitious attempts to render the first chapter of The Essentials of Birth in the Pure Land (Ojoyoshu , 985) in pictorial form. The Essentials extols the virtues of the nenbutsu, or recitation of Amida Buddha's name, as a paramount practice for attaining birth in the Pure Land and salvation at the time of death. The first chapter, more specifically, describes the suffering in the six paths of rebirth-hell, hungry ghosts, animals, fighting demons, humans, and celestial beings-to emphasize the urgent need to practice the nenbutsu to avoid an afterlife filled with torture and affliction. Indeed, both mediums present a similar view of the cosmological structure of the Buddhist universe, and the paintings, like the descriptions in the text, depict the various punishments that await a person in each of these realms should he or she commit transgressions or neglect Buddhist practice while alive. In my dissertation, I reexamine and contest the claim that the paintings served as entirely faithful illustrations of The Essentials. In challenging a longstanding methodology in Buddhist art history that gives primacy to scripture and understands images as consequences of its production, I investigate the role of text in the painting process by focusing on those places where the images diverge from the writings they purport to illustrate. Through a close analysis of the Shojuraigoji scrolls, and by drawing on contemporaneous paintings that also depict the six realms, as well as courtiers' diaries, votive inscriptions, Buddhist iconographic compendia, narrative tales, and architectural records of halls designed for funeral services, I argue that these images reflected shifts in belief and practice, and in turn, informed the meaning of the very texts from which they derived their authority. I show how the Shojuraigoji scrolls became the new archetype of hell-related imagery employed in a ritual context for the benefit of the deceased and to ensure liberation for those still living, and how the paintings endured over time as exemplars of Buddhist faith.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2024
538 $a Mode of access: World Wide Web
650 4 $a Art history. $3 1180038
650 4 $a Religion. $3 555020
653 $a Buddhist art
653 $a Genshin
653 $a Hell
653 $a Ojoyoshu
653 $a Six paths
655 7 $a Electronic books. $2 local $3 554714
690 $a 0318
690 $a 0377
710 2 $a Princeton University. $b Art and Archaeology. $3 1190017
710 2 $a ProQuest Information and Learning Co. $3 1178819
773 0 $t Dissertations Abstracts International $g 78-04A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10167494 $z click for full text (PQDT)