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"Xi you ji" zhi "cu" yan jiu = = "Interest" in Journey to the West.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	"Xi you ji" zhi "cu" yan jiu =/
其他題名:	"Interest" in Journey to the West.
其他題名:	"Interest" in Journey to the West.
作者:	Chang, Ya-Han.
面頁冊數:	1 online resource (128 pages)
附註:	Source: Masters Abstracts International, Volume: 84-05.
Contained By:	Masters Abstracts International84-05.
標題:	Literature. -
電子資源:	click for full text (PQDT)
ISBN:	9798352916865

"Xi you ji" zhi "cu" yan jiu = = "Interest" in Journey to the West.
Chang, Ya-Han.

"Xi you ji" zhi "cu" yan jiu ="Interest" in Journey to the West."Interest" in Journey to the West. - 1 online resource (128 pages)

Source: Masters Abstracts International, Volume: 84-05.

Thesis (M.A.)--National Taiwan Normal University (Taiwan), 2020.

Includes bibliographical references

本文以《西遊記》之「趣」為研究對象，「趣」是一種美感形態，能引發審美客體進行聯想、玩味的興致，從中獲得豐富的情感體驗。在《李卓吾批評西遊記》中，評點者即針對小說人物情態與情節事件，以「趣」來批點其中令人發笑、生愉悅之情、值得細細品味處。因此，本文選擇以「趣」來指稱《西遊記》的遊戲意味。關於《西遊記》的遊戲式筆法和喜劇精神之前行研究所在多有，然而，或僅視之為「無微言大義」的包裝，或未更深入探討小說的敘事及其寓意之間的關聯，實為可惜之處。因此，本文擬從「寓言」角度出發，探討小說家在「濁世不可以莊語」、「道之言不可以入俗」的演義編創思維下，如何透過有「趣」的敘事手法借此喻彼，傳遞對人心與世變問題的思考，達到「通俗為義」、「寓莊於諧」的目的，表達對仁善大道的籲求。考察《西遊記》之「趣」，既可放在水平脈絡中，回歸至明代中葉以降，整體社會經濟結構發生變化，哲學思想和文藝思潮都傾向關注個人情性的發揚，講究真性所發的「趣」也成為晚明人重要的精神指標。同時，市民階層興起，帶動審美觀念趨於世俗化，喜談笑謔成了士人風氣。另一方面，若往垂直溯源，諧讔文學傳統強調「善為笑言，然合於大道」的精神，其實亦為《西遊記》在轉化中繼承。這兩種觀察角度，亦為本文著眼的重點。職是之故，本文關注的問題主要有三：如何更全面地統整小說之「趣」的內涵？如何從「寓言」閱讀的角度洞察小說以「趣」的筆法所乘載的寓意？以及如何從從橫、縱兩條脈絡定位小說之「趣」的文學史意義？本文內容分為五章，第一章說明研究動機與目的，梳理前人研究成果，並確定研究方法，透過文本細讀和敘事分析，並結合西方的喜劇、幽默理論來解讀小說之「趣」。第二章主要探討「諧趣」，以《文心雕龍．諧讔》所論及「諧」的三種層次面向來分類論述小說之「趣」。第三章以「理趣」為核心，整理小說中具相同主題的事件，掘發在引人發笑之餘，其對世變處境下的人心事理所進行的思考。第四章以「機趣」為標，探討通篇小說對「人」、「道」的省思與寓意寄託。第五章為結論，總整研究成果，歸結《西遊記》之「趣」在文學史上的價值意義。

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798352916865Subjects--Topical Terms:

557269
Literature.
Subjects--Index Terms:

趣Index Terms--Genre/Form:

554714
Electronic books.

"Xi you ji" zhi "cu" yan jiu = = "Interest" in Journey to the West.
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500 $a Advisor: Li, Chi-Hung;李志宏.
502 $a Thesis (M.A.)--National Taiwan Normal University (Taiwan), 2020.
504 $a Includes bibliographical references
520 $a 本文以《西遊記》之「趣」為研究對象，「趣」是一種美感形態，能引發審美客體進行聯想、玩味的興致，從中獲得豐富的情感體驗。在《李卓吾批評西遊記》中，評點者即針對小說人物情態與情節事件，以「趣」來批點其中令人發笑、生愉悅之情、值得細細品味處。因此，本文選擇以「趣」來指稱《西遊記》的遊戲意味。關於《西遊記》的遊戲式筆法和喜劇精神之前行研究所在多有，然而，或僅視之為「無微言大義」的包裝，或未更深入探討小說的敘事及其寓意之間的關聯，實為可惜之處。因此，本文擬從「寓言」角度出發，探討小說家在「濁世不可以莊語」、「道之言不可以入俗」的演義編創思維下，如何透過有「趣」的敘事手法借此喻彼，傳遞對人心與世變問題的思考，達到「通俗為義」、「寓莊於諧」的目的，表達對仁善大道的籲求。考察《西遊記》之「趣」，既可放在水平脈絡中，回歸至明代中葉以降，整體社會經濟結構發生變化，哲學思想和文藝思潮都傾向關注個人情性的發揚，講究真性所發的「趣」也成為晚明人重要的精神指標。同時，市民階層興起，帶動審美觀念趨於世俗化，喜談笑謔成了士人風氣。另一方面，若往垂直溯源，諧讔文學傳統強調「善為笑言，然合於大道」的精神，其實亦為《西遊記》在轉化中繼承。這兩種觀察角度，亦為本文著眼的重點。職是之故，本文關注的問題主要有三：如何更全面地統整小說之「趣」的內涵？如何從「寓言」閱讀的角度洞察小說以「趣」的筆法所乘載的寓意？以及如何從從橫、縱兩條脈絡定位小說之「趣」的文學史意義？本文內容分為五章，第一章說明研究動機與目的，梳理前人研究成果，並確定研究方法，透過文本細讀和敘事分析，並結合西方的喜劇、幽默理論來解讀小說之「趣」。第二章主要探討「諧趣」，以《文心雕龍．諧讔》所論及「諧」的三種層次面向來分類論述小說之「趣」。第三章以「理趣」為核心，整理小說中具相同主題的事件，掘發在引人發笑之餘，其對世變處境下的人心事理所進行的思考。第四章以「機趣」為標，探討通篇小說對「人」、「道」的省思與寓意寄託。第五章為結論，總整研究成果，歸結《西遊記》之「趣」在文學史上的價值意義。
520 $a This paper takes the "interest" of "Journey to the West" as the research object. "Interest" is a form of aesthetic feeling, which can arouse the interest of aesthetic objects to associate and play, and obtain rich emotional experience from it. In "Li Zhuowu's Criticism of Journey to the West", the critics focus on the moods and plot events of the novel's characters, and use "interest" to criticize the parts that are funny, pleasant, and worth savoring. Therefore, this article chooses to use "interest" to refer to the game meaning of "Journey to the West". There are many previous studies on the game-style brushwork and comedy spirit of Journey to the West. However, they may only be regarded as the packaging of "no small words and great meaning", or they have not explored the relationship between the novel's narrative and its allegory in depth. It's a pity. Therefore, this article intends to start from the perspective of "fable", to explore how novelists can use "interesting" narrative techniques to use this metaphor under the thinking of "the turbulent world can't make idioms" and "the words of the Tao can't be accepted into the world". He conveys his thoughts on human hearts and changes in the world, achieves the purpose of "popularity is righteousness" and "community with harmony", and expresses his appeal to the avenue of benevolence and benevolence. Investigating the "interest" of Journey to the West can be placed in a horizontal context, returning to the mid-Ming Dynasty and onwards, the overall social and economic structure has changed, and philosophical and literary trends tend to focus on the development of personal emotions, and pay attention to what comes out of authenticity. "Interesting" has also become an important spiritual indicator of the late Ming people. At the same time, the rise of the bourgeoisie has led to the secularization of aesthetic concepts, and chattering and laughing has become a scholar's ethos. On the other hand, if we go back to the source vertically, the Xiechen literary tradition emphasizes the spirit of "being good at laughing words, but in line with the Dao", which is actually also inherited from "Journey to the West" in the transformation. These two perspectives are also the focus of this paper. For this reason, this article mainly focuses on three issues: how to more comprehensively integrate the connotation of "interest" in novels? How to gain insight into the implication carried by the novel's "interesting" style of writing from the perspective of "fable" reading? And how to locate the literary historical significance of the novel's "interest" from the horizontal and vertical contexts? The content of this paper is divided into five chapters. The first chapter explains the motivation and purpose of the study, sorts out the previous research results, and determines the research method. Through the close reading of the text and narrative analysis, combined with Western comedy and humor theories, it interprets the "interest" of the novel. The second chapter mainly discusses the "humorous interest", with "Wen Xin Diao Long. The three levels of "harmony" discussed in "Xie Chen" are used to classify and discuss the "interest" of novels. The third chapter takes "reasonable interest" as the core, organizes events with the same theme in the novel, and discovers his thoughts on human affairs under the changing circumstances of the world while making people laugh. The fourth chapter takes "Interesting" as the standard, and discusses the reflection and allegorical sustenance of "people" and "Tao" throughout the novel. The fifth chapter is the conclusion, summarizing the research results, and summarizing the value and significance of the "interest" of "Journey to the West" in the history of literature.
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653 $a 趣
653 $a 演義
653 $a 諧讔
653 $a 世變
653 $a 人欲
653 $a 大道
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