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Of Victims and Survivors : = Representing Collective and Individual Rape Trauma.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Of Victims and Survivors :/
其他題名:	Representing Collective and Individual Rape Trauma.
作者:	Newman, Geneveive Roxanne.
面頁冊數:	1 online resource (125 pages)
附註:	Source: Dissertations Abstracts International, Volume: 85-12, Section: A.
Contained By:	Dissertations Abstracts International85-12A.
標題:	Music. -
電子資源:	click for full text (PQDT)
ISBN:	9798383015599

Of Victims and Survivors : = Representing Collective and Individual Rape Trauma.
Newman, Geneveive Roxanne.

Of Victims and Survivors :Representing Collective and Individual Rape Trauma. - 1 online resource (125 pages)

Source: Dissertations Abstracts International, Volume: 85-12, Section: A.

Thesis (Ph.D.)--University of Pittsburgh, 2024.

Includes bibliographical references

The female victim-survivor of sexual and gendered violence is seldom theorized in scholarly accounts of such violence on screen. The presumed audience for much scholarship in the fields of film studies, feminist studies, and trauma studies as they intersect with cultural production is one that must first be informed of the horrors of rape and abuse, must be touched by a film in a way that they have not been in real life. This dissertation, by contrast, assumes that the audience for representations of rape and abuse in cultural production-literary, poetic, filmic, to name a few-has personal, lived experience with sexual and gendered violence. By theorizing media through the rape victim-survivor, and then creating media based on that theory, this dissertation and accompanying film work to disrupt common-sense notions of who is and is not allowed to speak as a victim, how victim-survivors are constructed and exist in the world, and what possible ways forward may exist in the realm of imagining better futures. I begin with a study of rape in cinema, surveying the 1910s and '20s forward, with case studies from the 1960s and '70s rape-revenge film cycle. From there I expand out to analyses of current fiction film trends, poetry (written and spoken word), music, art, documentary, and memoir. This dissertation closes on a discussion of digital media and where representations of rape victim-survivors intersect online with real-world conditions.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798383015599Subjects--Topical Terms:

649088
Music.
Index Terms--Genre/Form:

554714
Electronic books.

Of Victims and Survivors : = Representing Collective and Individual Rape Trauma.
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500 $a Source: Dissertations Abstracts International, Volume: 85-12, Section: A.
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502 $a Thesis (Ph.D.)--University of Pittsburgh, 2024.
504 $a Includes bibliographical references
520 $a The female victim-survivor of sexual and gendered violence is seldom theorized in scholarly accounts of such violence on screen. The presumed audience for much scholarship in the fields of film studies, feminist studies, and trauma studies as they intersect with cultural production is one that must first be informed of the horrors of rape and abuse, must be touched by a film in a way that they have not been in real life. This dissertation, by contrast, assumes that the audience for representations of rape and abuse in cultural production-literary, poetic, filmic, to name a few-has personal, lived experience with sexual and gendered violence. By theorizing media through the rape victim-survivor, and then creating media based on that theory, this dissertation and accompanying film work to disrupt common-sense notions of who is and is not allowed to speak as a victim, how victim-survivors are constructed and exist in the world, and what possible ways forward may exist in the realm of imagining better futures. I begin with a study of rape in cinema, surveying the 1910s and '20s forward, with case studies from the 1960s and '70s rape-revenge film cycle. From there I expand out to analyses of current fiction film trends, poetry (written and spoken word), music, art, documentary, and memoir. This dissertation closes on a discussion of digital media and where representations of rape victim-survivors intersect online with real-world conditions.
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