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In Search for the Liminal : = Modernity and the Avant-Garde Poetics of Pound, Breton, Huidobro, Gullar and Nishiwaki.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	In Search for the Liminal :/
其他題名:	Modernity and the Avant-Garde Poetics of Pound, Breton, Huidobro, Gullar and Nishiwaki.
作者:	Pinheiro Machado, Roberto.
面頁冊數:	1 online resource (673 pages)
附註:	Source: Dissertations Abstracts International, Volume: 85-11, Section: A.
Contained By:	Dissertations Abstracts International85-11A.
標題:	Asian literature. -
電子資源:	click for full text (PQDT)
ISBN:	9798382745428

In Search for the Liminal : = Modernity and the Avant-Garde Poetics of Pound, Breton, Huidobro, Gullar and Nishiwaki.
Pinheiro Machado, Roberto.

In Search for the Liminal :Modernity and the Avant-Garde Poetics of Pound, Breton, Huidobro, Gullar and Nishiwaki. - 1 online resource (673 pages)

Source: Dissertations Abstracts International, Volume: 85-11, Section: A.

Thesis (Ph.D.)--Tufts University, 2024.

Includes bibliographical references

This interdisciplinary dissertation combines the approaches of literary studies and cultural anthropology to investigate the phenomenon of literary modernism and the avant-garde from an East-West perspective. Being a product of Western Modernity, the aesthetic principles of modernism/the avant-garde started being appropriated in East Asia at the turn of the twentieth century when Japanese writers began responding to the Meiji government's directives that called for the seizing of foreign culture and technical knowledge with the goal of reinforcing imperial rule. The Japanese appropriation of modernism in the first decades of the twentieth century dubbed in the literary realm the stealing of Western science and technology started several centuries earlier in a phenomenon called rangaku, a system in which Western science and technology were smuggled into Japan by Dutch merchants and handed to the Japanese elites in exchange for trade benefits. While during the Edo period Western knowledge served the aims of the shoguns and daimyos, in the early twentieth century the Japanese appropriation of modernism progressed through a dynamic of obeisance to nationalist aims founded on an overarching religious intent configured in Shinto's pre-modern imperial cult. In contrast to the original Western modernist/avant-garde poetics, with its challenge to authority and reliance on individual freedom, Japanese self-styled modernists produced derivative works deeply connected to a Japanese Shinto poetics. While the Modern West articulated in the literary realm the dialectical dynamics of the Greco-Roman and Judeo-Christian civilization, where religious dogma is constantly being challenged by the critical stance emanating from the autonomous, rational individual, Japan remained, underneath a facade of cultural modernization, true to its Shinto-Confucian doctrinal basis, preventing a true avant-garde marked by radical iconoclasm to take form. Shinto's essentially racist disposition continues to be the main ideological element underlying Japanese poetics.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798382745428Subjects--Topical Terms:

1183555
Asian literature.
Subjects--Index Terms:

Breton, AndreIndex Terms--Genre/Form:

554714
Electronic books.

In Search for the Liminal : = Modernity and the Avant-Garde Poetics of Pound, Breton, Huidobro, Gullar and Nishiwaki.
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