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Fyodor Sologub (1863-1927) : = A critical biography.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
Fyodor Sologub (1863-1927) :/
其他題名:
A critical biography.
作者:
Smith, Vassar Williams.
面頁冊數:
1 online resource (296 pages)
附註:
Source: Dissertations Abstracts International, Volume: 55-01, Section: A.
Contained By:
Dissertations Abstracts International55-01A.
標題:
Biographies. -
電子資源:
click for full text (PQDT)
ISBN:
9798208993033
Fyodor Sologub (1863-1927) : = A critical biography.
Smith, Vassar Williams.
Fyodor Sologub (1863-1927) :
A critical biography. - 1 online resource (296 pages)
Source: Dissertations Abstracts International, Volume: 55-01, Section: A.
Thesis (Ph.D.)--Stanford University, 1993.
Includes bibliographical references
For the first time in English a critical biography of Fyodor Sologub (1863-1927) is now presented, researching the life and works of one of the foremost Russian authors of the early Twentieth Century. He attained distinction as poet, dramatist, and author of novels and short stories. This dissertation maintains three parallel objectives: (1) establishing fuller understanding of the life and personality of the man Fyodor Teternikov; (2) examining the quantity and quality of his works in four principal genres; (3) investigating personal and cultural elements conducive to and reflected in Sologub's literary works. These objectives are pursued by investigating Sologub's personal, literary, and cultural milieu and by examining and comparing works of Sologub himself, the personal observations about Sologub by himself and his contemporaries, and, finally, subsequent scholarly materials. The biographical research investigates every period of Sologub's life and reveals or clarifies much that has heretofore been obscure or misunderstood: the loneliness, misery, and social confusion of his childhood; dreary years as a provincial schoolteacher; the literary milieu in St. Petersburg, and his particular compatibility within the Decadent and later Russian Symbolist movement; the character and influence of his wife, A. Chebotarevskaya; his friendships with Hippius, Blok, and Bely and his "feud" with Gorky; finally, the surprisingly benign quality of his last years. In literary scholarship original conclusions resulting from this study include: a fuller identification of the actual people who became the prototypes for characters in Sologub's major novels; an analogical correlation between Sologub's story "The Wall and the Shadows" and Plato's "Allegory of the Cave"; and an approach to a thematic and formal analysis of Sologub's lyric poetry, including such rare, perhaps unique concepts as the "adult lullaby" and transformations in lyric device or stanza form to represent shifts in voice or dimension within a poem. A chapter is devoted to Sologub's peculiarly experimental dramatic works and their staging under Meyerhold and Yevreinov. Sologub's work is shown to be powerfully original yet also not without echoes of worthy literary predecessors, particularly Cervantes, Pushkin, Lermontov, Fet, and Nekrasov.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024
Mode of access: World Wide Web
ISBN: 9798208993033Subjects--Topical Terms:
1184344
Biographies.
Subjects--Index Terms:
RussiaIndex Terms--Genre/Form:
554714
Electronic books.
Fyodor Sologub (1863-1927) : = A critical biography.
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For the first time in English a critical biography of Fyodor Sologub (1863-1927) is now presented, researching the life and works of one of the foremost Russian authors of the early Twentieth Century. He attained distinction as poet, dramatist, and author of novels and short stories. This dissertation maintains three parallel objectives: (1) establishing fuller understanding of the life and personality of the man Fyodor Teternikov; (2) examining the quantity and quality of his works in four principal genres; (3) investigating personal and cultural elements conducive to and reflected in Sologub's literary works. These objectives are pursued by investigating Sologub's personal, literary, and cultural milieu and by examining and comparing works of Sologub himself, the personal observations about Sologub by himself and his contemporaries, and, finally, subsequent scholarly materials. The biographical research investigates every period of Sologub's life and reveals or clarifies much that has heretofore been obscure or misunderstood: the loneliness, misery, and social confusion of his childhood; dreary years as a provincial schoolteacher; the literary milieu in St. Petersburg, and his particular compatibility within the Decadent and later Russian Symbolist movement; the character and influence of his wife, A. Chebotarevskaya; his friendships with Hippius, Blok, and Bely and his "feud" with Gorky; finally, the surprisingly benign quality of his last years. In literary scholarship original conclusions resulting from this study include: a fuller identification of the actual people who became the prototypes for characters in Sologub's major novels; an analogical correlation between Sologub's story "The Wall and the Shadows" and Plato's "Allegory of the Cave"; and an approach to a thematic and formal analysis of Sologub's lyric poetry, including such rare, perhaps unique concepts as the "adult lullaby" and transformations in lyric device or stanza form to represent shifts in voice or dimension within a poem. A chapter is devoted to Sologub's peculiarly experimental dramatic works and their staging under Meyerhold and Yevreinov. Sologub's work is shown to be powerfully original yet also not without echoes of worthy literary predecessors, particularly Cervantes, Pushkin, Lermontov, Fet, and Nekrasov.
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