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The Queer Ecology of Clouds in Nineteenth-Century British Poetics.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	The Queer Ecology of Clouds in Nineteenth-Century British Poetics./
作者:	Meadows, Lucien Darjeun.
面頁冊數:	1 online resource (298 pages)
附註:	Source: Dissertations Abstracts International, Volume: 85-01, Section: B.
Contained By:	Dissertations Abstracts International85-01B.
標題:	English literature. -
電子資源:	click for full text (PQDT)
ISBN:	9798379920739

The Queer Ecology of Clouds in Nineteenth-Century British Poetics.
Meadows, Lucien Darjeun.

The Queer Ecology of Clouds in Nineteenth-Century British Poetics. - 1 online resource (298 pages)

Source: Dissertations Abstracts International, Volume: 85-01, Section: B.

Thesis (Ph.D.)--University of Denver, 2023.

Includes bibliographical references

Throughout the nineteenth century, British writers were interested in the emergent science of meteorology, and their lyrical writing (their "poetics"), from poetry to creative and scientific prose, often turns to clouds as both meteorological formations and as material metaphors for human-environment interactions. These writers frequently invoke clouds to disrupt or "queer" depictions of human-environment relationships built on human domination of environmental beings. Clouds, in poetic writing, help writers (and readers) instead experience subject-subject relationships of reciprocity-a collaborative, non-hierarchical way of existing with and learning from our ecological relatives. Dwelling in the confluence of literary studies, queer studies, and ecology, The Queer Ecology of Clouds in Nineteenth-Century British Poetics illuminates these reciprocal relationships, focusing on the themes of wonder, touch, and entanglement. In all chapters, I discuss writers from the working class (e.g., John Clare, Ellen Johnston), women writers (e.g., Mary Maria Colling, Dorothy Wordsworth), and middle- and upper-class writers (e.g., Alfred Tennyson, Gerard Manley Hopkins). In doing so, I queer traditional canons and challenge assumptions of human exceptionalism and independence. This work invites us to acknowledge a multispecies network with whom we are embedded, offering a more inclusive methodology for existing amid environmental crises.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798379920739Subjects--Topical Terms:

555406
English literature.
Subjects--Index Terms:

British literatureIndex Terms--Genre/Form:

554714
Electronic books.

The Queer Ecology of Clouds in Nineteenth-Century British Poetics.
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520 $a Throughout the nineteenth century, British writers were interested in the emergent science of meteorology, and their lyrical writing (their "poetics"), from poetry to creative and scientific prose, often turns to clouds as both meteorological formations and as material metaphors for human-environment interactions. These writers frequently invoke clouds to disrupt or "queer" depictions of human-environment relationships built on human domination of environmental beings. Clouds, in poetic writing, help writers (and readers) instead experience subject-subject relationships of reciprocity-a collaborative, non-hierarchical way of existing with and learning from our ecological relatives. Dwelling in the confluence of literary studies, queer studies, and ecology, The Queer Ecology of Clouds in Nineteenth-Century British Poetics illuminates these reciprocal relationships, focusing on the themes of wonder, touch, and entanglement. In all chapters, I discuss writers from the working class (e.g., John Clare, Ellen Johnston), women writers (e.g., Mary Maria Colling, Dorothy Wordsworth), and middle- and upper-class writers (e.g., Alfred Tennyson, Gerard Manley Hopkins). In doing so, I queer traditional canons and challenge assumptions of human exceptionalism and independence. This work invites us to acknowledge a multispecies network with whom we are embedded, offering a more inclusive methodology for existing amid environmental crises.
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