國立虎尾科技大學 |

Luke the Liturgist : = The Lukan Canticles and Communal Identity Formation.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Luke the Liturgist :/
Reminder of title:	The Lukan Canticles and Communal Identity Formation.
Author:	Covarelli, Jordan.
Description:	1 online resource (335 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 85-10, Section: A.
Contained By:	Dissertations Abstracts International85-10A.
Subject:	Biblical studies. -
Online resource:	click for full text (PQDT)
ISBN:	9798382310367

Luke the Liturgist : = The Lukan Canticles and Communal Identity Formation.
Covarelli, Jordan.

Luke the Liturgist :The Lukan Canticles and Communal Identity Formation. - 1 online resource (335 pages)

Source: Dissertations Abstracts International, Volume: 85-10, Section: A.

Thesis (D.Phil.)--Southwestern Baptist Theological Seminary, 2024.

Includes bibliographical references

This dissertation argues that the four hymnic texts commonly called the Lukan canticles were hymns sung by Luke's first-century audience, contained elements of both Hebrew psalmody and Greek poetry, and served as models and phenomenological experiences to help shape a new united communal identity for Jesus followers of both Jewish and Gentile backgrounds. Taking an interdisciplinary approach, I use the lens of biblical performance criticism to engage biblical studies, early Christian history, worship studies, classics, and musicology in dialogue. This project builds upon the foundation of recent work of Brian Wright to demonstrate the ubiquity of communal reading in the first-century Roman world and upon the work of Matthew Gordley to show the Lukan canticles were received as hymns in the first century. I then demonstrate how each of the Lukan canticles possess hymnic features similar to the biblical psalter, contemporary Second Temple psalmody, and Greek epic poetry. In particular, Zechariah's song (the Benedictus) features six lines that fit in Greek hexameter, and the Angel's song (the Gloria) features an intriguing pattern of dactylic trimeter. Next, the project adapts the work of Terry Giles and William Doan to consider the Lukan canticles as inset hymns or twice-used songs. Then the project follows prior projects of biblical performance criticism to bring the ancient songs written and sung under the tyranny of Rome in dialogue with scholarly research on twentieth-century guitar poems sung in the USSR, especially the work of Rachel Platonov. Then, drawing upon the work of Nicholas Cook and Jeremy Begbie, I argue for the meaning-making role the musical elements play in the experience of musical works including the Lukan canticles. Finally, I propose a historically and socio-culturally informed understanding of the phenomenological experience the Lukan canticles had upon their first-century audiences of Jesus followers. Specifically, the songs of combined Jewish and Greek idioms offer a means of worship that incorporates the creative elements of various backgrounds and models for the communities a unity from divergent backgrounds. In other words, the Lukan canticles provide a liturgical model of something akin to the Pauline "One New Man.".

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798382310367Subjects--Topical Terms:

1181729
Biblical studies.
Subjects--Index Terms:

Biblical performance criticismIndex Terms--Genre/Form:

554714
Electronic books.

Luke the Liturgist : = The Lukan Canticles and Communal Identity Formation.
LDR:03713ntm a22004097 4500 001 1151401
005 20241104085624.5
006 m o d
007 cr bn ---uuuuu
008 250605s2024 xx obm 000 0 eng d
020 $a 9798382310367
035 $a (MiAaPQ)AAI31239952
035 $a AAI31239952
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Covarelli, Jordan. $3 1478167
245 1 0 $a Luke the Liturgist : $b The Lukan Canticles and Communal Identity Formation.
264 0 $c 2024
300 $a 1 online resource (335 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 85-10, Section: A.
500 $a Advisor: Streett, Andrew D.
502 $a Thesis (D.Phil.)--Southwestern Baptist Theological Seminary, 2024.
504 $a Includes bibliographical references
520 $a This dissertation argues that the four hymnic texts commonly called the Lukan canticles were hymns sung by Luke's first-century audience, contained elements of both Hebrew psalmody and Greek poetry, and served as models and phenomenological experiences to help shape a new united communal identity for Jesus followers of both Jewish and Gentile backgrounds. Taking an interdisciplinary approach, I use the lens of biblical performance criticism to engage biblical studies, early Christian history, worship studies, classics, and musicology in dialogue. This project builds upon the foundation of recent work of Brian Wright to demonstrate the ubiquity of communal reading in the first-century Roman world and upon the work of Matthew Gordley to show the Lukan canticles were received as hymns in the first century. I then demonstrate how each of the Lukan canticles possess hymnic features similar to the biblical psalter, contemporary Second Temple psalmody, and Greek epic poetry. In particular, Zechariah's song (the Benedictus) features six lines that fit in Greek hexameter, and the Angel's song (the Gloria) features an intriguing pattern of dactylic trimeter. Next, the project adapts the work of Terry Giles and William Doan to consider the Lukan canticles as inset hymns or twice-used songs. Then the project follows prior projects of biblical performance criticism to bring the ancient songs written and sung under the tyranny of Rome in dialogue with scholarly research on twentieth-century guitar poems sung in the USSR, especially the work of Rachel Platonov. Then, drawing upon the work of Nicholas Cook and Jeremy Begbie, I argue for the meaning-making role the musical elements play in the experience of musical works including the Lukan canticles. Finally, I propose a historically and socio-culturally informed understanding of the phenomenological experience the Lukan canticles had upon their first-century audiences of Jesus followers. Specifically, the songs of combined Jewish and Greek idioms offer a means of worship that incorporates the creative elements of various backgrounds and models for the communities a unity from divergent backgrounds. In other words, the Lukan canticles provide a liturgical model of something akin to the Pauline "One New Man.".
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2024
538 $a Mode of access: World Wide Web
650 4 $a Biblical studies. $3 1181729
650 4 $a Theology. $3 559813
650 4 $a Music. $3 649088
653 $a Biblical performance criticism
653 $a Early Christian hymns
653 $a Greek poetry
653 $a Jewish hymns
653 $a Lukan canticles
653 $a Worship
655 7 $a Electronic books. $2 local $3 554714
690 $a 0321
690 $a 0469
690 $a 0413
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a Southwestern Baptist Theological Seminary. $b Church Music and Worship. $3 1478168
773 0 $t Dissertations Abstracts International $g 85-10A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31239952 $z click for full text (PQDT)