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Transatlantic Connections : = Reconsidering the Outcomes of the Arts and Crafts Movement Through the Women's Experience, Britain and the United States, 1860-1920.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Transatlantic Connections :/
Reminder of title:	Reconsidering the Outcomes of the Arts and Crafts Movement Through the Women's Experience, Britain and the United States, 1860-1920.
Author:	Beasley, Tiffany B.
Description:	1 online resource (152 pages)
Notes:	Source: Masters Abstracts International, Volume: 85-12.
Contained By:	Masters Abstracts International85-12.
Subject:	History. -
Online resource:	click for full text (PQDT)
ISBN:	9798382843575

Transatlantic Connections : = Reconsidering the Outcomes of the Arts and Crafts Movement Through the Women's Experience, Britain and the United States, 1860-1920.
Beasley, Tiffany B.

Transatlantic Connections :Reconsidering the Outcomes of the Arts and Crafts Movement Through the Women's Experience, Britain and the United States, 1860-1920. - 1 online resource (152 pages)

Source: Masters Abstracts International, Volume: 85-12.

Thesis (M.A.)--University of South Alabama, 2024.

Includes bibliographical references

The British Arts and Crafts movement (1860-1914) was a call for the return to artisan craftsmanship as a response to mass-production driven by the Industrial Revolution (1760-1830.) Historically, the movement has been viewed as a socialist concept developed by men. However, in 1979, a feminist intervention in women's history challenged this masculinist perspective. As the movement spread to the United States (1870-1920), first to New England and then to the South in New Orleans, it also expanded into concepts that moved beyond craftsmanship and into women's issues, such as education, suffrage, and professional work opportunities. It is now evident that women played an important role in the establishment of the movement's principles and the dissemination of its techniques. Through the lens of transatlantic networking, the women's middle-class labor experience, and material culture analysis, this project will argue that through the opportunities provided by female-managed workshops, industrial art schools, and transatlantic discourse, women found the first legitimate space for professional work in the design and textile field, allowing them to earn an income while also satisfying artistic ambitions.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798382843575Subjects--Topical Terms:

669538
History.
Subjects--Index Terms:

Cultural historyIndex Terms--Genre/Form:

554714
Electronic books.

Transatlantic Connections : = Reconsidering the Outcomes of the Arts and Crafts Movement Through the Women's Experience, Britain and the United States, 1860-1920.
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520 $a The British Arts and Crafts movement (1860-1914) was a call for the return to artisan craftsmanship as a response to mass-production driven by the Industrial Revolution (1760-1830.) Historically, the movement has been viewed as a socialist concept developed by men. However, in 1979, a feminist intervention in women's history challenged this masculinist perspective. As the movement spread to the United States (1870-1920), first to New England and then to the South in New Orleans, it also expanded into concepts that moved beyond craftsmanship and into women's issues, such as education, suffrage, and professional work opportunities. It is now evident that women played an important role in the establishment of the movement's principles and the dissemination of its techniques. Through the lens of transatlantic networking, the women's middle-class labor experience, and material culture analysis, this project will argue that through the opportunities provided by female-managed workshops, industrial art schools, and transatlantic discourse, women found the first legitimate space for professional work in the design and textile field, allowing them to earn an income while also satisfying artistic ambitions.
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