國立虎尾科技大學 |

The afterlife of Palestinian images = visual remains and the archive of disappearance /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The afterlife of Palestinian images/ by Azza El Hassan.
其他題名:	visual remains and the archive of disappearance /
作者:	El Hassan, Azza.
出版者:	Cham :Springer Nature Switzerland : : 2024.,
面頁冊數:	xxiv, 180 p. :ill. (some col.), digital ; : 24 cm.;
Contained By:	Springer Nature eBook
標題:	Motion pictures - History. - Palestine -
電子資源:	https://doi.org/10.1007/978-3-031-66951-4
ISBN:	9783031669514

The afterlife of Palestinian images = visual remains and the archive of disappearance /
El Hassan, Azza.

The afterlife of Palestinian imagesvisual remains and the archive of disappearance /[electronic resource] :by Azza El Hassan. - Cham :Springer Nature Switzerland :2024. - xxiv, 180 p. :ill. (some col.), digital ;24 cm. - Palgrave studies in Arab cinema,2731-4901. - Palgrave studies in Arab cinema..

CHAPTER 1. INTRODUCTION. -- CHAPTER 2. ARCHIVE OF DISAPPEARANCE. -- CHAPTER 3. HANDS ON VISUAL REMAINS. -- CHAPTER 4. BEGINNINGS. -- CHAPTER 5. THE FOUND ARCHIVE OF HANI JAWHERIEH. -- CHAPTER 6. THE AFTERLIFE IMAGE BOX. -- CHAPTER 7. PLUNDERING THE FUTURE. -- CHAPTER 8. CAMERA REMAINS. -- CHAPTER 9. FILM RESTORATION OF REMAINS. -- CHAPTER 10. APPROPRIATION. -- CHAPTER 11. NARRATIVES OF A MISE EN SCÈNE.

The Afterlife of Palestinian Images is a groundbreaking study of how colonial violence alters and changes visual objects - which in turn affects how a society and culture relates to its own images. Based on the practice-based creative methodology of Palestinian filmmaker and researcher Azza El Hassan, this book explores the re-use and re-appropriation of photos, film and media equipment that have survived looting and destruction, objects which become a constant reminder of what was and what has been lost. El Hassan goes beyond using these visual remains as simple evidence, demonstrating how artistic engagement can reconfigure them into new narratives and establish a renewed sense of cultural identity. While previous research has explored why colonial structures practice native archive plundering, as well as into how a culture reckons with the absence of archival records, this book uniquely addresses how plundered cultures relate to the actual remains of their archives. As a scholar and an artist, El Hassan reconciles a problematic past and present in the search for a new visual experience emerging out of the ruins, finding ways to move forward after destruction. Azza El Hassan is an award-winning filmmaker whose works include The Unbearable Presence of Asmahan (2014), Kings & Extras (2004), and News Time (2001). She is the founder of The Void Project (thevoidproject.org), an artistic exploration of the effect of looting and destruction of Palestinian visual archives on the formation of a modern Palestinian visual narrative. She received her Ph.D. from Sheffield Hallam University, UK, and is a visiting professor of practice at the Doha Institute for Graduate Studies in Qatar.

ISBN: 9783031669514

Standard No.: 10.1007/978-3-031-66951-4doiSubjects--Topical Terms:

1415304
Motion pictures
--History.--Palestine

LC Class. No.: PN1993.5.P35

Dewey Class. No.: 791.43095694

The afterlife of Palestinian images = visual remains and the archive of disappearance /
LDR:03211nam a2200337 a 4500 001 1153924
003 DE-He213
005 20241221115227.0
006 m d
007 cr nn 008maaau
008 250619s2024 sz s 0 eng d
020 $a 9783031669514 $q (electronic bk.)
020 $a 9783031669507 $q (paper)
024 7 $a 10.1007/978-3-031-66951-4 $2 doi
035 $a 978-3-031-66951-4
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1993.5.P35
072 7 $a AP $2 bicssc
072 7 $a PER004000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.43095694 $2 23
090 $a PN1993.5.P35 $b E41 2024
100 1 $a El Hassan, Azza. $3 1481502
245 1 4 $a The afterlife of Palestinian images $h [electronic resource] : $b visual remains and the archive of disappearance / $c by Azza El Hassan.
260 $a Cham : $c 2024. $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan,
300 $a xxiv, 180 p. : $b ill. (some col.), digital ; $c 24 cm.
490 1 $a Palgrave studies in Arab cinema, $x 2731-4901
505 0 $a CHAPTER 1. INTRODUCTION. -- CHAPTER 2. ARCHIVE OF DISAPPEARANCE. -- CHAPTER 3. HANDS ON VISUAL REMAINS. -- CHAPTER 4. BEGINNINGS. -- CHAPTER 5. THE FOUND ARCHIVE OF HANI JAWHERIEH. -- CHAPTER 6. THE AFTERLIFE IMAGE BOX. -- CHAPTER 7. PLUNDERING THE FUTURE. -- CHAPTER 8. CAMERA REMAINS. -- CHAPTER 9. FILM RESTORATION OF REMAINS. -- CHAPTER 10. APPROPRIATION. -- CHAPTER 11. NARRATIVES OF A MISE EN SCÈNE.
520 $a The Afterlife of Palestinian Images is a groundbreaking study of how colonial violence alters and changes visual objects - which in turn affects how a society and culture relates to its own images. Based on the practice-based creative methodology of Palestinian filmmaker and researcher Azza El Hassan, this book explores the re-use and re-appropriation of photos, film and media equipment that have survived looting and destruction, objects which become a constant reminder of what was and what has been lost. El Hassan goes beyond using these visual remains as simple evidence, demonstrating how artistic engagement can reconfigure them into new narratives and establish a renewed sense of cultural identity. While previous research has explored why colonial structures practice native archive plundering, as well as into how a culture reckons with the absence of archival records, this book uniquely addresses how plundered cultures relate to the actual remains of their archives. As a scholar and an artist, El Hassan reconciles a problematic past and present in the search for a new visual experience emerging out of the ruins, finding ways to move forward after destruction. Azza El Hassan is an award-winning filmmaker whose works include The Unbearable Presence of Asmahan (2014), Kings & Extras (2004), and News Time (2001). She is the founder of The Void Project (thevoidproject.org), an artistic exploration of the effect of looting and destruction of Palestinian visual archives on the formation of a modern Palestinian visual narrative. She received her Ph.D. from Sheffield Hallam University, UK, and is a visiting professor of practice at the Doha Institute for Graduate Studies in Qatar.
650 0 $a Motion pictures $z Palestine $x History. $3 1415304
650 1 4 $a Global Film and TV. $3 1365996
650 2 4 $a Contemporary Art. $3 1390172
650 2 4 $a Media and Communication. $3 1107289
650 2 4 $a Middle Eastern Politics. $3 1109265
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in Arab cinema. $3 1415303
856 4 0 $u https://doi.org/10.1007/978-3-031-66951-4
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)