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Translations and copyright in the Italian book trade = publishers, agents, and the State (1900-1947) /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Translations and copyright in the Italian book trade/ by Anna Lanfranchi.
Reminder of title:
publishers, agents, and the State (1900-1947) /
Author:
Lanfranchi, Anna.
Published:
Cham :Springer Nature Switzerland : : 2024.,
Description:
xiii, 282 p. :ill., digital ; : 24 cm.;
Contained By:
Springer Nature eBook
Subject:
Book industries and trade - History. - Italy -
Online resource:
https://doi.org/10.1007/978-3-031-64912-7
ISBN:
9783031649127
Translations and copyright in the Italian book trade = publishers, agents, and the State (1900-1947) /
Lanfranchi, Anna.
Translations and copyright in the Italian book trade
publishers, agents, and the State (1900-1947) /[electronic resource] :by Anna Lanfranchi. - Cham :Springer Nature Switzerland :2024. - xiii, 282 p. :ill., digital ;24 cm. - New directions in book history,2634-6125. - New directions in book history..
Introduction. The "translation boom" reframed: publishers, literary agents and the translation rights market in Italy -- 1. Modernisation, professionals, copyright: preconditions for the Italian translation industry -- 2. Intellectual networks, professional societies, translators: the "informal agents" of Laterza, Bemporad and Sonzogno -- 3. From direct contact to delegation, and back again: the shifting strategies of Arnoldo Mondadori -- 4. The rise of the Italian literary agent: Helicon and the Agenzia Letteraria Internazionale -- 5. Publishers' agencies: Helicon, Ulisse and the New York branch of Einaudi -- 6. Translations rights matter: wartime cultural diplomacy and the Italian book trade -- Conclusion. Towards a European history of the translation rights trade.
The 19th-century copyright revolution gave authors and translators powerful tools over the use of their works. It encouraged publishers to form networks that connected them to writers, translators, authors' societies, and literary agents worldwide. This book argues that the development of international frameworks for the protection of literary property represented a watershed in the transnational circulation of texts in translation. Through the lens of the post-Unification Italian translation market of British and US authors (1900-1947), it combines a copyright historical approach to book history with a systematic survey of British and Italian archives. It positions the Italian publishing industry within the broader European and transatlantic copyright market to explore the cultural, social, and political value of translation rights, offering a new interpretative key to the transnational nature of the modern book trade. Anna Lanfranchi is Teaching Fellow in Translation and Transcultural Studies and Italian at the University of Warwick, UK. Her research focuses on transnational book and publishing history from the 19th century to the present day.
ISBN: 9783031649127
Standard No.: 10.1007/978-3-031-64912-7doiSubjects--Topical Terms:
1482748
Book industries and trade
--History.--Italy
LC Class. No.: Z340
Dewey Class. No.: 381.450020945
Translations and copyright in the Italian book trade = publishers, agents, and the State (1900-1947) /
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Introduction. The "translation boom" reframed: publishers, literary agents and the translation rights market in Italy -- 1. Modernisation, professionals, copyright: preconditions for the Italian translation industry -- 2. Intellectual networks, professional societies, translators: the "informal agents" of Laterza, Bemporad and Sonzogno -- 3. From direct contact to delegation, and back again: the shifting strategies of Arnoldo Mondadori -- 4. The rise of the Italian literary agent: Helicon and the Agenzia Letteraria Internazionale -- 5. Publishers' agencies: Helicon, Ulisse and the New York branch of Einaudi -- 6. Translations rights matter: wartime cultural diplomacy and the Italian book trade -- Conclusion. Towards a European history of the translation rights trade.
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The 19th-century copyright revolution gave authors and translators powerful tools over the use of their works. It encouraged publishers to form networks that connected them to writers, translators, authors' societies, and literary agents worldwide. This book argues that the development of international frameworks for the protection of literary property represented a watershed in the transnational circulation of texts in translation. Through the lens of the post-Unification Italian translation market of British and US authors (1900-1947), it combines a copyright historical approach to book history with a systematic survey of British and Italian archives. It positions the Italian publishing industry within the broader European and transatlantic copyright market to explore the cultural, social, and political value of translation rights, offering a new interpretative key to the transnational nature of the modern book trade. Anna Lanfranchi is Teaching Fellow in Translation and Transcultural Studies and Italian at the University of Warwick, UK. Her research focuses on transnational book and publishing history from the 19th century to the present day.
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Literature, Cultural and Media Studies (SpringerNature-41173)
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