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Handbook of research on the relationship between autobiographical memory and photography

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Handbook of research on the relationship between autobiographical memory and photography/ Mark Bruce Nigel Ingham, Nela Milic, Vasileios Kantas, Sara Andersdotter, Paul Lowe.
其他題名:	Research on the relationship between autobiographical memory and photography
其他作者:	Lowe, Paul.
出版者:	Hershey, Pennsylvania :IGI Global, : 2023.,
面頁冊數:	1 online resource (636 p.) :ill. (chiefly col.) :
標題:	Autobiographical memory. -
電子資源:	http://services.igi-global.com/resolvedoi/resolve.aspx?doi=10.4018/978-1-6684-5337-7
ISBN:	9781668453384 (electronic bk.)

Handbook of research on the relationship between autobiographical memory and photography
Handbook of research on the relationship between autobiographical memory and photography[electronic resource] /Research on the relationship between autobiographical memory and photographyMark Bruce Nigel Ingham, Nela Milic, Vasileios Kantas, Sara Andersdotter, Paul Lowe. - Hershey, Pennsylvania :IGI Global,2023. - 1 online resource (636 p.) :ill. (chiefly col.) - Advances in media, entertainment, and the arts (AMEA) book series. - Advances in media, entertainment, and the arts (AMEA) book series..

Includes bibliographical references and index.

Section 1. Mobilisations of memory: re-imaginings, re-interpretations, and other catalysts for re-negotiating the past. Chapter 1. Interior archives: an experiment in autobiographical fiction ; Chapter 2. Trauma and memory in women's photographic practice: a diffractive posthuman approach ; Chapter 3. Staging sermon: performing autobiographical memory through "the waste land" ; Chapter 4. The inland lighthouse: a photographic study and interpretation of place and remembrance ; Chapter 5. Still forgetting: minor photographic approaches to desmemòria in the post-Franco era -- Section 2. Interplays sketching a self: psychic configurations, embodied instances. Chapter 6. Playing myself/selves: the unknowing of autobiographical photographic self-portraits ; Chapter 7. Photography as writing of the self ; Chapter 8. Memories of the cruel radiance: the lost art of autopathography ; Chapter 9. The intertwiningthe chiasm: embodiment, affect, and autobiographical photography ; Chapter 10. The burden of the screen: virtual presence and death during Covid-19 ; Chapter 11. The body in photography: a psychological "real"-istic reading -- Section 3. To have and to hold: in the absence ofphotograph. Chapter 12. Make the most of your memories: re-enactment phototherapy, auto-ethnography, memorialisation ; Chapter 13. Identity politics: a study of diasporic identity mediated through family photography ; Chapter 14. To have and to hold: touch and the objects of the dead ; Chapter 15. In the absence of the photograph ; Chapter 16. The implicated spectator: inscribing oneself into a photograph -- Section 4. Shadowy archives. Chapter 17. Embodying the family album:photography as a mnemonic device ; Chapter 18. Beyond the photograph: the phenomenon of confabulation in family photographs counter-memory and narrative from the silenced shadow archives ; Chapter 19. Me and my mom's camera: family archives and collaborative memory work ; Chapter 20. Understanding, reactivating, and reproducing autobiographical memory: discovering the historical family archive ; Chapter 21. Milk is a thin fluid thickly filled with opaque white globules -- Section 5. Six entangled ecologies of autobiographical memory and photography. Chapter 22. Photographic non-self ; Chapter 23. Urgent autobiographies: lived experiences of ecology in photographic practice ; Chapter 24. The frame and the fold:violent autobiography, photography, and unfurling from flatness ; Chapter 25. Beads in the necklace of time ; Chapter 26. The impossible remembering in Walid Raad's artwork "secrets in the open sea" (1994/2004) ; Chapter 27. The memory ofothers.

"Autobiographical memory and photography have been inextricably linked since the first photographs appeared during the 19th Century and this book edited and written by world-class scholars who are both theorists and practitioners will add significantly to the debate about how we remember the past and how we do this through, with and by photography and photographs"--

ISBN: 9781668453384 (electronic bk.)Subjects--Topical Terms:

593052
Autobiographical memory.
Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: TR183 / .H364 2023e

Dewey Class. No.: 770

Handbook of research on the relationship between autobiographical memory and photography
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505 0 $a Section 1. Mobilisations of memory: re-imaginings, re-interpretations, and other catalysts for re-negotiating the past. Chapter 1. Interior archives: an experiment in autobiographical fiction ; Chapter 2. Trauma and memory in women's photographic practice: a diffractive posthuman approach ; Chapter 3. Staging sermon: performing autobiographical memory through "the waste land" ; Chapter 4. The inland lighthouse: a photographic study and interpretation of place and remembrance ; Chapter 5. Still forgetting: minor photographic approaches to desmemòria in the post-Franco era -- Section 2. Interplays sketching a self: psychic configurations, embodied instances. Chapter 6. Playing myself/selves: the unknowing of autobiographical photographic self-portraits ; Chapter 7. Photography as writing of the self ; Chapter 8. Memories of the cruel radiance: the lost art of autopathography ; Chapter 9. The intertwiningthe chiasm: embodiment, affect, and autobiographical photography ; Chapter 10. The burden of the screen: virtual presence and death during Covid-19 ; Chapter 11. The body in photography: a psychological "real"-istic reading -- Section 3. To have and to hold: in the absence ofphotograph. Chapter 12. Make the most of your memories: re-enactment phototherapy, auto-ethnography, memorialisation ; Chapter 13. Identity politics: a study of diasporic identity mediated through family photography ; Chapter 14. To have and to hold: touch and the objects of the dead ; Chapter 15. In the absence of the photograph ; Chapter 16. The implicated spectator: inscribing oneself into a photograph -- Section 4. Shadowy archives. Chapter 17. Embodying the family album:photography as a mnemonic device ; Chapter 18. Beyond the photograph: the phenomenon of confabulation in family photographs counter-memory and narrative from the silenced shadow archives ; Chapter 19. Me and my mom's camera: family archives and collaborative memory work ; Chapter 20. Understanding, reactivating, and reproducing autobiographical memory: discovering the historical family archive ; Chapter 21. Milk is a thin fluid thickly filled with opaque white globules -- Section 5. Six entangled ecologies of autobiographical memory and photography. Chapter 22. Photographic non-self ; Chapter 23. Urgent autobiographies: lived experiences of ecology in photographic practice ; Chapter 24. The frame and the fold:violent autobiography, photography, and unfurling from flatness ; Chapter 25. Beads in the necklace of time ; Chapter 26. The impossible remembering in Walid Raad's artwork "secrets in the open sea" (1994/2004) ; Chapter 27. The memory ofothers.
520 $a "Autobiographical memory and photography have been inextricably linked since the first photographs appeared during the 19th Century and this book edited and written by world-class scholars who are both theorists and practitioners will add significantly to the debate about how we remember the past and how we do this through, with and by photography and photographs"-- $c Provided by publisher.
650 0 $a Autobiographical memory. $3 593052
650 0 $a Autobiographical memory in photographs. $3 1427310
650 0 $a Photography $x Psychological aspects. $3 1427309
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700 1 $a Andersdotter, Sara. $3 1427306
700 1 $a Kantas, Vasileios. $3 1427305
700 1 $a Milic, Nela. $3 1427304
700 1 $a Ingham, Mark, $d 1960-. $3 1427303
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830 0 $a Advances in media, entertainment, and the arts (AMEA) book series. $3 1427308
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