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Perspectives on music, sound and musicology II = sounding images: sights, sounds and sensualities /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Perspectives on music, sound and musicology II/ edited by Luísa Correia Castilho ... [et al.].
Reminder of title:	sounding images: sights, sounds and sensualities /
other author:	Correia Castilho, Luísa.
Published:	Cham :Springer Nature Switzerland : : 2025.,
Description:	x, 352 p. :ill. (some col.), digital ; : 24 cm.;
Contained By:	Springer Nature eBook
Subject:	Graphic Design. -
Online resource:	https://doi.org/10.1007/978-3-031-67503-4
ISBN:	9783031675034

Perspectives on music, sound and musicology II = sounding images: sights, sounds and sensualities /
Perspectives on music, sound and musicology IIsounding images: sights, sounds and sensualities /[electronic resource] :edited by Luísa Correia Castilho ... [et al.]. - Cham :Springer Nature Switzerland :2025. - x, 352 p. :ill. (some col.), digital ;24 cm.

What does the Restoration of the 1789 Antunes Harpsichord reveal to us -- Alto está Alto mora Looking for the sound of the past for the history of bells in Braga Portugal -- Performing practices and performance spaces at the Royal Sites during the reign of philip V -- The 1785 Antunes harpsichord and its painted imagery an interpretation -- Chinoiseries and chinesices Images of music in sino portuguese paintings from the 18th century -- An Image out of Step the Death Mask of Priest José Maurício Nunes Garcia in the National Historical Museum Collection Rio de Janeiro -- Betw Among Insects and Guitars the Presence of Vanitas Elements in the Work of Amadeo de Souza Cardoso -- What Does Sound Look Like Musical Iconography in the Quilts of Castelo Branco -- Weaving Music Music within Portalegres Tapestries -- Music and Opera in Chinese Propaganda Posters The Kwok On Collection in Portugal -- 3 2 city art and music or three considerations on two murals by Mário Belém -- Preservation as an intertextual practice Addressing the documentation of scenic visual elements in music theatre performances -- Metamorphosis from the Acoustic into the Optical The Picture Form of the Musical Artwork as one of its Thirteen Forms of Existence -- Score with a view Sounding Images Imagining Sound -- Aural architecture the sonorous the acoustic and the auditory -- The Truth of Sound Exploring the impacts of Immersive Location Sound Recording in Realist Filmmaking -- The Problem with Sonification -- Resonant Aesthetics Attention and Synaesthesia in Digital Media Art -- Syntithenai poiēsis perceptual unified objects -- Phonospermia Aesthesic Listening and Sonic Cosmologies -- Sound-to-visual mapping strategies in audiovisual performance and installations.

This book gathers a set of peer-reviewed works at the intersection between music, sound, and image research and practice. They are based on presentations contributed to the EIMAD-Meeting of Research in Music, Arts and Design conference, held at the Polytechnic University of Castelo Branco, Portugal, in 2020 and 2022, under the theme: "Sounding Images". Authored by researchers in musicology, musical iconography, cinema and audiovisuals, digital arts, composition, sound art, and data sonification, the 21 chapters of this book offer a valuable resource and source of inspiration for professionals, researchers and general audiences in these interconnected fields.

ISBN: 9783031675034

Standard No.: 10.1007/978-3-031-67503-4doiSubjects--Topical Terms:

674378
Graphic Design.

LC Class. No.: ML3797 / .P47 2025

Dewey Class. No.: 780.721

Perspectives on music, sound and musicology II = sounding images: sights, sounds and sensualities /
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520 $a This book gathers a set of peer-reviewed works at the intersection between music, sound, and image research and practice. They are based on presentations contributed to the EIMAD-Meeting of Research in Music, Arts and Design conference, held at the Polytechnic University of Castelo Branco, Portugal, in 2020 and 2022, under the theme: "Sounding Images". Authored by researchers in musicology, musical iconography, cinema and audiovisuals, digital arts, composition, sound art, and data sonification, the 21 chapters of this book offer a valuable resource and source of inspiration for professionals, researchers and general audiences in these interconnected fields.
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