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Mood and trope = the rhetoric and poetics of affect /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Mood and trope/ John Brenkman.
其他題名:
the rhetoric and poetics of affect /
作者:
Brenkman, John.
出版者:
Chicago, IL :University of Chicago Press, : c2020.,
面頁冊數:
1 online resource :ill. :
標題:
Emotions in literature. -
電子資源:
https://www.degruyterbrill.com/isbn/9780226673431
ISBN:
9780226673431
Mood and trope = the rhetoric and poetics of affect /
Brenkman, John.
Mood and trope
the rhetoric and poetics of affect /[electronic resource] :John Brenkman. - 1st ed. - Chicago, IL :University of Chicago Press,c2020. - 1 online resource :ill.
Includes bibliographical references and index.
Frontmatter -- Contents -- Introduction -- PART I. The Poetics of Affect -- PART II. Feeling and the Vocation of Criticism -- Acknowledgments -- Notes -- Index.
"John Brenkman's book addresses fundamental questions in modern aesthetics by folding the recent "affective turn" in critical theory back toward the "linguistic turn," against which it is usually opposed. His aim is to re-ground affect theory on the reflections of major modern philosophers (particularly Kant, Nietzsche, Heidegger, and Deleuze) about sensation, feeling, emotion, mood, passion, and attunement, and to test those reflections through specific poetic works. Affect, Brenkman argues, can be studied with some precision in poetry because it resides there not in speaking about feelings but in the very speaking and way of speaking. Brenkman confronts Kant, Nietzsche, Heidegger, and Deleuze with an intentionally heterogeneous set of authors and artists, including Pinter and Poe, Baudelaire and Li-Young Lee, Shakespeare, Tino Sehgal and Rineke Dijkstra, Francis Bacon, and Percy Bysshe Shelley and Jorie Graham. The book ultimately has much to tell us about the vocation of criticism. Criticism, Brenkman, is incapable of systematicity but must instead be attuned to the singularity and plurality of literary and artistic creations. For criticism today, "What is art?" is a less pressing question than "What does this work do?" and "What do these works do?""--
Mode of access: Internet via World Wide Web.
In English.
ISBN: 9780226673431
Standard No.: 10.7208/9780226673431doiSubjects--Topical Terms:
577510
Emotions in literature.
LC Class. No.: PN56.E6 / B74 2020
Dewey Class. No.: 809/.93353
Mood and trope = the rhetoric and poetics of affect /
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"John Brenkman's book addresses fundamental questions in modern aesthetics by folding the recent "affective turn" in critical theory back toward the "linguistic turn," against which it is usually opposed. His aim is to re-ground affect theory on the reflections of major modern philosophers (particularly Kant, Nietzsche, Heidegger, and Deleuze) about sensation, feeling, emotion, mood, passion, and attunement, and to test those reflections through specific poetic works. Affect, Brenkman argues, can be studied with some precision in poetry because it resides there not in speaking about feelings but in the very speaking and way of speaking. Brenkman confronts Kant, Nietzsche, Heidegger, and Deleuze with an intentionally heterogeneous set of authors and artists, including Pinter and Poe, Baudelaire and Li-Young Lee, Shakespeare, Tino Sehgal and Rineke Dijkstra, Francis Bacon, and Percy Bysshe Shelley and Jorie Graham. The book ultimately has much to tell us about the vocation of criticism. Criticism, Brenkman, is incapable of systematicity but must instead be attuned to the singularity and plurality of literary and artistic creations. For criticism today, "What is art?" is a less pressing question than "What does this work do?" and "What do these works do?""--
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Mode of access: Internet via World Wide Web.
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https://www.degruyterbrill.com/isbn/9780226673431
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