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(Post)socialist dance = a search for hidden legacies /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	(Post)socialist dance/ edited by Annelies Van Assche, Dunja Njaradi, Igor Koruga and Milica Ivić.
其他題名:	a search for hidden legacies /
其他作者:	Van Assche, Annelies.
出版者:	London ;Methuen Drama, : 2024.,
面頁冊數:	1 online resource (xii, 217 p.) :ill. :
標題:	Socialism and dance. -
電子資源:	https://doi.org/10.5040/9781350408180?locatt=label:secondary_bloomsburyCollections
ISBN:	9781350408180

(Post)socialist dance = a search for hidden legacies /
(Post)socialist dancea search for hidden legacies /[electronic resource] :edited by Annelies Van Assche, Dunja Njaradi, Igor Koruga and Milica Ivić. - London ;Methuen Drama,2024. - 1 online resource (xii, 217 p.) :ill.

Includes bibliographical references and index.

Introductory essays. Postsocialism? : postsocialist studies and the three-worlds theory / Dunja Njaradi, Igor Koruga -- Dance? : dance studies and (post)socialist dance / Annelies Van Assche, Milica Ivić -- Part I: Dance history. One, two, three, comrade come, dance with me / Igor Koruga -- Choreography, revolution, war : Kozaračko kolo between anthropology and dance studies / Dunja Njaradi -- The complex reputation of a Yugoslav folklore ballet : a consideration of the legend of Ohrid's national character / Stefanie Van de Vyvere -- The world of art in the Russian world : post-Soviet rewritings of the Russian ballet / Hanna Järvinen -- Dancing in life : Inner Mongolia's Ulan Muchir grassland art troupesas socialist performance practice / Emily Wilcox -- Part II: Dance production and circulation. Conversations with Kinga : a tribute to the body and craftsmanship / Annelies Van Assche -- From revolutionary to reactionary : contemporarydance in Serbia between institutionalization and anti-institutionalization / Milica Ivić -- Dancing in ruins : Lorna and Gabriela Burdsall in Cuba and the diaspora / Elizabeth B Schwall -- Festival-making and choreography : tales of affordance and crises in the work of Dušan Murić / Alexandra Baybutt.

"This book sets out to search for the Second World - the (post)socialist context - in dance studies and examines the way it appears and reappears in today's globalized world. It traces hidden and invisibilized legacies over the spanof onecentury, probing questions that can make viewers, artists, and scholars uncomfortable regarding dance histories, memories, circulations and production modes in and around the (post)socialist world. Our understanding of 'dance' is broad andinclusive. The contributions delve into a variety of dance practices (folk, traditional, ballet, modern, contemporary), modes of dance production (institutionalization processes, festival-making and market logics), and dance circulations (between centres and peripheries, between different genres and styles). The main focus is Eastern Europe (including Russia) but the book also addresses Cuba and China. The hope is for theoretical developments engendered by this focus onthe Second World to be useful when applied to regions outside the book's scope. Its chapters span a range of lesser-known historical examples from the arts of Yugoslav regions (Magazinovic, Davico and The Legend of Ohrid) to Cuban postrevolutionary artists (Burdsall) and Mongolian Wulmanuqi troupes. The book's historical examples make the reader aware, too, of the (post)socialist bodies' influence in today's dance, including in contemporary dance scenes. The (post)socialist context promises to be a prosperous laboratory to explore uncomfortable questions of legitimacy. Whose choreographic work is staged as a 'quality' dance production? Which dance practices are worthy of scholarly study? Which practices are 'valuable enough' for decent archiving and institutionalization? What are the limits of dance studies' understanding of what dance is (and what it should be)? In view of reclaiming the Second World through dance, this book thus probes questionsthat should be asked today but are not easy to answer. We set out to explore questions that dance practitioners, facilitators, critics, and researchers, including ourselves, are often not at ease with either. In raising and discussing these, we intend to restore the role and meaning of dance and to offer necessary utopias for those living in a world torn by multiple crises. Through seeking to answer these questions, the cracks of dance history begin to be sealed, and neglected dance practices are written back into history, provided with the academic recognition that they deserve"--

ISBN: 9781350408180Subjects--Topical Terms:

1498226
Socialism and dance.
Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: GV1588.6 / .P67 2024eb

Dewey Class. No.: 792.80909/04

(Post)socialist dance = a search for hidden legacies /
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260 $a London ; $a New York : $b Methuen Drama, $c 2024.
300 $a 1 online resource (xii, 217 p.) : $b ill.
504 $a Includes bibliographical references and index.
505 0 $a Introductory essays. Postsocialism? : postsocialist studies and the three-worlds theory / Dunja Njaradi, Igor Koruga -- Dance? : dance studies and (post)socialist dance / Annelies Van Assche, Milica Ivić -- Part I: Dance history. One, two, three, comrade come, dance with me / Igor Koruga -- Choreography, revolution, war : Kozaračko kolo between anthropology and dance studies / Dunja Njaradi -- The complex reputation of a Yugoslav folklore ballet : a consideration of the legend of Ohrid's national character / Stefanie Van de Vyvere -- The world of art in the Russian world : post-Soviet rewritings of the Russian ballet / Hanna Järvinen -- Dancing in life : Inner Mongolia's Ulan Muchir grassland art troupesas socialist performance practice / Emily Wilcox -- Part II: Dance production and circulation. Conversations with Kinga : a tribute to the body and craftsmanship / Annelies Van Assche -- From revolutionary to reactionary : contemporarydance in Serbia between institutionalization and anti-institutionalization / Milica Ivić -- Dancing in ruins : Lorna and Gabriela Burdsall in Cuba and the diaspora / Elizabeth B Schwall -- Festival-making and choreography : tales of affordance and crises in the work of Dušan Murić / Alexandra Baybutt.
520 $a "This book sets out to search for the Second World - the (post)socialist context - in dance studies and examines the way it appears and reappears in today's globalized world. It traces hidden and invisibilized legacies over the spanof onecentury, probing questions that can make viewers, artists, and scholars uncomfortable regarding dance histories, memories, circulations and production modes in and around the (post)socialist world. Our understanding of 'dance' is broad andinclusive. The contributions delve into a variety of dance practices (folk, traditional, ballet, modern, contemporary), modes of dance production (institutionalization processes, festival-making and market logics), and dance circulations (between centres and peripheries, between different genres and styles). The main focus is Eastern Europe (including Russia) but the book also addresses Cuba and China. The hope is for theoretical developments engendered by this focus onthe Second World to be useful when applied to regions outside the book's scope. Its chapters span a range of lesser-known historical examples from the arts of Yugoslav regions (Magazinovic, Davico and The Legend of Ohrid) to Cuban postrevolutionary artists (Burdsall) and Mongolian Wulmanuqi troupes. The book's historical examples make the reader aware, too, of the (post)socialist bodies' influence in today's dance, including in contemporary dance scenes. The (post)socialist context promises to be a prosperous laboratory to explore uncomfortable questions of legitimacy. Whose choreographic work is staged as a 'quality' dance production? Which dance practices are worthy of scholarly study? Which practices are 'valuable enough' for decent archiving and institutionalization? What are the limits of dance studies' understanding of what dance is (and what it should be)? In view of reclaiming the Second World through dance, this book thus probes questionsthat should be asked today but are not easy to answer. We set out to explore questions that dance practitioners, facilitators, critics, and researchers, including ourselves, are often not at ease with either. In raising and discussing these, we intend to restore the role and meaning of dance and to offer necessary utopias for those living in a world torn by multiple crises. Through seeking to answer these questions, the cracks of dance history begin to be sealed, and neglected dance practices are written back into history, provided with the academic recognition that they deserve"-- $c Provided by publisher.
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650 0 $a Dance $x History $y 20th century. $3 836692
650 0 $a Post-communism $x Social aspects. $3 859588
650 6 $a Danse $y 20e siècle. $3 1498228
650 6 $a Postcommunisme $x Aspect social. $3 1498229
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700 1 $a Van Assche, Annelies. $e author. $3 1325223
700 1 $a Njaradi, Dunja. $3 1498223
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