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Sympathy, sensibility and the litera...
~
Csengei, Ildiko.
Sympathy, sensibility and the literature of feeling in the eighteenth century
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Sympathy, sensibility and the literature of feeling in the eighteenth century/ Ildiko Csengei.
Author:
Csengei, Ildiko.
Published:
Basingstoke :Palgrave Macmillan, : 2011.,
Description:
1 online resource (1 v.)
Subject:
English literature - History and criticism. - 18th century -
Online resource:
An electronic book accessible through the World Wide Web; click for information
ISBN:
9780230359178 (electronic bk.)
Sympathy, sensibility and the literature of feeling in the eighteenth century
Csengei, Ildiko.
Sympathy, sensibility and the literature of feeling in the eighteenth century
[electronic resource] /Ildiko Csengei. - Basingstoke :Palgrave Macmillan,2011. - 1 online resource (1 v.) - Palgrave studies in the Enlightenment, romanticism and cultures of print. - Palgrave studies in the Enlightenment, romanticism and cultures of print..
Includes bibliographical references and index.
Acknowledgments -- Introduction: Sensibility from the Margins -- PART I: PHILOSOPHIES AND PHYSIOLOGIES OF FEELING -- Philosophies of Sympathy -- The Feeling Machine -- PART II: THE LITERATURE OF SENSIBILITY -- 'I Will Not Weep': Tears of Sympathy in Henry Mackenzie's The Man of Feeling -- Women and the Negative: The Sentimental Swoon in Eighteenth-Century Fiction -- Godwin's Case: Melancholy Mourning in the 'Empire of Feeling' -- Bibliography -- Index.
Sympathy, Sensibility and the Literature of Feeling in the Eighteenth Century asks what makes it possible for self-interest, cruelty and violence to become part of sensibility : a cultural trend of compassion, benevolence and humanitarianism in the eighteenth-century. Csengei undertakes to investigate the darker side of sensibility by exploring forms of emotional response, including sympathy, tears, swooning and melancholia through a range of eighteenth-century contexts. The book offers fresh interpretations of core literary texts of sensibility (by Sarah Fielding, Laurence Sterne, Oliver Goldsmith, Jean-Jacques Rousseau and Henry Mackenzie), works by its most central philosophers (Shaftesbury, Francis Hutcheson, David Hume and Adam Smith), medical writings about sympathy, sensibility and irritability (Albrecht von Haller, Robert Whytt, La Mettrie), late eighteenth-century critiques of sensibility by Mary Wollstonecraft and Elizabeth Inchbald, along with William Godwin's papers, letters and diary. It also explores connections between eighteenth-century forms of feeling and more recent sciences of the psyche from psychoanalysis to the neurosciences.
ISBN: 9780230359178 (electronic bk.)
Standard No.: 9786613381286
Source: 523450Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
560013
English literature
--History and criticism.--18th centuryIndex Terms--Genre/Form:
554714
Electronic books.
LC Class. No.: PR851 / .C74 2011eb
Dewey Class. No.: 820.9005
Sympathy, sensibility and the literature of feeling in the eighteenth century
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Ildiko Csengei.
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1 online resource (1 v.)
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Acknowledgments -- Introduction: Sensibility from the Margins -- PART I: PHILOSOPHIES AND PHYSIOLOGIES OF FEELING -- Philosophies of Sympathy -- The Feeling Machine -- PART II: THE LITERATURE OF SENSIBILITY -- 'I Will Not Weep': Tears of Sympathy in Henry Mackenzie's The Man of Feeling -- Women and the Negative: The Sentimental Swoon in Eighteenth-Century Fiction -- Godwin's Case: Melancholy Mourning in the 'Empire of Feeling' -- Bibliography -- Index.
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Sympathy, Sensibility and the Literature of Feeling in the Eighteenth Century asks what makes it possible for self-interest, cruelty and violence to become part of sensibility : a cultural trend of compassion, benevolence and humanitarianism in the eighteenth-century. Csengei undertakes to investigate the darker side of sensibility by exploring forms of emotional response, including sympathy, tears, swooning and melancholia through a range of eighteenth-century contexts. The book offers fresh interpretations of core literary texts of sensibility (by Sarah Fielding, Laurence Sterne, Oliver Goldsmith, Jean-Jacques Rousseau and Henry Mackenzie), works by its most central philosophers (Shaftesbury, Francis Hutcheson, David Hume and Adam Smith), medical writings about sympathy, sensibility and irritability (Albrecht von Haller, Robert Whytt, La Mettrie), late eighteenth-century critiques of sensibility by Mary Wollstonecraft and Elizabeth Inchbald, along with William Godwin's papers, letters and diary. It also explores connections between eighteenth-century forms of feeling and more recent sciences of the psyche from psychoanalysis to the neurosciences.
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