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Constructing crime = discourse and c...
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Palgrave Connect (Online service)
Constructing crime = discourse and cultural representations of crime and 'deviance' /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Constructing crime/ edited by Christiana Gregoriou.
Reminder of title:
discourse and cultural representations of crime and 'deviance' /
other author:
Gregoriou, Christiana,
Published:
Basingstoke :Palgrave Macmillan, : 2012.,
Description:
1 online resource (1 v.) :ill. :
Notes:
Includes index.
Subject:
Crime in popular culture. -
Online resource:
An electronic book accessible through the World Wide Web; click for information
ISBN:
9780230392083 (electronic bk.)
Constructing crime = discourse and cultural representations of crime and 'deviance' /
Constructing crime
discourse and cultural representations of crime and 'deviance' /[electronic resource] :edited by Christiana Gregoriou. - Basingstoke :Palgrave Macmillan,2012. - 1 online resource (1 v.) :ill.
Includes index.
Includes bibliographical references and index.
Editor Preface -- Notes on Contributors -- PART I: CONSTRUCTING CRIMINAL FACTS -- The Devil Drives a Lada: The Social Construction of Hackers as the Cybercriminal; D.S.Wall -- Scanning Bodies, Stripping Rights? How do UK's Media Discourses Portray Airport Security Measures?; C.Gregoriou & P.Troullinou -- Narrative and Historical Truth in Delayed Civil Actions for Child Abuse; T.Ward -- The Edgier Waters of the Era: Gordon Burn's Somebody's Husband, Somebody's Son; M.Colebrook -- PART II: CONSTRUCTING CRIMINAL FICTIONS -- Cogito ergo sum: Criminal Logic and Mad-Discourse in Shutter Island; M.E.Iwen -- 'ARMAGGEDON WAS YESTERDAY- TODAY WE HAVE A SERIOUS PROBLEM': Pre- and post- millennial Tropes for Crime and Criminality in Fiction by David Peace and Stieg Larsson; R.Brown -- 'It's a sin [...] Using Ludwig van like that. He did no harm to anyone, Beethoven just wrote music': The Role of the Incongruent Soundtrack in the Representation of the Cinematic Criminal; D.Ireland -- Criminal Publication and Victorian Prefaces: Suspending Disbelief in Sensation Fiction; M.Effron -- PART III: CONSTRUCTING SOCIAL IDENTITIES AND WRONGDOINGS -- Crime through a Corpus: The Linguistic Construction of Offenders in the British Press; U.Tabbert -- Popular Faces of Crime in Spain; A.Sinclair -- Reinventing the Badman in Jamaican Fiction and Film; L.Evans -- Neurotecs: Detectives, Disability and Cognitive Exceptionality in Contemporary Fiction; S.Murray -- PART IV: CONSTRUCTING GENDERED CRIME -- Engendering Violence: Textual and Sexual Torture in Val McDermid's The Mermaids Singing; K.Watson -- Life of Crime: Feminist Crime/Life Writing in Sara Paretsky, Writing in an Age of Silence, P.D. James, Time to be in Earnest: A Fragment of Autobiography, and Val McDermid, A Suitable Job for a Woman: Inside the World of Women Private Eyes; C.Beyer -- Understanding Aileen Wuornos: Pushing the Limits of Empathy; M.Koolen.
Crime and criminals are a pervasive theme in all areas of our culture, including media, journalism, film and literature. Drawn from a range of areas including Spanish, English Language and Literature, Music, Criminology, Gender, Law, Cultural and Criminal Justice Studies, the contributors in this cross-disciplinary collection explore how crime is constructed and culturally represented. The essays explore the ways criminal discourses needlessly construct myths, generate fear and panic, and even hinder our personal freedoms and rights. They examine popular crime fiction and culture, and look at the ways identities are constructed in narratives of crime from across different ages and cultural contexts. Finally, the book addresses how crime can bring to light taboos, stereotypes and schemata relating to gender and sexuality.
ISBN: 9780230392083 (electronic bk.)Subjects--Topical Terms:
810586
Crime in popular culture.
Index Terms--Genre/Form:
554714
Electronic books.
LC Class. No.: HV6030 / .C66 2012
Dewey Class. No.: 364
Constructing crime = discourse and cultural representations of crime and 'deviance' /
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discourse and cultural representations of crime and 'deviance' /
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edited by Christiana Gregoriou.
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Editor Preface -- Notes on Contributors -- PART I: CONSTRUCTING CRIMINAL FACTS -- The Devil Drives a Lada: The Social Construction of Hackers as the Cybercriminal; D.S.Wall -- Scanning Bodies, Stripping Rights? How do UK's Media Discourses Portray Airport Security Measures?; C.Gregoriou & P.Troullinou -- Narrative and Historical Truth in Delayed Civil Actions for Child Abuse; T.Ward -- The Edgier Waters of the Era: Gordon Burn's Somebody's Husband, Somebody's Son; M.Colebrook -- PART II: CONSTRUCTING CRIMINAL FICTIONS -- Cogito ergo sum: Criminal Logic and Mad-Discourse in Shutter Island; M.E.Iwen -- 'ARMAGGEDON WAS YESTERDAY- TODAY WE HAVE A SERIOUS PROBLEM': Pre- and post- millennial Tropes for Crime and Criminality in Fiction by David Peace and Stieg Larsson; R.Brown -- 'It's a sin [...] Using Ludwig van like that. He did no harm to anyone, Beethoven just wrote music': The Role of the Incongruent Soundtrack in the Representation of the Cinematic Criminal; D.Ireland -- Criminal Publication and Victorian Prefaces: Suspending Disbelief in Sensation Fiction; M.Effron -- PART III: CONSTRUCTING SOCIAL IDENTITIES AND WRONGDOINGS -- Crime through a Corpus: The Linguistic Construction of Offenders in the British Press; U.Tabbert -- Popular Faces of Crime in Spain; A.Sinclair -- Reinventing the Badman in Jamaican Fiction and Film; L.Evans -- Neurotecs: Detectives, Disability and Cognitive Exceptionality in Contemporary Fiction; S.Murray -- PART IV: CONSTRUCTING GENDERED CRIME -- Engendering Violence: Textual and Sexual Torture in Val McDermid's The Mermaids Singing; K.Watson -- Life of Crime: Feminist Crime/Life Writing in Sara Paretsky, Writing in an Age of Silence, P.D. James, Time to be in Earnest: A Fragment of Autobiography, and Val McDermid, A Suitable Job for a Woman: Inside the World of Women Private Eyes; C.Beyer -- Understanding Aileen Wuornos: Pushing the Limits of Empathy; M.Koolen.
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Crime and criminals are a pervasive theme in all areas of our culture, including media, journalism, film and literature. Drawn from a range of areas including Spanish, English Language and Literature, Music, Criminology, Gender, Law, Cultural and Criminal Justice Studies, the contributors in this cross-disciplinary collection explore how crime is constructed and culturally represented. The essays explore the ways criminal discourses needlessly construct myths, generate fear and panic, and even hinder our personal freedoms and rights. They examine popular crime fiction and culture, and look at the ways identities are constructed in narratives of crime from across different ages and cultural contexts. Finally, the book addresses how crime can bring to light taboos, stereotypes and schemata relating to gender and sexuality.
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