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Mei Lanfang and the twentieth-centur...
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Palgrave Connect (Online Service)
Mei Lanfang and the twentieth-century international stage = Chinese theatre placed and displaced /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Mei Lanfang and the twentieth-century international stage/ Min Tian.
Reminder of title:
Chinese theatre placed and displaced /
Author:
Tian, Min,
Published:
New York :Palgrave Macmillan, : 2012.,
Description:
1 online resource (298 p.) :ill. :
Subject:
Theater - History - 20th century. - China -
Online resource:
http://www.palgraveconnect.com/doifinder/10.1057/9781137010438
ISBN:
9781137010438 (electronic bk.)
Mei Lanfang and the twentieth-century international stage = Chinese theatre placed and displaced /
Tian, Min,1958-
Mei Lanfang and the twentieth-century international stage
Chinese theatre placed and displaced /[electronic resource] :Min Tian. - 1st ed. - New York :Palgrave Macmillan,2012. - 1 online resource (298 p.) :ill. - Palgrave studies in theatre and performance history. - Palgrave studies in theatre and performance history..
Includes bibliographical references and index.
Introduction -- Redefining a cultural nation and reifying a theatre tradition: Mei Lanfang's international debut in Japan -- The gentlemanly "leading lady" as "ambassador in art": Mei Lanfang's 1930-tour of the United States -- Glory or shame to the Chinese nation: the Chinese debate on Mei Lanfang's 1935-visit to the Soviet Union -- Learning "the practical lesson": the interpretations and appropriations of Mei Lanfang's art by the Soviet theatre -- The effect of displacement: Bertolt Brecht's interpretation and refunctioning of Mei Lanfang's art -- Conclusion.
Focusing on Mei Lanfang's tours of Japan, the United States, and the Soviet Union, Min Tian investigates the presence and placement of Mei Lanfang, an internationally known Chinese actor who specialized in female roles, and the Chinese theatre on the twentieth-century international stage. A critical examination of the intercultural interpretations and appropriations of Mei Lanfang's art and the Chinese theatre by such key figures as Brecht, Meyerhold, Eisenstein, Tairov, and Eugenio Barba, this book also throws new light on the intercultural formation and construction of the twentieth-century international theatre.
ISBN: 9781137010438 (electronic bk.)
Standard No.: 9786613440402
Source: 579233Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:
836711
Mei, Lanfang,
1894-1961--Criticism and interpretation.Subjects--Topical Terms:
836713
Theater
--History--China--20th century.Index Terms--Genre/Form:
554714
Electronic books.
LC Class. No.: PN2878.M4 / T53 2012
Dewey Class. No.: 792.02/8092
Mei Lanfang and the twentieth-century international stage = Chinese theatre placed and displaced /
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[electronic resource] :
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Chinese theatre placed and displaced /
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1st ed.
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ill.
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Includes bibliographical references and index.
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Introduction -- Redefining a cultural nation and reifying a theatre tradition: Mei Lanfang's international debut in Japan -- The gentlemanly "leading lady" as "ambassador in art": Mei Lanfang's 1930-tour of the United States -- Glory or shame to the Chinese nation: the Chinese debate on Mei Lanfang's 1935-visit to the Soviet Union -- Learning "the practical lesson": the interpretations and appropriations of Mei Lanfang's art by the Soviet theatre -- The effect of displacement: Bertolt Brecht's interpretation and refunctioning of Mei Lanfang's art -- Conclusion.
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Focusing on Mei Lanfang's tours of Japan, the United States, and the Soviet Union, Min Tian investigates the presence and placement of Mei Lanfang, an internationally known Chinese actor who specialized in female roles, and the Chinese theatre on the twentieth-century international stage. A critical examination of the intercultural interpretations and appropriations of Mei Lanfang's art and the Chinese theatre by such key figures as Brecht, Meyerhold, Eisenstein, Tairov, and Eugenio Barba, this book also throws new light on the intercultural formation and construction of the twentieth-century international theatre.
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