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Acoustic interculturalism = listening to performance /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Acoustic interculturalism/ Marcus Cheng Chye Tan.
Reminder of title:	listening to performance /
Author:	Tan, Marcus Cheng Chye.
Published:	Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan, : 2012.,
Description:	xii, 259 p. :ill., music ; : 23 cm.;
Subject:	Intercultural communication in the performing arts. -
Online resource:	An electronic book accessible through the World Wide Web; click for information
ISBN:	9781137016959 (electronic bk.)

Acoustic interculturalism = listening to performance /
Tan, Marcus Cheng Chye.

Acoustic interculturalismlistening to performance /[electronic resource] :Marcus Cheng Chye Tan. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2012. - xii, 259 p. :ill., music ;23 cm. - Studies in international performance. - Studies in international performance..

Includes bibliographical references and index.

Acknowledgements -- Introduction: The Intercultural Topography and an Acoustic Interculturalism -- The Performativity of Sound and the Soundscapes of Culture -- Acoustic Mimesis: Ethical Cadence and Sonic Violence in Tambours Sur La Digue -- (Echo)Locating Other-Shakespeares: An Aesthetics of Pop & the Ear of the Other -- Listening In/To Asia: Ong Keng Sen's Desdemona and the Polyphonies of Asia -- 'If Music Be The Food Of Love': -- Conclusion: After Authenticity: Naming the Intercultural -- Bibliography -- Index.

This book is timely in addressing the role of sound and music in intercultural performances. While the acoustics of performance is often regarded as equally important in experiencing the intercultural spectacle, little attention has been paid to sound's meaning and function in the ways that it generates meaning or contributes to the experience of viewing. Being the first sustained study of how an aural attention to performance shapes the intercultural experience, Tan poses critical questions about the performative nature of sound. Employing an interdisciplinary approach, Acoustic Interculturalism explores the ways in which music and the voice demarcate cultural histories and spaces, and how, in their intercultural use, these audial relations in turn acoustically reflect the cultural-political negotiations salient on the intercultural stage. Tan advances an importance of 'listening' to performance and through close analysis of a range of intercultural productions, he further postulates that sound can provide alternative means of accessing and comprehending the intercultural.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2012.

Mode of access: World Wide Web.

ISBN: 9781137016959 (electronic bk.)

Source: 536610Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

860847
Intercultural communication in the performing arts.
Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: PN2039 / .T36 2012

Dewey Class. No.: 792.01

Acoustic interculturalism = listening to performance /
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505 0 $a Introduction: the intercultural topography and an acoustic interculturalism -- The performativity of sound and the soundscapes of culture -- Acoustic mimesis: ethical cadence and sonic violence in Tambours Sur La Digue -- (Echo)locating other-Shakespeares: an aesthetics of pop & the ear of the other -- Listening in/to Asia: Ong Keng Sen's Desdemona and the polyphonies of Asia -- "If music be the food of love": "fourth world" universals in Ong Keng Sen's Awaking -- Conclusion: after authenticity: naming the intercultural.
520 $a This book is timely in addressing the role of sound and music in intercultural performances. While the acoustics of performance is often regarded as equally important in experiencing the intercultural spectacle, little attention has been paid to sound's meaning and function in the ways that it generates meaning or contributes to the experience of viewing. Being the first sustained study of how an aural attention to performance shapes the intercultural experience, Tan poses critical questions about the performative nature of sound. Employing an interdisciplinary approach, Acoustic Interculturalism explores the ways in which music and the voice demarcate cultural histories and spaces, and how, in their intercultural use, these audial relations in turn acoustically reflect the cultural-political negotiations salient on the intercultural stage. Tan advances an importance of 'listening' to performance and through close analysis of a range of intercultural productions, he further postulates that sound can provide alternative means of accessing and comprehending the intercultural.
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