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Computer vision for visual effects /

Radke, Richard J., (1974-)

Computer vision for visual effects /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Computer vision for visual effects // Richard J. Radke.
Author:	Radke, Richard J.,
Published:	Cambridge :Cambridge University Press, : 2013.,
Description:	ix, 398 p. :ill. (some col.) ; : 27 cm.;
Subject:	Cinematography - Special effects -
Online resource:	http://www.loc.gov/catdir/enhancements/fy1210/2012017763-b.html
Online resource:	http://www.loc.gov/catdir/enhancements/fy1210/2012017763-d.html
Online resource:	http://www.loc.gov/catdir/enhancements/fy1210/2012017763-t.html
ISBN:	9780521766876 (cloth) :

Computer vision for visual effects /
Radke, Richard J.,1974-

Computer vision for visual effects /Richard J. Radke. - Cambridge :Cambridge University Press,2013. - ix, 398 p. :ill. (some col.) ;27 cm.

Includes bibliographical references (p. 367-392) and index.

Machine generated contents note: 1. Introduction; 2. Image matting; 3. Image compositing and editing; 4. Features and matching; 5. Dense correspondence and its applications; 6. Matchmoving; 7. Motion capture; 8. Three-dimensional data acquisition; Appendix: optimization algorithms for computer vision.

"Modern blockbuster movies seamlessly introduce impossible characters and action into real-world settings using digital visual effects. These effects are made possible by research from the field of computer vision, the study of how to automatically understand images. Computer Vision for Visual Effects will educate students, engineers and researchers about the fundamental computer vision principles and state-of-the-art algorithms used to create cutting-edge visual effects for movies and television. The author describes classical computer vision algorithms used on a regular basis in Hollywood (such as blue screen matting, structure from motion, optical flow and feature tracking) and exciting recent developments that form the basis for future effects (such as natural image matting, multi-image compositing, image retargeting and view synthesis). He also discusses the technologies behind motion capture and three-dimensional data acquisition. More than 200 original images demonstrating principles, algorithms and results, along with in-depth interviews with Hollywood visual effects artists, tie the mathematical concepts to real-world filmmaking"--

ISBN: 9780521766876 (cloth) :NT2101

LCCN: 2012017763Subjects--Topical Terms:

596369
Cinematography
--Special effects

LC Class. No.: TR858 / .R33 2013

Dewey Class. No.: 621.39/93

Computer vision for visual effects /
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020 $a 9780521766876 (cloth) : $c NT2101
035 $a 2012017763
040 $a DLC $b eng $c DLC $e rda $d DLC $d NFU $e CCR
041 0 # $a eng
042 $a pcc
050 0 0 $a TR858 $b .R33 2013
082 0 0 $a 621.39/93 $2 23
100 1 $a Radke, Richard J., $d 1974- $3 886080
245 1 0 $a Computer vision for visual effects / $c Richard J. Radke.
260 # $a Cambridge : $c 2013. $b Cambridge University Press,
300 $a ix, 398 p. : $b ill. (some col.) ; $c 27 cm.
504 $a Includes bibliographical references (p. 367-392) and index.
505 8 # $a Machine generated contents note: 1. Introduction; 2. Image matting; 3. Image compositing and editing; 4. Features and matching; 5. Dense correspondence and its applications; 6. Matchmoving; 7. Motion capture; 8. Three-dimensional data acquisition; Appendix: optimization algorithms for computer vision.
520 # $a "Modern blockbuster movies seamlessly introduce impossible characters and action into real-world settings using digital visual effects. These effects are made possible by research from the field of computer vision, the study of how to automatically understand images. Computer Vision for Visual Effects will educate students, engineers and researchers about the fundamental computer vision principles and state-of-the-art algorithms used to create cutting-edge visual effects for movies and television. The author describes classical computer vision algorithms used on a regular basis in Hollywood (such as blue screen matting, structure from motion, optical flow and feature tracking) and exciting recent developments that form the basis for future effects (such as natural image matting, multi-image compositing, image retargeting and view synthesis). He also discusses the technologies behind motion capture and three-dimensional data acquisition. More than 200 original images demonstrating principles, algorithms and results, along with in-depth interviews with Hollywood visual effects artists, tie the mathematical concepts to real-world filmmaking"-- $c Provided by publisher.
650 # 0 $a Cinematography $x Special effects $x Data processing. $3 596369
650 # 0 $a Computer vision. $3 561800
856 4 2 $3 Contributor biographical information $u http://www.loc.gov/catdir/enhancements/fy1210/2012017763-b.html
856 4 2 $3 Publisher description $u http://www.loc.gov/catdir/enhancements/fy1210/2012017763-d.html
856 4 1 $3 Table of contents only $u http://www.loc.gov/catdir/enhancements/fy1210/2012017763-t.html