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Cyborg theatre = corporeal/technolog...
~
Parker-Starbuck, Jennifer, (1962-)
Cyborg theatre = corporeal/technological intersections in multimedia performance /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Cyborg theatre/ Jennifer Parker-Starbuck.
Reminder of title:
corporeal/technological intersections in multimedia performance /
Author:
Parker-Starbuck, Jennifer,
Published:
Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan, : c2011.,
Description:
1 online resource (xv, 241 p.) :ill. :
Subject:
Experimental theater. -
Online resource:
An electronic book accessible through the World Wide Web; click for information
ISBN:
9780230306523 (electronic bk.)
Cyborg theatre = corporeal/technological intersections in multimedia performance /
Parker-Starbuck, Jennifer,1962-
Cyborg theatre
corporeal/technological intersections in multimedia performance /[electronic resource] :Jennifer Parker-Starbuck. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,c2011. - 1 online resource (xv, 241 p.) :ill. - Performance interventions. - Performance interventions..
Includes bibliographical references (p. 212-231) and index.
Introduction : why cyborg theatre? -- Backspace : historical/theoretical intersections -- Shifting the balance : "abject" bodies -- "Object of control" : framing the fragments -- Entering the view : triangulating "subject" bodies -- Conclusion : remembering bodies, becoming-cyborg.
Cyborg Theatre investigates the role of bodies within the expanding field of multimedia performance. This innovative study articulates the first theoretical context for a 'cyborg theatre' that metaphorically integrates on-stage bodies with the technologized, digitized, or mediatized, to radically reimagine subjectivity in our posthuman age. Parker-Starbuck covers a variety of provocative examples, both historical and contemporary, to propose new theoretical tools for understanding performance in our changing world. She offers a compelling feminist-inspired argument for the ways in which a range of bodies appearing onstage with new technologies serve to challenge notions of identity and destabilize historical binaries. Through a variety of critical lenses, she considers the ways in which bodies are already integrated with technology and the questions this raises in and through performance. The focus on the body is a necessary theorizing of this emergent field, which is often understood solely through the technology on stage.
ISBN: 9780230306523 (electronic bk.)
Standard No.: 9786613124623
Source: 397782Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
937474
Experimental theater.
Subjects--Index Terms:
Cyborg theaterIndex Terms--Genre/Form:
554714
Electronic books.
LC Class. No.: PN2193.E86 / P37 2011
Dewey Class. No.: 792
Cyborg theatre = corporeal/technological intersections in multimedia performance /
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Jennifer Parker-Starbuck.
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Includes bibliographical references (p. 212-231) and index.
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Introduction : why cyborg theatre? -- Backspace : historical/theoretical intersections -- Shifting the balance : "abject" bodies -- "Object of control" : framing the fragments -- Entering the view : triangulating "subject" bodies -- Conclusion : remembering bodies, becoming-cyborg.
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Cyborg Theatre investigates the role of bodies within the expanding field of multimedia performance. This innovative study articulates the first theoretical context for a 'cyborg theatre' that metaphorically integrates on-stage bodies with the technologized, digitized, or mediatized, to radically reimagine subjectivity in our posthuman age. Parker-Starbuck covers a variety of provocative examples, both historical and contemporary, to propose new theoretical tools for understanding performance in our changing world. She offers a compelling feminist-inspired argument for the ways in which a range of bodies appearing onstage with new technologies serve to challenge notions of identity and destabilize historical binaries. Through a variety of critical lenses, she considers the ways in which bodies are already integrated with technology and the questions this raises in and through performance. The focus on the body is a necessary theorizing of this emergent field, which is often understood solely through the technology on stage.
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