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Crossing sex and gender in Latin America
~
Lewis, Vek.
Crossing sex and gender in Latin America
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Crossing sex and gender in Latin America/ Vek Lewis.
作者:
Lewis, Vek.
出版者:
New York, NY :Palgrave Macmillan, : 2010.,
面頁冊數:
1 online resource (271 p.)
標題:
Latin American literature - History and criticism. - 20th century -
電子資源:
An electronic book accessible through the World Wide Web; click for information
ISBN:
9780230109964 (electronic bk.)
Crossing sex and gender in Latin America
Lewis, Vek.
Crossing sex and gender in Latin America
[electronic resource] /Vek Lewis. - 1st ed. - New York, NY :Palgrave Macmillan,2010. - 1 online resource (271 p.)
Includes bibliographical references (p. [249]-264) and index.
-- Thinking Figurations Otherwise: Reframing Dominant Knowledges on Sex/Gender Variance in Latin America -- Grotesque Spectacles: the Janus Face of the State and Gender Variant Bodies in Reinaldo Arenas -- Life is (More than) a Cabaret: Gender Crossing and 'Trans' Signification in Contemporary Cinema from Latin America -- Authorising Subjectivity: Eroticism, Epidemia and the In/validation of Bodies in Pedro Juan Gut�irrez's El Rey de La Habana and Mario Bellatin's Sa�ln de Belleza -- Trans bodies, Popular Culture and (National) Identity in Crisis: Luis Zapata's La Hermana Secreta de An�glica Ma�ra and Mayra Santos-Febres's Sirena Selena Vestida de Pena -- Scandalous Embodiments, Shameful Citizenships: Loca and Travesti Subjectivities in the Work of Pedro Lemebel.
Signifying "others" or signs of life? This book critically examines the ways in which crossing sex and gender is imagined in key cultural texts from contemporary Latin America. Unlike previous studies, Crossing Sex and Gender in Latin America does not hold that sexually diverse figures are always and only performative or allegorical and instead places the accent on questions of the presence or absence of an account of subjectivity in contemporary representation. Via analysis of selected films and literary works of Reinaldo Arenas, Mayra Santos-Febres, Pedro Lemebel, among others, the author reflects on the political implications of recent visions (1985-2005).
ISBN: 9780230109964 (electronic bk.)
Standard No.: 9786613253330
Source: 485864Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
572433
Latin American literature
--History and criticism.--20th centuryIndex Terms--Genre/Form:
554714
Electronic books.
LC Class. No.: PQ7081 / .L4535 2010
Dewey Class. No.: 860.9/35266
Crossing sex and gender in Latin America
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-- Thinking Figurations Otherwise: Reframing Dominant Knowledges on Sex/Gender Variance in Latin America -- Grotesque Spectacles: the Janus Face of the State and Gender Variant Bodies in Reinaldo Arenas -- Life is (More than) a Cabaret: Gender Crossing and 'Trans' Signification in Contemporary Cinema from Latin America -- Authorising Subjectivity: Eroticism, Epidemia and the In/validation of Bodies in Pedro Juan Gut�irrez's El Rey de La Habana and Mario Bellatin's Sa�ln de Belleza -- Trans bodies, Popular Culture and (National) Identity in Crisis: Luis Zapata's La Hermana Secreta de An�glica Ma�ra and Mayra Santos-Febres's Sirena Selena Vestida de Pena -- Scandalous Embodiments, Shameful Citizenships: Loca and Travesti Subjectivities in the Work of Pedro Lemebel.
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Thinking figurations otherwise: reframing dominant knowledges on sex and gender variance in Latin America -- Grotesque spectacles: the Janus face of the State and gender variant bodies in Reinaldo Arenas -- Life is (more than) a cabaret: gender crossing and "trans" signification in contemporary cinema from Latin America -- Authorising subjectivity: eroticism, epidemia and the in/validation of bodies in Pedro Juan Guti�errez's el Rey de la habana and Mario Bellatin's Sal�on de belleza -- Trans bodies, popular culture and (national) identity in crisis: Luis Zapata's La hermana secreta de Ang�elica Mar�ia and Mayra Santos-Febres's Sirena Selena vestida de pena -- Scandalous embodiments, shameful citizenships: loca and travesti subjectivities in the work of Pedro Lemebel.
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